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Articolo

Immersive Intelligent Aesthetics as Conduit for Digital and Public Humanities Research

Susanne Thurow    iCinema Centre, UNSW Sydney, Australia    

Dennis Del Favero    iCinema Centre, UNSW Sydney, Australia    

Ursula Frohne    Westfälische Wilhelms-Universität Münster, Deutschland    

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abstract

The article outlines conceptual frameworks and experimental studies developed at the University of New South Wales, surveying a selection of creative arts industry research projects. These deliver fully immersive interactive visualisation systems that enable new forms of embodied engagement with artistic, cultural and performance datasets, deploying Artificial Intelligence to analyse and augment user navigation for improving data identification, access and processing. Sketching the developmental trajectory of intelligent aesthetics across these projects, the paper closes with a critical consideration of effects and implications of human-machine co-agency in this new context of cultural reflection.

Keywords: Artificial Intelligence. Collaborative Design. Collection Management. Digital Museology. Immersive Visualisation. Interactive Aesthetics. User-led Experiences.

Lingua: en

Presentato: 15 Luglio 2020   Accettato: 01 Ottobre 2020   Pubblicato: 02 Dicembre 2020  

permalink: http://doi.org/10.30687/mag//2020/01/001

Creative Commons License This work is licensed under a Creative Commons Attribution 4.0 International License