5 | 2018

open access | peer reviewed

Keywords 1790s • Politics • Handcraft • Shakespeare • Alfred Hitchcock • Materiality • Re-enactment • Film technology • Emotion • Passions • Auteur adaptation • Gothic stories • Alexander Oldys • Social shame • Women • Restoration prose fiction • Worship • Experience • Dissent • Feminism • Propaganda • Isaac Watts • Film adaptation • Heteroglossia • Stoicism • Gorris • Performance • Feeling • Gelotophobia • Fear • Neuropathology • Calvinism • Coleridge • Film adaptation effects • Modernism • Neoliberalism • Desire • Woolf • Edgar Allan Poe • War • Frances Greville • Short story • Simulacra • Singing • Fishguard • Uneasiness • Mrs • Affect • Embodiment • Dalloway • Invasion • Visual poetics • Moral Sense • Cross-cultural • Monoglossia • The heritage film • Hymns • Sentiment • Adaptation • Literature as medium • Theory of laughter • Affections • Knowing • Sewing • Narrative suspense

Permalink http://doi.org/10.30687/EL/2420-823X/2018/01 | Published Dec. 17, 2018 | Language en, it

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