Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Originale/Copia

open access | peer reviewed

Keywords Contemporary dance • Score • Copy • Copying • Dance • Museum • Museum Studies • Letters • Programmed art • Portraits • Collecting • Race • Muletti, Sebastiano • Rubens • Medici’s dynasty • ‘Second original’ • Photography • Open work • Performance • Italian art literature • Paolo Giovio • Eighteenth century • Copyright law • Ovid’s Metamorphoses • Hamburger Faksimile-Streit • Re-enactment • Copy/original • Filippo Baldinucci • Venice • Punctum/studium • Originals/Copies • Weimar Art Theory • Geometric dance • Seriality • Theory • Reconstruction • Aura • Visual semiotics • Daniel Arasse • Gradenigo, Pietro • Multiples • Diana and Callisto • Originality • Farsetti Collection • Art copies • Fake • Farsetti, Daniele • History of collecting • Ephemerality • Collective work • Ottoman Sultans • Guardi, Antonio • Painting • Paintings collecting • Theory of art • Titian • Alexander Dorner • Original • Contemporary art • Postmodern dance • Details

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Pubblicato 21 Dicembre 2021 | Lingua en, it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.