Venezia Arti Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Rivista | Venezia Arti
Fascicolo | 30 | 2021

Originale/Copia

open access | peer reviewed

Keywords Portraits • Visual semiotics • Ephemerality • Re-enactment • Originals/Copies • Race • Paintings collecting • Gradenigo, Pietro • Copying • Painting • Contemporary art • Rubens • Performance • Filippo Baldinucci • Copy • Weimar Art Theory • Aura • Guardi, Antonio • Copy/original • Collecting • Reconstruction • ‘Second original’ • Multiples • Programmed art • Fake • Alexander Dorner • Farsetti, Daniele • Hamburger Faksimile-Streit • Muletti, Sebastiano • Art copies • Farsetti Collection • Originality • Ottoman Sultans • Letters • Photography • Collective work • Seriality • Dance • Italian art literature • Postmodern dance • Ovid’s Metamorphoses • Geometric dance • Paolo Giovio • Contemporary dance • Copyright law • History of collecting • Details • Eighteenth century • Medici’s dynasty • Original • Daniel Arasse • Theory • Venice • Open work • Score • Theory of art • Punctum/studium • Diana and Callisto • Museum Studies • Titian • Museum

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Pubblicato 21 Dicembre 2021 | Lingua en, it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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