Metamorfosi
open access | peer reviewedKeywords War • Pakistani Art • Videoart • Animality • Annibal Caro • Postwar Print Art • Tombs • Ecfrasis • Biomorphic Abstraction • Venice • Arte povera • Guggenheim Museum • Basilisk • Contemporary Art • Viani • Olga Tobreluts • Monster • Sacred space • Jacopo Foscarini • Arch • Waterplays • Transnational Art • Modernism • Rooster • Birolli • Digital Collage • Facial Mutilations • South Asian Art • Liturgical furnishings • Romanitas • Snake • Parody • Zadar • Saint marina • Arp • Body • Global Art • Medieval churches • Trauma • Battle of Lepanto • Venetian self-representation • Picasso • Germano Celant • Zoomorphism • Remediation • Renaissance hydraulic engineering • Fountains • New Renaissance • Grotesque • Medieval oriental cults • Metamorphosis • Ornament • Claudio Tolomei • Made in Italy • Armour • Masson • Humanist imagery • The Italian Metamorphosis 1943-1968 • Neoacademism • Forties
Permalink http://doi.org/10.30687/VA/2385-2720/2023/01 | Pubblicato 20 Dicembre 2023 | Lingua EN, en, it
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