Rivista | MDCCC 1800
Fascicolo | 11 | 2022
Rinascita/Revival | Rebirth/Revival II
open access | peer reviewedKeywords Frederik Christian Sibbern • Stefano Borgia • Luigi Valeriano Pozzi • École Stroganov • Conventionalism • Corrado Ricci • Galleria De Cristoforis • Royal Gallery of Turin • Natalis Rondot • Training of artists • South Kensington Museum • Albert Küchler • Portugal • Marco Minghetti • Fortuna • Historical Painting • Parisian Salons • Markets • 19th century Milan • Connoisseurship • Romanticism • Revival • Giorgione • Musée d’art industriel • Erudition • Collecting • Henrik Hertz • History of architecture • Antonio Canova • Greek vases • Andalusia (Spain) • Genio dell’Indipendenza Nazionale • Florence • Cesare dell’Acqua • Art market • Raphael • Ceramics • Milano • Adolfo Venturi • Arts décoratifs • Genre painting • Photography • Société d’encouragement des arts • Antiquities market • Giovanni Gherardo De Rossi • Dutch Golden Age • Alexandre de Sousa Holstein • Provenances • Dmitry Grigorovitch • Lombard primitives • Musée d’échantillons • Giovanni Morelli • Art publishing • Renaissance • Carlo Amoretti • Ditlev Blunck • Architects • Historical Romanticism • Pedro de Sousa Holstein • Art photography • Art industriel • Engraving • Danish Golden Age • Italian Risorgimento • History Painting • Civil function of the museum • Musée d’art et d’industrie • Travel diaries • Projects • Seroux d’Agincourt • Editors • Merchants • Iconography • Pompeo Pozzi • Academy of Fine Arts • Wilhelm Bendz • Stefano Bardini • Antiquarian history
Permalink http://doi.org/10.30687/MDCCC/2280-8841/2022/11 | Pubblicato 24 Ottobre 2022 | Lingua en, fr, pt, es, it
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