5 | 2018

open access | peer reviewed

Keywords Gelotophobia • Handcraft • Calvinism • Dissent • Desire • Edgar Allan Poe • Stoicism • The heritage film • Fear • Affect • Coleridge • Gorris • Mrs • Performance • Simulacra • Restoration prose fiction • Theory of laughter • Social shame • Shakespeare • Visual poetics • Neuropathology • Narrative suspense • Auteur adaptation • Frances Greville • Literature as medium • Gothic stories • Invasion • Sewing • Alfred Hitchcock • Singing • 1790s • Film adaptation • Dalloway • Film adaptation effects • Politics • Re-enactment • Isaac Watts • Fishguard • Uneasiness • Monoglossia • Affections • Short story • War • Alexander Oldys • Emotion • Hymns • Passions • Propaganda • Neoliberalism • Heteroglossia • Sentiment • Adaptation • Feminism • Knowing • Moral Sense • Worship • Experience • Materiality • Woolf • Cross-cultural • Feeling • Modernism • Film technology • Embodiment • Women

Permalink http://doi.org/10.30687/EL/2420-823X/2018/01 | Published Dec. 17, 2018 | Language it, en

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