Venezia Arti Rivista del Dipartimento di Filosofia e Beni Culturali dell’Università Ca’ Foscari Venezia

Rivista | Venezia Arti
Fascicolo | 30 | 2021

Originale/Copia

open access | peer reviewed

Keywords Originals/Copies • Copy/original • Hamburger Faksimile-Streit • Copy • Paolo Giovio • Portraits • Theory of art • Copying • Museum • Collecting • Contemporary dance • Rubens • Aura • Ottoman Sultans • Guardi, Antonio • Alexander Dorner • Contemporary art • Geometric dance • Performance • Originality • Eighteenth century • Punctum/studium • Painting • Collective work • Multiples • History of collecting • Programmed art • Ovid’s Metamorphoses • Score • Open work • Ephemerality • Reconstruction • Daniel Arasse • Gradenigo, Pietro • Muletti, Sebastiano • Diana and Callisto • Paintings collecting • Farsetti, Daniele • Theory • Visual semiotics • Copyright law • Letters • Medici’s dynasty • Weimar Art Theory • Art copies • ‘Second original’ • Race • Postmodern dance • Venice • Titian • Fake • Dance • Re-enactment • Filippo Baldinucci • Photography • Details • Seriality • Farsetti Collection • Original • Italian art literature • Museum Studies

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Pubblicato 21 Dicembre 2021 | Lingua en, it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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