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English Literature | 5 | 2018

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Adaptations, Especially (but not Only) in Cinema
What Isn’t a Cross-Cultural Adaptation, and, if You Know that, then what Isn’t a Cross-Cultural Text?
Leitch Thomas   
Dec. 17, 2018
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‘#DifferenceMakesUs’: Selling Shakespeare Online (and the Commerce Platform Etsy)
Blackwell Anna   
Dec. 17, 2018
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Narrative Suspense in Edgar Allan Poe and Alfred Hitchcock
Elaine Indrusiak   
Dec. 17, 2018
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Film Adaptation as the Art of Expansion
The Visual Poetics of Marleen Gorris in Mrs. Dalloway
Polina Rybina   
Dec. 17, 2018
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Adapting Shakespeare around the Globe
The Construction of Otherness and its Ideological Stakes in the Films O and Omkara
Andrei Nae   
Dec. 17, 2018
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Re-run and Re-read
Tom McCarthy’s Remainder as an Archeology of the Present
Alessandra Violi   
Dec. 17, 2018
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Passions, Emotions and Cognition in Eighteenth-Century Literature (Part 2)
The Fear of Laughter in Restoration Prose Fiction
Jorge Figueroa   
Dec. 17, 2018
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Frances Greville’s A Prayer for Indifference
The Limits of Sentiment
Karin Kukkonen   
Dec. 17, 2018
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Isaac Watts’s Hymnody as a Guide for the Passions
Daniel Johnson   
Dec. 17, 2018
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Passionate Educations
John Locke, Aphra Behn, and Jane Austen
Aleksondra Hultquist   
Dec. 17, 2018
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The Literature of Fear in Britain
Coleridge’s Fears in Solitude and the French Invasion of Fishguard in 1797
Ildiko Csengei   
Dec. 17, 2018
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