26 | 2024
open access | peer reviewedKeywords Painting • Urban identity • David Fennario • Exit West • Damas • Cherie Dimaline • Refugee • Pluralism • Whichcraft • Social criticism • Transnationalism • Autobiography • Multiplicity • Canadian Theatre • Refugee novel • Mohammed Dib • Indigenous pandemic fiction • Subaltern studies • Mohsin Hamid • Postmigration • Cultural heritage • Césaire • Narayan Surve • Subverting of the imaginary • Habel • Négritude • Ekphrasis • Cotton mill workers • Decolonial • Visibility • Failure • Mumbai migrants • Mbougar Sarr • Supernatural • Neoliberalism • Tim Jones • Walcott • New Zealand • Language • Narratives • Heterotopy • Migration • Migrant literature • Negative solidarity • Storytelling • Caribbean • Dreaming • Chaos-world • Poetics of space • Decoloniality • Intermediality • Mabanckou • Climate refugees
Permalink http://doi.org/10.30687/Tol/2499-5975/2024/01 | Pubblicato 09 Dicembre 2024 | Lingua it, en, fr
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