Rivista | MDCCC 1800
Fascicolo | 11 | 2022

Rinascita/Revival | Rebirth/Revival II

Keywords Civil function of the museum • Carlo Amoretti • Lombard primitives • Henrik Hertz • Art photography • Société d’encouragement des arts • Musée d’art industriel • Stefano Bardini • Genio dell’Indipendenza Nazionale • Training of artists • Musée d’échantillons • Raphael • Ceramics • Renaissance • Travel diaries • Danish Golden Age • Adolfo Venturi • Giovanni Gherardo De Rossi • Andalusia (Spain) • Fortuna • Stefano Borgia • Royal Gallery of Turin • Parisian Salons • Engraving • Markets • Arts décoratifs • Italian Risorgimento • Art publishing • Natalis Rondot • South Kensington Museum • Conventionalism • Genre painting • Architects • Historical Painting • Erudition • Historical Romanticism • Ditlev Blunck • Milano • Albert Küchler • Luigi Valeriano Pozzi • Merchants • Corrado Ricci • Portugal • Antiquarian history • Iconography • Wilhelm Bendz • Antiquities market • History Painting • Florence • Photography • History of architecture • Provenances • Giorgione • Art industriel • Cesare dell’Acqua • Pompeo Pozzi • Galleria De Cristoforis • Antonio Canova • Art market • Pedro de Sousa Holstein • Academy of Fine Arts • Romanticism • Greek vases • Seroux d’Agincourt • 19th century Milan • Connoisseurship • École Stroganov • Collecting • Revival • Editors • Giovanni Morelli • Dutch Golden Age • Marco Minghetti • Dmitry Grigorovitch • Musée d’art et d’industrie • Projects • Frederik Christian Sibbern • Alexandre de Sousa Holstein

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2022/11 | Pubblicato 24 Ottobre 2022 | Lingua es, pt, fr, en, it

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