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open access peer reviewed

Vol. 11 | Luglio 2022

Rinascita/Revival | Rebirth/Revival II

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Lingua: it, pt, en, es, fr

Pubblicato: 24 Ottobre 2022

Keywords

Giovanni Gherardo De Rossi • Architects • Carlo Amoretti • Connoisseurship • Fortuna • Provenances • History Painting • Arts décoratifs • Ceramics • Pompeo Pozzi • 19th century Milan • Corrado Ricci • Albert Küchler • Musée d’échantillons • Adolfo Venturi • Frederik Christian Sibbern • Ditlev Blunck • Giorgione • Parisian Salons • Photography • Revival • Pedro de Sousa Holstein • Training of artists • Greek vases • Stefano Bardini • Antiquities market • Royal Gallery of Turin • Galleria De Cristoforis • Antonio Canova • History of architecture • Conventionalism • Société d’encouragement des arts • Dmitry Grigorovitch • Raphael • Dutch Golden Age • Giovanni Morelli • Portugal • Academy of Fine Arts • Henrik Hertz • Musée d’art industriel • Luigi Valeriano Pozzi • Alexandre de Sousa Holstein • Collecting • Stefano Borgia • Civil function of the museum • South Kensington Museum • Natalis Rondot • Milano • Wilhelm Bendz • Editors • Musée d’art et d’industrie • Antiquarian history • Seroux d’Agincourt • Genre painting • Art market • Andalusia (Spain) • Merchants • Italian Risorgimento • Travel diaries • Art publishing • Cesare dell’Acqua • Renaissance • Romanticism • École Stroganov • Engraving • Projects • Lombard primitives • Iconography • Historical Painting • Danish Golden Age • Art photography • Genio dell’Indipendenza Nazionale • Art industriel • Historical Romanticism • Markets • Marco Minghetti • Florence • Erudition

permalink http://doi.org/10.30687/MDCCC/2280-8841/2022/11

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