5 | 2018

open access | peer reviewed

Keywords War • Worship • Coleridge • Desire • Edgar Allan Poe • Materiality • Alfred Hitchcock • Modernism • Neuropathology • Singing • Handcraft • Sewing • Narrative suspense • Women • Propaganda • Theory of laughter • Fishguard • Calvinism • Gorris • Knowing • Woolf • Visual poetics • Re-enactment • Performance • Affections • Dissent • Fear • Neoliberalism • Shakespeare • Politics • Affect • Invasion • Simulacra • Restoration prose fiction • Feeling • 1790s • Gelotophobia • Film adaptation • Sentiment • Monoglossia • Passions • Adaptation • Heteroglossia • Feminism • Film technology • Social shame • Embodiment • Film adaptation effects • Moral Sense • Mrs • Short story • Gothic stories • Auteur adaptation • Uneasiness • Cross-cultural • The heritage film • Stoicism • Experience • Dalloway • Alexander Oldys • Isaac Watts • Emotion • Frances Greville • Literature as medium • Hymns

Permalink http://doi.org/10.30687/EL/2420-823X/2018/01 | Pubblicato 17 Dicembre 2018 | Lingua en, it

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