5 | 2018

open access | peer reviewed

Keywords Passions • Visual poetics • Cross-cultural • Feeling • Auteur adaptation • Performance • Affect • Coleridge • Stoicism • Embodiment • Singing • Affections • Gelotophobia • Social shame • Edgar Allan Poe • Film technology • Alexander Oldys • Politics • Modernism • Feminism • Experience • Invasion • Gothic stories • Sentiment • War • Isaac Watts • Literature as medium • Re-enactment • Restoration prose fiction • Uneasiness • Woolf • Dissent • Moral Sense • Gorris • Dalloway • Film adaptation effects • The heritage film • Women • Hymns • Frances Greville • Desire • Neoliberalism • Theory of laughter • Knowing • Monoglossia • Sewing • Film adaptation • Propaganda • Short story • Adaptation • Alfred Hitchcock • Shakespeare • Emotion • Worship • Handcraft • Mrs • Fear • Fishguard • Calvinism • Simulacra • 1790s • Materiality • Narrative suspense • Neuropathology • Heteroglossia

Permalink http://doi.org/10.30687/EL/2420-823X/2018/01 | Pubblicato 17 Dicembre 2018 | Lingua it, en

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