12 | 2025
open access | peer reviewed-
edited by
- Flavio Gregori - Ca' Foscari University of Venice - email orcid profile
Keywords Samuel Dyer • Empire • William Perry • Adaptation in Dictionary-making • Ethel Mannin • Magazines • Alliterative Names • Slavery • Virginia Woolf • Don Quixote • Paul et Virginie • Theories • Tristram Shandy • Working Class • Literary textiles • Literature and science • Eighteenth century • Eighteenth-century Lexicography • Originals and Shadows • Adaptation • Samuel Johnson’s Dictionary • Tess • Practices • William Petty • Cervantes • Toiles de Jouy • Gaze • Literary adaptation • Semiotics • Modernist autobiography • Author’s Implication • Edmund Burke • Moments of being • Social conventions • Enlightenment • Modernism • Japaneseness • Newspapers • Interpretations • Laurence Sterne • Literary impressionism • Printed fabrics • Rabelais • The Young Kazuo • Oxford English Dictionary • Geographical Moves • Interwar literature • The Memoirs of Martinus Scriblerus • Forgetting • Serialization • Toiles de Nantes • Comparative Literature • Thomas Hardy • Memory • Borges • Middlebrow • Spots of time • Romantic poetry • Christoph Martin Wieland
Permalink http://doi.org/10.30687/EL/2420-823X/2025/12 | Published May 11, 2026 | Language en
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