Rinascita/Revival | Rebirth/Revival II

Keywords Natalis Rondot • Danish Golden Age • Romanticism • History Painting • Frederik Christian Sibbern • Travel diaries • Ceramics • Alexandre de Sousa Holstein • Luigi Valeriano Pozzi • Antiquities market • Musée d’art industriel • Connoisseurship • Genre painting • Collecting • Dutch Golden Age • Musée d’art et d’industrie • Raphael • Art market • Fortuna • Lombard primitives • Stefano Bardini • École Stroganov • Greek vases • Iconography • History of architecture • Ditlev Blunck • Italian Risorgimento • Antiquarian history • 19th century Milan • Art photography • Antonio Canova • Seroux d’Agincourt • Dmitry Grigorovitch • Historical Romanticism • Academy of Fine Arts • Markets • Albert Küchler • Milano • Florence • Cesare dell’Acqua • Photography • Art industriel • Historical Painting • Giovanni Morelli • Pompeo Pozzi • Engraving • Giovanni Gherardo De Rossi • Erudition • Henrik Hertz • Marco Minghetti • Civil function of the museum • Andalusia (Spain) • Arts décoratifs • Corrado Ricci • Portugal • Adolfo Venturi • Provenances • Architects • Musée d’échantillons • South Kensington Museum • Genio dell’Indipendenza Nazionale • Pedro de Sousa Holstein • Wilhelm Bendz • Renaissance • Stefano Borgia • Giorgione • Editors • Conventionalism • Parisian Salons • Projects • Galleria De Cristoforis • Merchants • Art publishing • Royal Gallery of Turin • Revival • Training of artists • Carlo Amoretti • Société d’encouragement des arts

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2022/11 | Pubblicato 24 Ottobre 2022 | Lingua pt, it, en, fr, es

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