Rivista |
JoLMA
Fascicolo monografico | 2 | 1 | 2021
Keywords Contemporary painting • Aesthetics • Depiction • Protest images • Transformative • Photography • Representation • Visual neuroscience • Causation • Informational images • Visual Studies • Metaphor • Structure • Film frame • Implicature • Mental Imagery • Beth Harland • Analogy • Mapping • Meaning • Explanation • Vision • Picture perception • climate crisis; decolonial theory; visual art; Ind • Brain Imaging • Relativism • Culture • Pictorial narratives • Projection • Art History • Pictures • Neuroscience • Similarity • Narration • Aesthetic nondifferentiation • Image • Narrative media • R H Quaytman • Style • Narrative • Scientific models • Action • Aesthetic appreciation • Philosophy of Mind • Mind-Object Identity • Response-dependence • Imagination • Description • Dramatization • Jacqueline Humphries • fMRI • Realism • Images • Narrative images • Denotation • Art • Body
Permalink http://doi.org/10.30687/Jolma/2723-9640/2021/01 | Pubblicato 30 Giugno 2021 | Lingua it, en, fr
Copyright © Alessandro Cavazzana, Francesco Ragazzi. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.