Lagoonscapes. The Venice Journal of Environmental Humanities is a digital, open-access, international, and trans-disciplinary journal based at The New Institute Center for Environmental Humanities of Ca’ Foscari University in Venice. Lagoonscapes welcomes submissions from all the core disciplines of the Environmental Humanities, including literary and media studies, critical theory, visual arts, environmental and cultural history, political theory, and anthropology. Contributions are subject to a double-blind peer review process and are published by Edizioni Ca’ Foscari. The journal aims to promote a cross-disciplinary dialogue on contemporary and historical environmental issues, investigating relationships with non-human forms of life and the natural world from decolonial, feminist, and activist perspectives. Venice and its lagoon are a privileged location for sensing and interrogating the effects of human activity and climate change regarding the biological, cultural, and social dynamics of local ecosystems. The journal is associated with the pioneering Master in Environmental Humanities offered by Ca’ Foscari University and it aspires to become an international platform for scholars, artists, and activists to engage with the growing field of the Environmental Humanities.
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Per informazioni e chiarimenti, si invita a contattare la redazione di Edizioni Ca’ Foscari all’indirizzo ecf@unive.it.
CALL FOR PAPERS: Lagoonscapes 3 | 1 | 2023
Framing Environments in Russia: Critical Reflections on Ecology, Culture and Power
Guest editors: Nadia Caprioglio, Roberta Sala (University of Turin)
Deadline for submissions: March 31, 2023
Over the last decades, the attention to environmental issues has seen an increasing growth, with many analytical studies from intellectuals and researchers around the globe. In particular, the ecocritical theory, with its intriguing approaches and essential ideas, has spawned a distinct area of diverse critical perspectives, exhibiting a dynamic, fast-growing development, from deep ecology to ecofeminism and social ecology, to material ecocriticism. Its privileged position is unlikely to change during an epoch marked by a multitude of conflicts, ecological questions, predicaments and social issues.
Russian scholarship in this field of studies has been particularly lacking, approaching nature mainly as a representational lens, or as a backdrop to more important “social” events. Nevertheless, the theme of nature occupies an important place in Russian literature and literary criticism, to the extent that the symbolism linked with some specific elements of Russian landscape (the forest, the river, the soil, etc.) has contributed to the shaping of Russian cultural identity. Despite this, environment in literature has mostly been related to the genre of nature writing, showing a deep connection with the idealistic view of landscape as a symbol of Russian traditions and Orthodox values.
In the early days of the Soviet Union, however, a nascent public ecological consciousness allowed for the development of environmental conservation laws as early as 1928. Just a decade later, geologist Vladimir Vernadsky would popularize the concept of the noosphere in the field of natural science. Indeed, in his seminal work Scientific Thought as a Planetary Phenomenon [Naučnaja žizn’ kak planetnoe javlenie] the researcher theorized the mutual relationship between human cognition and earth’s systems as a “sphere of reason”, providing the basis for the ecological discourse.
Presently, in Russia the cumulative crises of anthropogenic climate change, the indigenous land and water threat, the military conflicts, the role of energy resources for the country’s sovereignty are directing attention to the material structures of power that shape human and non-human interaction with the environment.
This has placed renewed importance on the environmental studies within Russian cultural space, highlighting new aspects of the relationship between nature, society and culture, as well as conceptualizing the consequent transformation of the role of nature from an object of human thought and action, to a more active participant in socio-political processes.
The cluster aims to present a collection of papers by researchers of several disciplines on various aspects of the prevailing themes in ecocritical theory and ecological thought, in order to shed light on the current ecocritical concepts in Russia. At the same time, new ways of exploring the relationship between ecocritical theory/ecological thought and some fundamental notions such as “energy,” “ecology,” “epoch,” and “humanities” will be examined, in order to truly comprehend the context and realities of twenty-first century Russia.
Possible topics may include (but are not limited to) the following:
DEADLINES
Abstract submission: September 26, 2022
Article submission: March 31, 2023
If you would like to participate, please submit your abstract (no more than 350 words) using the link below and attaching a short bio by September 15, 2022.
We encourage proposals that emphasize expansive thinking about the topic from scholars at all stages of their careers.
Articles must be written in English and should not exceed 6,000 words, including abstract and bibliography. The instructions for authors can be consulted in the journal’s website: ‘Editorial Guidelines’. Submissions must be suitable for blind review.
Go to the upload area
Ethical Code of Lagoonscapes. The Venice Journal of Environmental Humanities
Lagoonscapes. The Venice Journal of Environmental Humanities is a peer-reviewed scientific journal whose policy is inspired by the COPE (Committee on Publication Ethics) Ethical Code. See the Best Practice Guidelines for Journal Editors.
Publisher’s responsibilities
The Publisher must provide the Journal with adequate resources and the guidance of experts, in order to carry out its role in the most professional way, aiming at the highest quality standard.
The Publisher must have a written agreement that defines the relationship with the owner of the Journal and/or the Editor-in-Chief. The agreement must comply with the Code of Behavior for Publishers of Scientific Journals, as established by COPE.
The relationship among the Editor-in-Chief, the Advisory Board and the Publisher is based on the principle of publishing independence.
Editors’ responsibilities
The Editor-in-Chief and the Advisory Board of Lagoonscapes alone are responsible for the decision to publish the articles submitted.
Submitted articles, after having been checked for plagiarism by means of the anti-plagiarism software Compilatio that is used by the University and is made available to us, will be sent to at least two reviewers. Final acceptance presumes the implementation of possible amendments, as required by the reviewers and under the supervision of the Lagoonscapes Editor-in-Chief.
The Lagoonscapes Editor-in-Chief and Advisory Board must evaluate each submitted paper in compliance with the Journalʼs policy, i.e. exclusively on the basis of its scientific content, without discrimination of race, sex, gender, creed, ethnic origin, citizenship, or the scientific, academic and political position of the Authors.
Allegations of misconduct
If the Lagoonscapes Editor-in-Chief and Advisory Board notice (or receive notifications of) mistakes or inaccuracies, conflict of interest or plagiarism in a published article, they will immediately warn the Author and the Publisher and will undertake the necessary actions to resolve the issue. They will do their best to correct the published content whenever they are informed that it contains scientific errors or that the authors have committed unethical or illegal acts in connection with their published work. If necessary, they will withdraw the article or publish a recantation.
All complaints are handled in accordance with the guidelines published by the COPE.
Concerns and complaints must be addressed to the following e-mail ecf_support@unive.it. The letter should contain the following information:
Authors’ responsibilities
Stylesheet
Authors must follow the Guidelines for Authors to be downloaded from the Lagoonscapes website.
Authors must explicitly state that their work is original in all its parts and that the submitted paper has not been previously published, nor submitted to other journals, until the entire evaluation process is completed. Since no paper gets published without significant revision, earlier dissemination in conference proceedings or working papers does not preclude consideration for publication, but Authors are expected to fully disclose publication/dissemination of the material in other closely related publications, so that the overlap can be evaluated by the Lagoonscapes Editor-in-Chief.
Authorship
Authors are strongly encouraged to use their ORCID iD when submitting a manuscript. This will ensure the authors’ visibility and correct citation of their work.
Authorship must be correctly attributed; all those who have given a substantial contribution to the design, organisation and accomplishment of the research the article is based on, must be indicated as Co-Authors. Please ensure that: the order of the author names is correct; the names of all authors are present and correctly spelled, and that affiliations are up-to-date.
The respective roles of each co-author should be described in a footnote. The statement that all authors have approved the final version should be included in the disclosure.
Conflicts of interest and financing
Authors, under their own responsibility, must avoid any conflict of interest affecting the results obtained or the interpretations suggested. The Lagoonscapes Editor-in-Chief will give serious and careful consideration to suggestions of cases in which, due to possible conflict of interest, an Author’s work should not be reviewed by a specific scholar. Authors should indicate any financing agency or the project the article stems from.
Quotations
Authors must see to it that all works consulted be properly quoted. If works or words of others are used, they have to be properly paraphrased or duly quoted. Quotations between “double quotes” (or «angled quotation marks» if the text is written in a language other than English) must reproduce the exact wording of the source; under their own responsibility, Authors should carefully refrain from disguising a restyling of the source’s wording, as though it was the original formulation.
Any form of excessive, inappropriate or unnecessary self-citation, as well as any other form of citation manipulation, are strongly discouraged.
Ethical Committee
Whenever required, the research protocols must be authorised in advance by the Ethical Committee of Ca’ Foscari University of Venice.
Emendations
When Authors find a mistake or an inaccuracy in their own article, they must immediately warn the Lagoonscapes Editor-in-Chief, providing all the information needed to make the due adjustments.
Reviewers’ responsibilities
Goal
By means of the peer-review procedure, reviewers assist the Lagoonscapes Editor-in-Chief and Advisory Board in taking decisions on the articles submitted. They are expected to offer the Authors suggestions as to possible adjustments aimed at improving their contribution submission.
Timing and conflicts of interest
If a reviewer does not feel up to the task of doing a given review, or if she/he is unable to read the work within the agreed schedule, she/he should notify the Lagoonscapes Editor-in-Chief. Reviewers must not accept articles for which there is a conflict of interest due to previous contributions or to a competition with a disclosed author (or with an author they believe to have identified).
Confidentiality
The content of the reviewed work must be considered confidential and must not be used without explicit authorisation by the Author, who is to be contacted via the editor-in-chief. Any confidential information obtained during the peer review process should not be used for other purposes.
Collaborative attitude
Reviewers should see themselves not as adversaries but as advocates for the field. Any comment must be done in a collaborative way and from an objective point of view. Reviewers should clearly motivate their comments and keep in mind the Golden Rule of Reviewing: “Review for others as you would have others review for you”.
Plagiarism
Reviewers should report any similarity or overlapping of the work under analysis with other works known to them.