Rivista |
Venezia Arti
Fascicolo monografico | 32 | 2023
Keywords Biomorphic Abstraction • Venetian self-representation • Videoart • Medieval churches • Ecfrasis • Snake • Animality • Waterplays • Germano Celant • Saint marina • Liturgical furnishings • Picasso • Transnational Art • Global Art • Metamorphosis • Claudio Tolomei • New Renaissance • Battle of Lepanto • Masson • Forties • Fountains • Grotesque • Birolli • Trauma • Remediation • Annibal Caro • Contemporary Art • Olga Tobreluts • Modernism • Zadar • Body • Made in Italy • Monster • Arte povera • Digital Collage • Romanitas • Basilisk • Rooster • Guggenheim Museum • Renaissance hydraulic engineering • Postwar Print Art • Neoacademism • Viani • Arch • War • Parody • Armour • Medieval oriental cults • Jacopo Foscarini • Ornament • Zoomorphism • South Asian Art • Pakistani Art • Facial Mutilations • Venice • Arp • Tombs • Sacred space • Humanist imagery • The Italian Metamorphosis 1943-1968
Permalink http://doi.org/10.30687/VA/2385-2720/2023/01 | Pubblicato 20 Dicembre 2023 | Lingua EN, it, en
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Medioevo ed Età Moderna
Contemporaneo