5 | 2018

open access | peer reviewed

Keywords Alexander Oldys • Hymns • Frances Greville • Literature as medium • Singing • Theory of laughter • Social shame • Monoglossia • Performance • Embodiment • Heteroglossia • The heritage film • Fishguard • Cross-cultural • Mrs • Alfred Hitchcock • Politics • Gothic stories • Worship • Edgar Allan Poe • Fear • Emotion • Handcraft • Neuropathology • Film adaptation • Visual poetics • Restoration prose fiction • War • Dissent • Sewing • Film technology • Isaac Watts • 1790s • Shakespeare • Propaganda • Short story • Modernism • Feeling • Materiality • Affect • Moral Sense • Feminism • Passions • Woolf • Women • Knowing • Gorris • Coleridge • Gelotophobia • Affections • Neoliberalism • Adaptation • Narrative suspense • Re-enactment • Auteur adaptation • Dalloway • Sentiment • Simulacra • Invasion • Calvinism • Uneasiness • Stoicism • Film adaptation effects • Experience • Desire

Permalink http://doi.org/10.30687/EL/2420-823X/2018/01 | Pubblicato 17 Dicembre 2018 | Lingua it, en

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