12 | 2025
open access | peer reviewed-
edited by
- Flavio Gregori - Ca' Foscari University of Venice - email orcid profile
Keywords Alliterative Names • Toiles de Nantes • Printed fabrics • Literary impressionism • Enlightenment • Modernism • Japaneseness • Gaze • Don Quixote • Forgetting • Literary adaptation • Edmund Burke • Samuel Dyer • Middlebrow • Memory • Comparative Literature • Christoph Martin Wieland • Semiotics • Borges • Oxford English Dictionary • Social conventions • Virginia Woolf • Rabelais • Empire • Tristram Shandy • Interwar literature • Originals and Shadows • Theories • Working Class • William Perry • Magazines • Adaptation • Author’s Implication • Thomas Hardy • Spots of time • William Petty • Literary textiles • Samuel Johnson’s Dictionary • Paul et Virginie • Serialization • Laurence Sterne • Cervantes • Moments of being • Practices • Geographical Moves • Interpretations • Adaptation in Dictionary-making • Toiles de Jouy • Newspapers • Ethel Mannin • Literature and science • Modernist autobiography • Romantic poetry • Tess • Eighteenth century • The Young Kazuo • Eighteenth-century Lexicography • The Memoirs of Martinus Scriblerus • Slavery
Permalink http://doi.org/10.30687/EL/2420-823X/2025/12 | Published May 11, 2026 | Language en
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