5 | 2018

open access | peer reviewed

Keywords Handcraft • Alexander Oldys • Dalloway • Affections • Cross-cultural • Propaganda • Stoicism • War • Gorris • Fishguard • Auteur adaptation • Frances Greville • 1790s • Worship • Invasion • Gothic stories • Isaac Watts • Women • Literature as medium • Alfred Hitchcock • Sentiment • Neoliberalism • Uneasiness • Heteroglossia • Knowing • Passions • Emotion • Film technology • Short story • Desire • Adaptation • Visual poetics • Monoglossia • Coleridge • Narrative suspense • Sewing • Re-enactment • Materiality • Feminism • Neuropathology • Shakespeare • Theory of laughter • Edgar Allan Poe • Woolf • Modernism • Dissent • Mrs • Politics • Restoration prose fiction • Film adaptation • Film adaptation effects • Calvinism • Hymns • Performance • Gelotophobia • Social shame • Affect • Embodiment • Experience • Moral Sense • Fear • Feeling • The heritage film • Simulacra • Singing

Permalink http://doi.org/10.30687/EL/2420-823X/2018/01 | Published Dec. 17, 2018 | Language it, en

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