5 | 2018

open access | peer reviewed

Keywords Gelotophobia • Invasion • Visual poetics • Propaganda • Shakespeare • Performance • Dalloway • Frances Greville • Adaptation • Embodiment • Fishguard • Alexander Oldys • Uneasiness • Theory of laughter • Re-enactment • Feminism • Short story • Calvinism • Emotion • Woolf • Literature as medium • Social shame • Worship • War • Alfred Hitchcock • Edgar Allan Poe • Gothic stories • Materiality • Gorris • Sewing • Coleridge • Affections • Neoliberalism • Experience • Fear • Neuropathology • Isaac Watts • Film adaptation effects • Heteroglossia • Modernism • Passions • Simulacra • Feeling • Cross-cultural • Sentiment • Auteur adaptation • Film technology • Hymns • The heritage film • Stoicism • Politics • Affect • 1790s • Narrative suspense • Handcraft • Singing • Moral Sense • Knowing • Monoglossia • Restoration prose fiction • Women • Film adaptation • Mrs • Dissent • Desire

Permalink http://doi.org/10.30687/EL/2420-823X/2018/01 | Pubblicato 17 Dicembre 2018 | Lingua en, it

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