12 | 2025
open access | peer reviewed-
edited by
- Flavio Gregori - Ca' Foscari University of Venice - email orcid profile
Keywords Romantic poetry • Newspapers • Don Quixote • Adaptation in Dictionary-making • Author’s Implication • Eighteenth-century Lexicography • Forgetting • Theories • Geographical Moves • Tristram Shandy • The Memoirs of Martinus Scriblerus • Borges • Ethel Mannin • Originals and Shadows • Eighteenth century • Middlebrow • The Young Kazuo • Magazines • Interpretations • Toiles de Nantes • William Perry • Enlightenment • Moments of being • Adaptation • Paul et Virginie • Rabelais • Oxford English Dictionary • Modernist autobiography • Serialization • Empire • Semiotics • Working Class • Literary impressionism • Christoph Martin Wieland • Literary adaptation • Edmund Burke • Modernism • Samuel Johnson’s Dictionary • Memory • Comparative Literature • Laurence Sterne • Thomas Hardy • William Petty • Social conventions • Toiles de Jouy • Spots of time • Literature and science • Slavery • Japaneseness • Alliterative Names • Literary textiles • Printed fabrics • Gaze • Cervantes • Virginia Woolf • Interwar literature • Tess • Practices • Samuel Dyer
Permalink http://doi.org/10.30687/EL/2420-823X/2025/12 | Published May 11, 2026 | Language en
Copyright © Flavio Gregori. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.