5 | 2018

open access | peer reviewed

Keywords Cross-cultural • Alfred Hitchcock • Uneasiness • Isaac Watts • Literature as medium • Mrs • Restoration prose fiction • Stoicism • Worship • Modernism • Social shame • Fishguard • Neuropathology • Emotion • Dissent • Theory of laughter • Embodiment • Knowing • War • Moral Sense • Invasion • Performance • Sewing • Desire • Neoliberalism • Propaganda • Gothic stories • Film adaptation • The heritage film • Politics • Coleridge • Monoglossia • Film adaptation effects • Frances Greville • Alexander Oldys • Affections • Dalloway • Sentiment • Singing • Affect • Hymns • Simulacra • Visual poetics • Women • Feminism • Experience • Fear • Heteroglossia • 1790s • Woolf • Short story • Auteur adaptation • Film technology • Narrative suspense • Passions • Shakespeare • Edgar Allan Poe • Adaptation • Gorris • Feeling • Materiality • Re-enactment • Gelotophobia • Handcraft • Calvinism

Permalink http://doi.org/10.30687/EL/2420-823X/2018/01 | Pubblicato 17 Dicembre 2018 | Lingua en, it

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