Rivista |
Venezia Arti
Fascicolo | 30 | 2021
Keywords Originals/Copies • Copy/original • Hamburger Faksimile-Streit • Copy • Paolo Giovio • Portraits • Theory of art • Copying • Museum • Collecting • Contemporary dance • Rubens • Aura • Ottoman Sultans • Guardi, Antonio • Alexander Dorner • Contemporary art • Geometric dance • Performance • Originality • Eighteenth century • Punctum/studium • Painting • Collective work • Multiples • History of collecting • Programmed art • Ovid’s Metamorphoses • Score • Open work • Ephemerality • Reconstruction • Daniel Arasse • Gradenigo, Pietro • Muletti, Sebastiano • Diana and Callisto • Paintings collecting • Farsetti, Daniele • Theory • Visual semiotics • Copyright law • Letters • Medici’s dynasty • Weimar Art Theory • Art copies • ‘Second original’ • Race • Postmodern dance • Venice • Titian • Fake • Dance • Re-enactment • Filippo Baldinucci • Photography • Details • Seriality • Farsetti Collection • Original • Italian art literature • Museum Studies
Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Pubblicato 21 Dicembre 2021 | Lingua en, it
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Medioevo e età moderna
Contemporaneo
Alia itinera