5 | 2018

open access | peer reviewed

Keywords Affect • Feminism • 1790s • Heteroglossia • Isaac Watts • Short story • Singing • Dalloway • Visual poetics • Frances Greville • Politics • Re-enactment • Feeling • Literature as medium • War • Gorris • Uneasiness • Materiality • Monoglossia • Neoliberalism • Narrative suspense • Embodiment • Emotion • Affections • Film adaptation • Passions • Gothic stories • Moral Sense • Shakespeare • Social shame • Women • Edgar Allan Poe • Auteur adaptation • Knowing • Mrs • Stoicism • Adaptation • Dissent • Film technology • Experience • Fear • Calvinism • Sentiment • Woolf • The heritage film • Performance • Desire • Gelotophobia • Simulacra • Cross-cultural • Hymns • Propaganda • Neuropathology • Handcraft • Sewing • Theory of laughter • Worship • Fishguard • Coleridge • Alfred Hitchcock • Modernism • Alexander Oldys • Invasion • Film adaptation effects • Restoration prose fiction

Permalink http://doi.org/10.30687/EL/2420-823X/2018/01 | Published Dec. 17, 2018 | Language en, it

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