5 | 2018

open access | peer reviewed

Keywords Neoliberalism • Alfred Hitchcock • Heteroglossia • Fear • Re-enactment • Film technology • Sewing • Social shame • Coleridge • Film adaptation • Narrative suspense • Adaptation • Moral Sense • Theory of laughter • Feeling • Auteur adaptation • Simulacra • Visual poetics • 1790s • Politics • Short story • Woolf • Singing • Literature as medium • Modernism • Restoration prose fiction • Edgar Allan Poe • Cross-cultural • Monoglossia • Mrs • Performance • Worship • Invasion • Neuropathology • Affections • Isaac Watts • Handcraft • Shakespeare • Knowing • War • Women • Film adaptation effects • Uneasiness • Hymns • Fishguard • Passions • Stoicism • Dissent • Dalloway • Calvinism • Materiality • Propaganda • Gorris • Alexander Oldys • Gelotophobia • Embodiment • Frances Greville • Gothic stories • Experience • Affect • The heritage film • Feminism • Sentiment • Desire • Emotion

Permalink http://doi.org/10.30687/EL/2420-823X/2018/01 | Published Dec. 17, 2018 | Language en, it

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