5 | 2018

open access | peer reviewed

Keywords Gothic stories • Modernism • Neoliberalism • Monoglossia • Literature as medium • Worship • Coleridge • Film adaptation • Handcraft • Film adaptation effects • Sewing • Film technology • Politics • Visual poetics • Gorris • Mrs • Alfred Hitchcock • Woolf • Restoration prose fiction • Affections • Cross-cultural • Theory of laughter • Experience • Calvinism • Frances Greville • Alexander Oldys • Embodiment • Shakespeare • Auteur adaptation • Adaptation • Re-enactment • 1790s • Affect • Neuropathology • Passions • Performance • Isaac Watts • Women • Propaganda • Dalloway • Materiality • Sentiment • The heritage film • Social shame • War • Moral Sense • Short story • Emotion • Uneasiness • Simulacra • Hymns • Heteroglossia • Singing • Knowing • Fishguard • Gelotophobia • Dissent • Invasion • Fear • Feminism • Feeling • Narrative suspense • Stoicism • Desire • Edgar Allan Poe

Permalink http://doi.org/10.30687/EL/2420-823X/2018/01 | Pubblicato 17 Dicembre 2018 | Lingua en, it

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