Rivista | MDCCC 1800
Fascicolo | 11 | 2022

Rinascita/Revival | Rebirth/Revival II

Keywords Musée d’art industriel • Arts décoratifs • Alexandre de Sousa Holstein • Dutch Golden Age • Iconography • Collecting • Natalis Rondot • Art publishing • Portugal • South Kensington Museum • Stefano Borgia • Musée d’art et d’industrie • History Painting • Seroux d’Agincourt • École Stroganov • Genio dell’Indipendenza Nazionale • Frederik Christian Sibbern • Stefano Bardini • History of architecture • Fortuna • Revival • Photography • Danish Golden Age • Connoisseurship • Andalusia (Spain) • Albert Küchler • Academy of Fine Arts • Raphael • Civil function of the museum • Dmitry Grigorovitch • Milano • Historical Painting • Historical Romanticism • Genre painting • 19th century Milan • Société d’encouragement des arts • Giovanni Morelli • Giorgione • Luigi Valeriano Pozzi • Wilhelm Bendz • Travel diaries • Henrik Hertz • Engraving • Parisian Salons • Royal Gallery of Turin • Art photography • Antiquities market • Conventionalism • Ditlev Blunck • Antonio Canova • Antiquarian history • Provenances • Lombard primitives • Adolfo Venturi • Editors • Merchants • Erudition • Renaissance • Romanticism • Corrado Ricci • Galleria De Cristoforis • Carlo Amoretti • Ceramics • Training of artists • Musée d’échantillons • Marco Minghetti • Florence • Giovanni Gherardo De Rossi • Architects • Markets • Cesare dell’Acqua • Italian Risorgimento • Projects • Pompeo Pozzi • Pedro de Sousa Holstein • Art industriel • Art market • Greek vases

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2022/11 | Pubblicato 24 Ottobre 2022 | Lingua pt, it, fr, en, es

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