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open access peer reviewed

Vol. 11 | Luglio 2022

Rinascita/Revival | Rebirth/Revival II

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Lingua: es, en, fr, pt, it

Pubblicato: 24 Ottobre 2022

Keywords

Stefano Borgia • Arts décoratifs • Engraving • Lombard primitives • Galleria De Cristoforis • Antiquarian history • Art publishing • Royal Gallery of Turin • Pedro de Sousa Holstein • Seroux d’Agincourt • History of architecture • Training of artists • Giovanni Morelli • Ceramics • History Painting • Dmitry Grigorovitch • Markets • Albert Küchler • Adolfo Venturi • Andalusia (Spain) • Civil function of the museum • Parisian Salons • Henrik Hertz • Romanticism • Cesare dell’Acqua • Giovanni Gherardo De Rossi • Fortuna • Giorgione • Greek vases • Photography • 19th century Milan • Conventionalism • Musée d’art industriel • Frederik Christian Sibbern • Art industriel • Merchants • Danish Golden Age • Iconography • Wilhelm Bendz • Corrado Ricci • Portugal • Art photography • Raphael • Italian Risorgimento • Historical Painting • Academy of Fine Arts • Milano • Art market • Natalis Rondot • Editors • Erudition • Connoisseurship • Alexandre de Sousa Holstein • Renaissance • Pompeo Pozzi • Architects • Carlo Amoretti • Musée d’échantillons • Stefano Bardini • Florence • Antiquities market • Genre painting • Marco Minghetti • Revival • Projects • Société d’encouragement des arts • Collecting • Travel diaries • Musée d’art et d’industrie • Antonio Canova • Historical Romanticism • Provenances • Luigi Valeriano Pozzi • Ditlev Blunck • École Stroganov • Dutch Golden Age • Genio dell’Indipendenza Nazionale • South Kensington Museum

permalink http://doi.org/10.30687/MDCCC/2280-8841/2022/11

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