5 | 2018

open access | peer reviewed

Keywords Women • Film adaptation • 1790s • Film adaptation effects • Cross-cultural • Sentiment • Woolf • Re-enactment • Affect • Heteroglossia • Fear • Fishguard • Handcraft • Theory of laughter • Materiality • Desire • Isaac Watts • Narrative suspense • Passions • Stoicism • Alexander Oldys • Adaptation • Auteur adaptation • Coleridge • Gelotophobia • Hymns • Uneasiness • Social shame • Frances Greville • Singing • Feeling • Embodiment • Moral Sense • Affections • Simulacra • Alfred Hitchcock • Film technology • Gothic stories • Invasion • Propaganda • Shakespeare • Monoglossia • The heritage film • Performance • War • Feminism • Calvinism • Politics • Mrs • Worship • Dissent • Restoration prose fiction • Modernism • Literature as medium • Neuropathology • Short story • Dalloway • Sewing • Knowing • Neoliberalism • Experience • Edgar Allan Poe • Visual poetics • Emotion • Gorris

Permalink http://doi.org/10.30687/EL/2420-823X/2018/01 | Published Dec. 17, 2018 | Language it, en

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