Rinascita/Revival | Rebirth/Revival II

Keywords Albert Küchler • Giorgione • Collecting • Genio dell’Indipendenza Nazionale • Corrado Ricci • Civil function of the museum • Art publishing • Andalusia (Spain) • Training of artists • Renaissance • Architects • Editors • Portugal • Connoisseurship • Luigi Valeriano Pozzi • Natalis Rondot • Danish Golden Age • Galleria De Cristoforis • Musée d’échantillons • Parisian Salons • Pedro de Sousa Holstein • Adolfo Venturi • Florence • Photography • Henrik Hertz • Greek vases • Academy of Fine Arts • Lombard primitives • Travel diaries • Stefano Borgia • Ceramics • École Stroganov • Engraving • Markets • Milano • Musée d’art industriel • Giovanni Morelli • Cesare dell’Acqua • Ditlev Blunck • Raphael • Erudition • Antiquities market • Genre painting • Royal Gallery of Turin • Iconography • Frederik Christian Sibbern • Romanticism • South Kensington Museum • Dutch Golden Age • 19th century Milan • Historical Painting • Stefano Bardini • Projects • Dmitry Grigorovitch • Marco Minghetti • Antiquarian history • Revival • Carlo Amoretti • History of architecture • Société d’encouragement des arts • Art market • Pompeo Pozzi • Fortuna • Seroux d’Agincourt • Historical Romanticism • Giovanni Gherardo De Rossi • Art industriel • Art photography • Provenances • History Painting • Arts décoratifs • Alexandre de Sousa Holstein • Wilhelm Bendz • Italian Risorgimento • Musée d’art et d’industrie • Antonio Canova • Merchants • Conventionalism

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2022/11 | Pubblicato 24 Ottobre 2022 | Lingua en, it, pt, es, fr

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