5 | 2018

open access | peer reviewed

Keywords Short story • Re-enactment • Mrs • Feminism • Literature as medium • Knowing • Coleridge • Politics • War • Propaganda • Frances Greville • Performance • Experience • Embodiment • Dalloway • Alexander Oldys • 1790s • Calvinism • Emotion • Alfred Hitchcock • Film adaptation effects • Fishguard • Gothic stories • Heteroglossia • Materiality • Neoliberalism • Worship • Film adaptation • Sentiment • Monoglossia • Affect • Adaptation • Social shame • Handcraft • Feeling • Desire • Theory of laughter • Modernism • Moral Sense • Shakespeare • Gelotophobia • Simulacra • Affections • Singing • Invasion • Stoicism • Dissent • Narrative suspense • Film technology • Cross-cultural • Fear • Edgar Allan Poe • Women • Sewing • Neuropathology • Visual poetics • Isaac Watts • Hymns • Woolf • Uneasiness • Restoration prose fiction • Auteur adaptation • Passions • Gorris • The heritage film

Permalink http://doi.org/10.30687/EL/2420-823X/2018/01 | Published Dec. 17, 2018 | Language it, en

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