5 | 2018

open access | peer reviewed

Keywords Social shame • Shakespeare • Cross-cultural • Film adaptation • Literature as medium • Alfred Hitchcock • Emotion • Materiality • Politics • Fishguard • Sewing • Frances Greville • Auteur adaptation • Visual poetics • Performance • Worship • Film technology • Dissent • Hymns • Narrative suspense • Theory of laughter • Affect • Mrs • Gorris • Neuropathology • War • Experience • Re-enactment • Sentiment • Knowing • Monoglossia • Isaac Watts • Feeling • Gelotophobia • 1790s • Gothic stories • Coleridge • Edgar Allan Poe • The heritage film • Fear • Uneasiness • Calvinism • Desire • Dalloway • Embodiment • Invasion • Stoicism • Short story • Affections • Alexander Oldys • Feminism • Restoration prose fiction • Propaganda • Women • Woolf • Singing • Heteroglossia • Neoliberalism • Passions • Film adaptation effects • Simulacra • Handcraft • Adaptation • Modernism • Moral Sense

Permalink http://doi.org/10.30687/EL/2420-823X/2018/01 | Pubblicato 17 Dicembre 2018 | Lingua en, it

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