Venezia Arti

Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Originale/Copia

open access | peer reviewed

Keywords Ephemerality • Paintings collecting • Portraits • Fake • Hamburger Faksimile-Streit • Photography • Aura • Letters • Diana and Callisto • Titian • Contemporary dance • Gradenigo, Pietro • Museum Studies • Paolo Giovio • Dance • Filippo Baldinucci • Performance • Theory of art • Weimar Art Theory • Guardi, Antonio • Muletti, Sebastiano • Ottoman Sultans • Medici’s dynasty • Rubens • Painting • Visual semiotics • ‘Second original’ • Copying • Seriality • Art copies • Details • Punctum/studium • Score • Theory • Daniel Arasse • Originals/Copies • Collecting • Multiples • History of collecting • Eighteenth century • Open work • Farsetti, Daniele • Collective work • Original • Venice • Originality • Alexander Dorner • Copy • Postmodern dance • Re-enactment • Geometric dance • Copy/original • Museum • Programmed art • Reconstruction • Italian art literature • Race • Ovid’s Metamorphoses • Contemporary art • Copyright law • Farsetti Collection

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Pubblicato 21 Dicembre 2021 | Lingua en, it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.