5 | 2018

open access | peer reviewed

Keywords Alfred Hitchcock • Short story • Women • Neoliberalism • Visual poetics • Sentiment • Narrative suspense • 1790s • Dalloway • Fishguard • Literature as medium • Politics • Fear • Frances Greville • Singing • Uneasiness • Heteroglossia • Worship • Passions • Simulacra • Materiality • Monoglossia • Restoration prose fiction • Emotion • Performance • Sewing • Propaganda • Alexander Oldys • Theory of laughter • Neuropathology • Edgar Allan Poe • Calvinism • Stoicism • Adaptation • Feminism • Gelotophobia • Knowing • Embodiment • Experience • Coleridge • Feeling • Hymns • Moral Sense • Affections • Gothic stories • Shakespeare • Film technology • The heritage film • Re-enactment • Affect • Film adaptation • Dissent • Woolf • War • Gorris • Cross-cultural • Film adaptation effects • Isaac Watts • Handcraft • Social shame • Invasion • Mrs • Desire • Modernism • Auteur adaptation

Permalink http://doi.org/10.30687/EL/2420-823X/2018/01 | Published Dec. 17, 2018 | Language en, it

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