12 | 2025
open access | peer reviewed-
edited by
- Flavio Gregori - Ca' Foscari University of Venice - email orcid profile
Keywords Literary impressionism • Empire • Interpretations • Semiotics • Oxford English Dictionary • Toiles de Jouy • Paul et Virginie • Literary textiles • Literary adaptation • Romantic poetry • Christoph Martin Wieland • Rabelais • Eighteenth-century Lexicography • Laurence Sterne • Slavery • Tess • Virginia Woolf • Working Class • Samuel Johnson’s Dictionary • Geographical Moves • William Petty • William Perry • Ethel Mannin • Alliterative Names • Magazines • Newspapers • Adaptation • Practices • Originals and Shadows • Samuel Dyer • Enlightenment • Modernist autobiography • Printed fabrics • Social conventions • Tristram Shandy • Forgetting • Serialization • Middlebrow • Don Quixote • Modernism • Thomas Hardy • Edmund Burke • Toiles de Nantes • Gaze • Comparative Literature • Memory • Author’s Implication • The Young Kazuo • Eighteenth century • Spots of time • Cervantes • Literature and science • Borges • The Memoirs of Martinus Scriblerus • Adaptation in Dictionary-making • Moments of being • Interwar literature • Japaneseness • Theories
Permalink http://doi.org/10.30687/EL/2420-823X/2025/12 | Published May 11, 2026 | Language en
Copyright © Flavio Gregori. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.