Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Originale/Copia

open access | peer reviewed

Keywords Italian art literature • Museum • Museum Studies • Portraits • Originality • ‘Second original’ • Daniel Arasse • Titian • Geometric dance • Seriality • Punctum/studium • Hamburger Faksimile-Streit • Letters • Theory of art • Reconstruction • Ottoman Sultans • Painting • Guardi, Antonio • Race • Venice • Score • Paintings collecting • Muletti, Sebastiano • Eighteenth century • History of collecting • Multiples • Aura • Theory • Farsetti Collection • Paolo Giovio • Ephemerality • Performance • Open work • Rubens • Diana and Callisto • Copying • Programmed art • Filippo Baldinucci • Collecting • Copyright law • Ovid’s Metamorphoses • Photography • Postmodern dance • Copy • Contemporary dance • Gradenigo, Pietro • Contemporary art • Fake • Dance • Details • Original • Alexander Dorner • Art copies • Visual semiotics • Collective work • Weimar Art Theory • Originals/Copies • Re-enactment • Medici’s dynasty • Copy/original • Farsetti, Daniele

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Pubblicato 21 Dicembre 2021 | Lingua it, en

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