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Vol. 5 | Dicembre 2018
Lingua: it, en
Pubblicato: 17 Dicembre 2018
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Keywords vpn_key keyboard_arrow_down
Coleridge • Calvinism • Emotion • Re-enactment • Shakespeare • Propaganda • Singing • Uneasiness • Neuropathology • The heritage film • Literature as medium • Affections • Adaptation • Knowing • Handcraft • Moral Sense • Politics • Alexander Oldys • Stoicism • Visual poetics • Hymns • Sentiment • Performance • Gothic stories • Worship • Narrative suspense • Theory of laughter • Frances Greville • Monoglossia • Women • Modernism • Dalloway • Heteroglossia • Embodiment • Affect • Invasion • Gorris • Mrs • War • Woolf • Cross-cultural • Sewing • Film technology • Feminism • Passions • Alfred Hitchcock • Short story • Isaac Watts • Social shame • Fear • Feeling • Restoration prose fiction • Neoliberalism • Dissent • Experience • Film adaptation effects • Simulacra • Film adaptation • 1790s • Desire • Materiality • Fishguard • Edgar Allan Poe • Gelotophobia • Auteur adaptation
This work is licensed under a
Creative Commons Attribution 4.0 International Public License
Sommario
Adaptations, Especially (but not Only) in Cinema
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Passions, Emotions and Cognition in Eighteenth-Century Literature (Part 2)
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