5 | 2018

open access | peer reviewed

Keywords Frances Greville • Sentiment • Fishguard • Gelotophobia • Auteur adaptation • Performance • Affect • Social shame • Worship • Shakespeare • Isaac Watts • Materiality • Embodiment • Visual poetics • Singing • Moral Sense • Stoicism • Experience • Narrative suspense • Film adaptation effects • Mrs • Emotion • Literature as medium • Alexander Oldys • Calvinism • Uneasiness • War • Adaptation • Restoration prose fiction • Sewing • Alfred Hitchcock • Modernism • Heteroglossia • Neoliberalism • Knowing • Gothic stories • Handcraft • Women • Feeling • Short story • Hymns • Monoglossia • Dalloway • Cross-cultural • Invasion • Dissent • Desire • Film technology • Feminism • Passions • Fear • The heritage film • Gorris • Theory of laughter • Politics • Film adaptation • Neuropathology • Propaganda • Woolf • Re-enactment • Edgar Allan Poe • Affections • Simulacra • Coleridge • 1790s

Permalink http://doi.org/10.30687/EL/2420-823X/2018/01 | Pubblicato 17 Dicembre 2018 | Lingua en, it

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