5 | 2018

open access | peer reviewed

Keywords Neuropathology • Simulacra • Film technology • Desire • Modernism • Auteur adaptation • Stoicism • Heteroglossia • Women • Embodiment • Film adaptation • Dalloway • Propaganda • Alfred Hitchcock • Singing • Short story • Literature as medium • Visual poetics • Neoliberalism • Affections • Dissent • Isaac Watts • Gothic stories • Theory of laughter • Materiality • Edgar Allan Poe • Knowing • Experience • 1790s • Calvinism • Feeling • Coleridge • Feminism • Alexander Oldys • Film adaptation effects • Fear • Gelotophobia • Restoration prose fiction • Adaptation • Social shame • Sentiment • Moral Sense • Hymns • Politics • Affect • Mrs • Narrative suspense • Re-enactment • Sewing • Shakespeare • The heritage film • Worship • Woolf • Handcraft • Uneasiness • Emotion • Fishguard • War • Frances Greville • Passions • Performance • Monoglossia • Gorris • Cross-cultural • Invasion

Permalink http://doi.org/10.30687/EL/2420-823X/2018/01 | Pubblicato 17 Dicembre 2018 | Lingua en, it

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