12 | 2025

open access | peer reviewed

Keywords The Young Kazuo • Toiles de Nantes • Modernist autobiography • Eighteenth century • Laurence Sterne • Literary adaptation • Rabelais • Adaptation • Toiles de Jouy • Romantic poetry • The Memoirs of Martinus Scriblerus • Alliterative Names • Magazines • Author’s Implication • Working Class • Interwar literature • Japaneseness • Semiotics • Tristram Shandy • Interpretations • Paul et Virginie • Eighteenth-century Lexicography • Christoph Martin Wieland • Social conventions • Adaptation in Dictionary-making • Don Quixote • Originals and Shadows • Samuel Dyer • Borges • Memory • Newspapers • Middlebrow • Oxford English Dictionary • Modernism • Geographical Moves • Spots of time • Forgetting • Practices • Moments of being • Ethel Mannin • Samuel Johnson’s Dictionary • Thomas Hardy • Virginia Woolf • William Petty • Tess • Literary textiles • Literary impressionism • Theories • Edmund Burke • Empire • Literature and science • Gaze • Cervantes • Slavery • William Perry • Comparative Literature • Serialization • Printed fabrics • Enlightenment

Permalink http://doi.org/10.30687/EL/2420-823X/2025/12 | Pubblicato 11 Maggio 2026 | Lingua en