5 | 2018

open access | peer reviewed

Keywords Invasion • Handcraft • Affect • Affections • Auteur adaptation • Materiality • Politics • Emotion • Stoicism • Alexander Oldys • Restoration prose fiction • Worship • Feminism • Feeling • Mrs • Simulacra • Moral Sense • Knowing • Propaganda • Sewing • 1790s • Neoliberalism • Alfred Hitchcock • Adaptation • Edgar Allan Poe • Heteroglossia • Performance • Sentiment • Short story • Literature as medium • Hymns • Experience • Film technology • Gorris • Cross-cultural • Gothic stories • Singing • Dalloway • Re-enactment • Coleridge • Embodiment • Narrative suspense • Neuropathology • Modernism • The heritage film • Fishguard • Film adaptation • Calvinism • Visual poetics • War • Monoglossia • Theory of laughter • Passions • Shakespeare • Social shame • Woolf • Film adaptation effects • Frances Greville • Desire • Fear • Dissent • Women • Isaac Watts • Gelotophobia • Uneasiness

Permalink http://doi.org/10.30687/EL/2420-823X/2018/01 | Published Dec. 17, 2018 | Language en, it

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