5 | 2018

open access | peer reviewed

Keywords War • Woolf • Embodiment • Mrs • Politics • Sentiment • The heritage film • Uneasiness • Heteroglossia • Modernism • Fear • Dalloway • Affect • Dissent • Film adaptation effects • Desire • Monoglossia • Coleridge • Sewing • Short story • Shakespeare • Theory of laughter • Materiality • Film technology • Alfred Hitchcock • Moral Sense • Edgar Allan Poe • Fishguard • Gothic stories • Passions • Auteur adaptation • 1790s • Singing • Stoicism • Restoration prose fiction • Cross-cultural • Emotion • Experience • Feeling • Re-enactment • Frances Greville • Neoliberalism • Gorris • Propaganda • Knowing • Performance • Affections • Hymns • Social shame • Simulacra • Alexander Oldys • Film adaptation • Gelotophobia • Isaac Watts • Visual poetics • Calvinism • Handcraft • Neuropathology • Feminism • Women • Invasion • Narrative suspense • Literature as medium • Worship • Adaptation

Permalink http://doi.org/10.30687/EL/2420-823X/2018/01 | Published Dec. 17, 2018 | Language it, en

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