Rivista |
JoLMA
Fascicolo monografico | 2 | 1 | 2021
Articolo | Wittgenstein’s Bridge
A Linguistic Account of Visual Representation
Abstract
This paper uses structure-mapping to bridge the divide between the analytical and visual culture traditions of image interpretation. Wittgenstein’s analytic ‘picture theory of meaning’ from his early period, and his cultural theory of ‘meaning as use’ from his later period are used to show that the terms similarity, analogy and metaphor can be applied to both image and linguistic interpretation. As a result, by the mapping of similarity and analogy onto the analytic approach, and by the mapping of metaphor onto the visual culture approach, a common linguistic ground for the comparison of these two approaches to image interpretation can be established.
Presentato: 10 Febbraio 2021 | Accettato: 26 Aprile 2021 | Pubblicato 30 Giugno 2021 | Lingua: en
Keywords Description • Representation • Structure • Metaphor • Mapping • Projection • Analogy • Explanation • Similarity • Meaning
Copyright © 2021 Michael Biggs. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/Jolma/2723-9640/2021/01/010
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Biggs, Michael. ‘Wittgenstein’s Bridge
A Linguistic Account of Visual Representation’. JOLMA no. 1 ...
Biggs, Michael. ‘Wittgenstein’s Bridge
A Linguistic Account of Visual Representation’. JOLMA 1 (202...
DC Field | Value |
---|---|
dc.identifier |
ECF_article_4995 |
dc.title |
Wittgenstein’s Bridge. A Linguistic Account of Visual Representation |
dc.contributor.author |
Biggs Michael |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari |
dc.type |
Articolo |
dc.language.iso |
en |
dc.identifier.uri |
http://edizionicafoscari.it/it/edizioni4/riviste/the-journal-for-the-philosophy-of-language-mind-an/2021/1/wittgensteins-bridge/ |
dc.description.abstract |
This paper uses structure-mapping to bridge the divide between the analytical and visual culture traditions of image interpretation. Wittgenstein’s analytic ‘picture theory of meaning’ from his early period, and his cultural theory of ‘meaning as use’ from his later period are used to show that the terms similarity, analogy and metaphor can be applied to both image and linguistic interpretation. As a result, by the mapping of similarity and analogy onto the analytic approach, and by the mapping of metaphor onto the visual culture approach, a common linguistic ground for the comparison of these two approaches to image interpretation can be established. |
dc.relation.ispartof |
JoLMA |
dc.relation.ispartof |
Vol. 2 | Num. 1 | Giugno 2021 |
dc.issued |
2021-06-30 |
dc.dateAccepted |
2021-04-26 |
dc.dateSubmitted |
2021-02-10 |
dc.identifier.issn |
|
dc.identifier.eissn |
2723-9640 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
dc.identifier.doi |
10.30687/Jolma/2723-9640/2021/01/010 |
dc.peer-review |
yes |
dc.subject |
Analogy |
dc.subject |
Analogy |
dc.subject |
Description |
dc.subject |
Description |
dc.subject |
Explanation |
dc.subject |
Explanation |
dc.subject |
Mapping |
dc.subject |
Mapping |
dc.subject |
Meaning |
dc.subject |
Meaning |
dc.subject |
Metaphor |
dc.subject |
Metaphor |
dc.subject |
Projection |
dc.subject |
Projection |
dc.subject |
Representation |
dc.subject |
Representation |
dc.subject |
Similarity |
dc.subject |
Similarity |
dc.subject |
Structure |
dc.subject |
Structure |
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