Immersive Intelligent Aesthetics as Conduit for Digital and Public Humanities

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DC Field	Value
dc.identifier	ECF_article_3437
dc.title	Immersive Intelligent Aesthetics as Conduit for Digital and Public Humanities Research
dc.contributor.author	Del Favero Dennis
dc.contributor.author	Frohne Ursula
dc.contributor.author	Thurow Susanne
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari
dc.type	Research Article
dc.language.iso	en
dc.identifier.uri	http://edizionicafoscari.unive.it/en/edizioni4/riviste/magazen/2020/1/immersive-intelligent-aesthetics-as-conduit-for-di/
dc.description.abstract	The article outlines conceptual frameworks and experimental studies developed at the University of New South Wales, surveying a selection of creative arts industry research projects. These deliver fully immersive interactive visualisation systems that enable new forms of embodied engagement with artistic, cultural and performance datasets, deploying Artificial Intelligence to analyse and augment user navigation for improving data identification, access and processing. Sketching the developmental trajectory of intelligent aesthetics across these projects, the paper closes with a critical consideration of effects and implications of human-machine co-agency in this new context of cultural reflection.
dc.relation.ispartof	magazén
dc.relation.ispartof	Vol. 1 \| Issue 1 \| June 2020
dc.issued	2020-12-02
dc.dateAccepted	2020-10-01
dc.dateSubmitted	2020-07-15
dc.identifier.issn
dc.identifier.eissn	2724-3923
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.30687/mag//2020/01/001
dc.peer-review	yes
dc.subject	Artificial Intelligence
dc.subject	Collaborative Design
dc.subject	Collection Management
dc.subject	Digital Museology
dc.subject	Immersive Visualisation
dc.subject	Interactive Aesthetics
dc.subject	User-led Experiences

Research Article

open access peer reviewed

Immersive Intelligent Aesthetics as Conduit for Digital and Public Humanities Research

Susanne Thurow iCinema Centre, UNSW Sydney, Australia

Dennis Del Favero iCinema Centre, UNSW Sydney, Australia

Ursula Frohne Westfälische Wilhelms-Universität Münster, Deutschland

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abstract

The article outlines conceptual frameworks and experimental studies developed at the University of New South Wales, surveying a selection of creative arts industry research projects. These deliver fully immersive interactive visualisation systems that enable new forms of embodied engagement with artistic, cultural and performance datasets, deploying Artificial Intelligence to analyse and augment user navigation for improving data identification, access and processing. Sketching the developmental trajectory of intelligent aesthetics across these projects, the paper closes with a critical consideration of effects and implications of human-machine co-agency in this new context of cultural reflection.

Keywords: Artificial Intelligence. Collaborative Design. Collection Management. Digital Museology. Immersive Visualisation. Interactive Aesthetics. User-led Experiences.

Language: en

Submitted: July 15, 2020 Accepted: Oct. 1, 2020 Published: Dec. 2, 2020

permalink: http://doi.org/10.30687/mag//2020/01/001

This work is licensed under a Creative Commons Attribution 4.0 International License

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