Rivista | Venezia Arti
Fascicolo | 30 | 2021
Keywords Art copies • Ovid’s Metamorphoses • Details • Postmodern dance • Copying • Race • Farsetti Collection • Aura • Contemporary dance • Geometric dance • Muletti, Sebastiano • Reconstruction • ‘Second original’ • Italian art literature • Weimar Art Theory • Score • Original • Guardi, Antonio • Hamburger Faksimile-Streit • Multiples • Theory • Eighteenth century • Letters • Ephemerality • Alexander Dorner • Copy/original • Daniel Arasse • Paolo Giovio • Paintings collecting • Originals/Copies • Programmed art • Theory of art • Diana and Callisto • Rubens • Open work • Venice • Filippo Baldinucci • History of collecting • Re-enactment • Ottoman Sultans • Originality • Performance • Titian • Visual semiotics • Museum Studies • Punctum/studium • Medici’s dynasty • Seriality • Copy • Museum • Farsetti, Daniele • Fake • Copyright law • Portraits • Painting • Photography • Contemporary art • Collecting • Collective work • Dance • Gradenigo, Pietro
Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Pubblicato 21 Dicembre 2021 | Lingua en, it
Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Medioevo e età moderna
Contemporaneo
Alia itinera