Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Originale/Copia

open access | peer reviewed

Keywords Geometric dance • Original • Muletti, Sebastiano • Ottoman Sultans • Visual semiotics • Medici’s dynasty • Eighteenth century • Ephemerality • Aura • History of collecting • Titian • Guardi, Antonio • Gradenigo, Pietro • Programmed art • Multiples • Photography • Fake • Weimar Art Theory • Open work • Portraits • Seriality • Paolo Giovio • Race • Paintings collecting • Rubens • Italian art literature • Copy • Ovid’s Metamorphoses • Letters • Painting • Punctum/studium • ‘Second original’ • Copying • Daniel Arasse • Contemporary dance • Venice • Copyright law • Theory • Dance • Details • Originality • Performance • Reconstruction • Farsetti, Daniele • Originals/Copies • Re-enactment • Collecting • Museum Studies • Farsetti Collection • Postmodern dance • Contemporary art • Art copies • Collective work • Copy/original • Museum • Hamburger Faksimile-Streit • Filippo Baldinucci • Score • Theory of art • Alexander Dorner • Diana and Callisto

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Pubblicato 21 Dicembre 2021 | Lingua en, it

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