5 | 2018

open access | peer reviewed

Keywords Performance • Cross-cultural • Emotion • Gorris • Knowing • Moral Sense • Adaptation • Simulacra • Handcraft • Experience • Film adaptation effects • Shakespeare • Theory of laughter • Neuropathology • Fear • Film adaptation • Hymns • Sewing • War • Narrative suspense • Modernism • Calvinism • Alexander Oldys • Feeling • Feminism • Fishguard • Monoglossia • Auteur adaptation • Gothic stories • Gelotophobia • Materiality • Restoration prose fiction • Short story • Edgar Allan Poe • Sentiment • Dalloway • 1790s • Passions • Affect • Dissent • Re-enactment • Uneasiness • Singing • Politics • Alfred Hitchcock • Stoicism • Mrs • Affections • Desire • Visual poetics • Frances Greville • Woolf • Propaganda • Women • Invasion • Isaac Watts • Embodiment • Heteroglossia • Social shame • Worship • Coleridge • The heritage film • Film technology • Neoliberalism • Literature as medium

Permalink http://doi.org/10.30687/EL/2420-823X/2018/01 | Pubblicato 17 Dicembre 2018 | Lingua en, it

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