5 | 2018

open access | peer reviewed

Keywords Neoliberalism • Gelotophobia • Desire • Dalloway • Adaptation • Feeling • Invasion • Performance • Dissent • Embodiment • Film adaptation effects • Fishguard • Sentiment • Affections • Short story • Stoicism • Restoration prose fiction • Alfred Hitchcock • Singing • Cross-cultural • Theory of laughter • Isaac Watts • Handcraft • Propaganda • Materiality • Alexander Oldys • Simulacra • Affect • Narrative suspense • Monoglossia • Worship • The heritage film • Women • Auteur adaptation • Film technology • Moral Sense • Re-enactment • Modernism • 1790s • Woolf • Heteroglossia • Mrs • Edgar Allan Poe • Emotion • Film adaptation • Gothic stories • Visual poetics • Neuropathology • Sewing • Uneasiness • Experience • Knowing • Passions • Shakespeare • Literature as medium • Coleridge • Feminism • Politics • Calvinism • Hymns • War • Social shame • Fear • Frances Greville • Gorris

Permalink http://doi.org/10.30687/EL/2420-823X/2018/01 | Published Dec. 17, 2018 | Language en, it

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