Rivista | MDCCC 1800
Fascicolo | 11 | 2022

Rinascita/Revival | Rebirth/Revival II

Keywords Frederik Christian Sibbern • Civil function of the museum • Academy of Fine Arts • Collecting • Danish Golden Age • Fortuna • Société d’encouragement des arts • Cesare dell’Acqua • Merchants • Genre painting • Andalusia (Spain) • Projects • Antonio Canova • Conventionalism • Genio dell’Indipendenza Nazionale • Erudition • Ceramics • Markets • Art market • Giorgione • Photography • Art industriel • Seroux d’Agincourt • Musée d’art et d’industrie • Arts décoratifs • Musée d’échantillons • Greek vases • École Stroganov • Florence • Henrik Hertz • Historical Painting • Portugal • Revival • Historical Romanticism • Milano • Parisian Salons • Giovanni Gherardo De Rossi • Travel diaries • Wilhelm Bendz • Architects • Luigi Valeriano Pozzi • Corrado Ricci • Dutch Golden Age • Alexandre de Sousa Holstein • Italian Risorgimento • Galleria De Cristoforis • Dmitry Grigorovitch • Musée d’art industriel • Marco Minghetti • Renaissance • 19th century Milan • Carlo Amoretti • Antiquarian history • Editors • Raphael • South Kensington Museum • Pedro de Sousa Holstein • Giovanni Morelli • Pompeo Pozzi • Adolfo Venturi • Albert Küchler • Ditlev Blunck • Antiquities market • Training of artists • Art publishing • History of architecture • Iconography • Connoisseurship • History Painting • Art photography • Royal Gallery of Turin • Stefano Borgia • Provenances • Lombard primitives • Natalis Rondot • Engraving • Stefano Bardini • Romanticism

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2022/11 | Pubblicato 24 Ottobre 2022 | Lingua en, it, fr, pt, es

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