Rivista | JoLMA
Fascicolo monografico | 2 | 1 | 2021
Keywords Contemporary painting • Meaning • Representation • Imagination • Jacqueline Humphries • Projection • Vision • Structure • Mapping • Film frame • Images • Implicature • Body • Visual neuroscience • Informational images • Picture perception • R H Quaytman • Denotation • Aesthetics • Beth Harland • Culture • Response-dependence • Scientific models • Style • Visual Studies • climate crisis; decolonial theory; visual art; Ind • Neuroscience • Photography • Narrative media • Explanation • Art History • Pictorial narratives • fMRI • Philosophy of Mind • Metaphor • Aesthetic nondifferentiation • Narrative images • Description • Brain Imaging • Aesthetic appreciation • Art • Depiction • Narrative • Protest images • Analogy • Causation • Image • Similarity • Mind-Object Identity • Dramatization • Pictures • Realism • Transformative • Action • Narration • Mental Imagery • Relativism
Permalink http://doi.org/10.30687/Jolma/2723-9640/2021/01 | Pubblicato 30 Giugno 2021 | Lingua en, it, fr
Copyright © Alessandro Cavazzana, Francesco Ragazzi. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
DC Field | Value |
---|---|
dc.identifier |
ECF_issue_199 |
dc.title |
Vol. 2 | Num. 1 | Giugno 2021 |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari |
dc.type |
Fascicolo monografico |
dc.language.iso |
en |
dc.identifier.uri |
http://edizionicafoscari.it/it/edizioni4/riviste/the-journal-for-the-philosophy-of-language-mind-an/2021/1/ |
dc.relation.ispartof |
JoLMA |
dc.issued |
2021-06-30 |
dc.identifier.issn |
|
dc.identifier.eissn |
2723-9640 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
dc.identifier.doi |
10.30687/Jolma/2723-9640/2021/01 |
dc.peer-review |
yes |
dc.subject |
Action |
dc.subject |
Action |
dc.subject |
Aesthetic appreciation |
dc.subject |
Aesthetic appreciation |
dc.subject |
Aesthetic nondifferentiation |
dc.subject |
Aesthetic nondifferentiation |
dc.subject |
Aesthetics |
dc.subject |
Aesthetics |
dc.subject |
Analogy |
dc.subject |
Analogy |
dc.subject |
Art |
dc.subject |
Art |
dc.subject |
Art History |
dc.subject |
Art History |
dc.subject |
Beth Harland |
dc.subject |
Beth Harland |
dc.subject |
Body |
dc.subject |
Body |
dc.subject |
Brain Imaging |
dc.subject |
Brain Imaging |
dc.subject |
Causation |
dc.subject |
Causation |
dc.subject |
Contemporary painting |
dc.subject |
Contemporary painting |
dc.subject |
Culture |
dc.subject |
Culture |
dc.subject |
Denotation |
dc.subject |
Denotation |
dc.subject |
Depiction |
dc.subject |
Depiction |
dc.subject |
Depiction |
dc.subject |
Depiction |
dc.subject |
Description |
dc.subject |
Description |
dc.subject |
Dramatization |
dc.subject |
Dramatization |
dc.subject |
Explanation |
dc.subject |
Explanation |
dc.subject |
Film frame |
dc.subject |
Film frame |
dc.subject |
Image |
dc.subject |
Image |
dc.subject |
Image |
dc.subject |
Image |
dc.subject |
Images |
dc.subject |
Images |
dc.subject |
Imagination |
dc.subject |
Imagination |
dc.subject |
Implicature |
dc.subject |
Implicature |
dc.subject |
Informational images |
dc.subject |
Informational images |
dc.subject |
Jacqueline Humphries |
dc.subject |
Jacqueline Humphries |
dc.subject |
Mapping |
dc.subject |
Mapping |
dc.subject |
Meaning |
dc.subject |
Meaning |
dc.subject |
Mental Imagery |
dc.subject |
Mental Imagery |
dc.subject |
Metaphor |
dc.subject |
Metaphor |
dc.subject |
Mind-Object Identity |
dc.subject |
Mind-Object Identity |
dc.subject |
Narration |
dc.subject |
Narration |
dc.subject |
Narrative |
dc.subject |
Narrative |
dc.subject |
Narrative images |
dc.subject |
Narrative images |
dc.subject |
Narrative media |
dc.subject |
Narrative media |
dc.subject |
Neuroscience |
dc.subject |
Neuroscience |
dc.subject |
Philosophy of Mind |
dc.subject |
Philosophy of Mind |
dc.subject |
Photography |
dc.subject |
Photography |
dc.subject |
Pictorial narratives |
dc.subject |
Pictorial narratives |
dc.subject |
Picture perception |
dc.subject |
Picture perception |
dc.subject |
Pictures |
dc.subject |
Pictures |
dc.subject |
Projection |
dc.subject |
Projection |
dc.subject |
Protest images |
dc.subject |
Protest images |
dc.subject |
R H Quaytman |
dc.subject |
R H Quaytman |
dc.subject |
Realism |
dc.subject |
Realism |
dc.subject |
Relativism |
dc.subject |
Relativism |
dc.subject |
Representation |
dc.subject |
Representation |
dc.subject |
Representation |
dc.subject |
Representation |
dc.subject |
Representation |
dc.subject |
Representation |
dc.subject |
Response-dependence |
dc.subject |
Response-dependence |
dc.subject |
Scientific models |
dc.subject |
Scientific models |
dc.subject |
Similarity |
dc.subject |
Similarity |
dc.subject |
Structure |
dc.subject |
Structure |
dc.subject |
Style |
dc.subject |
Style |
dc.subject |
Transformative |
dc.subject |
Transformative |
dc.subject |
Vision |
dc.subject |
Vision |
dc.subject |
Visual Studies |
dc.subject |
Visual Studies |
dc.subject |
Visual neuroscience |
dc.subject |
Visual neuroscience |
dc.subject |
climate crisis; decolonial theory; visual art; Ind |
dc.subject |
climate crisis; decolonial theory; visual art; Ind |
dc.subject |
fMRI |
dc.subject |
fMRI |
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