5 | 2018

open access | peer reviewed

Keywords Heteroglossia • Gelotophobia • Knowing • Desire • Theory of laughter • Neoliberalism • Politics • Gothic stories • Simulacra • Woolf • Feeling • Stoicism • Monoglossia • Worship • Alexander Oldys • Restoration prose fiction • Emotion • Adaptation • Fishguard • Shakespeare • Singing • Passions • Narrative suspense • Auteur adaptation • Film adaptation effects • Literature as medium • Alfred Hitchcock • Cross-cultural • Affections • Social shame • Short story • Women • Sewing • Frances Greville • The heritage film • Hymns • Film adaptation • Dissent • Materiality • Propaganda • Affect • Re-enactment • War • Neuropathology • Coleridge • Handcraft • Gorris • Modernism • Mrs • Moral Sense • Dalloway • Edgar Allan Poe • Performance • Isaac Watts • Calvinism • 1790s • Embodiment • Fear • Feminism • Film technology • Experience • Invasion • Sentiment • Uneasiness • Visual poetics

Permalink http://doi.org/10.30687/EL/2420-823X/2018/01 | Pubblicato 17 Dicembre 2018 | Lingua it, en

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.