Venezia Arti Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Rivista | Venezia Arti
Fascicolo | 30 | 2021

Originale/Copia

open access | peer reviewed

Keywords Museum • Italian art literature • Daniel Arasse • Ephemerality • Geometric dance • Medici’s dynasty • Performance • Portraits • Programmed art • Score • Farsetti, Daniele • Museum Studies • Weimar Art Theory • Eighteenth century • Painting • Original • Art copies • ‘Second original’ • Copy/original • Paintings collecting • Race • Venice • History of collecting • Contemporary art • Copyright law • Letters • Photography • Titian • Open work • Originality • Guardi, Antonio • Postmodern dance • Collecting • Contemporary dance • Filippo Baldinucci • Aura • Multiples • Re-enactment • Theory • Farsetti Collection • Ottoman Sultans • Seriality • Fake • Visual semiotics • Hamburger Faksimile-Streit • Theory of art • Punctum/studium • Rubens • Ovid’s Metamorphoses • Copying • Copy • Alexander Dorner • Collective work • Diana and Callisto • Gradenigo, Pietro • Reconstruction • Paolo Giovio • Dance • Originals/Copies • Details • Muletti, Sebastiano

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Pubblicato 21 Dicembre 2021 | Lingua it, en

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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