Venezia Arti Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Rivista | Venezia Arti
Fascicolo | 30 | 2021

Originale/Copia

open access | peer reviewed

Keywords Original • Theory of art • Punctum/studium • Contemporary art • Photography • Weimar Art Theory • Geometric dance • Paolo Giovio • Open work • Copy • Visual semiotics • Diana and Callisto • Contemporary dance • Ovid’s Metamorphoses • Race • Paintings collecting • Eighteenth century • Farsetti, Daniele • Reconstruction • Italian art literature • Farsetti Collection • Fake • Gradenigo, Pietro • Ephemerality • Daniel Arasse • Copying • Copy/original • Aura • Letters • Performance • Programmed art • Originality • Alexander Dorner • Filippo Baldinucci • Guardi, Antonio • Rubens • Painting • Ottoman Sultans • Titian • History of collecting • Museum Studies • ‘Second original’ • Medici’s dynasty • Score • Collecting • Collective work • Theory • Hamburger Faksimile-Streit • Postmodern dance • Art copies • Re-enactment • Venice • Portraits • Muletti, Sebastiano • Multiples • Museum • Originals/Copies • Dance • Details • Seriality • Copyright law

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Pubblicato 21 Dicembre 2021 | Lingua en, it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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