Il gioco delle antifrasi nell’incipit della Fiaccola sotto il moggio

« articolo precedente | articolo successivo »

Campo DC	Valore
dc.identifier	ECF_article_6274
dc.title	Il gioco delle antifrasi nell’incipit della Fiaccola sotto il moggio
dc.contributor.author	Pasquini Luciana
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari
dc.type	Articolo
dc.language.iso	it
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/riviste/archivio-dannunzio/2021/1/il-gioco-delle-antifrasi-nellincipit-della-fiaccol/
dc.description.abstract	The textual incipit of the second Abruzzo tragedy by Gabriele d’Annunzio, La fiaccola sotto il moggio (1905), defines its character in close relationship with three literary references: the Vangeli (of Luca, Matteo and Marco), the Coefore of Eschilo and La figlia di Iorio (1903; ed. 1904) by the poet himself. The analysis of the first portion of the dramaturgical text shows how, starting from the initial atmospheres, the author loves the game of antiphrastic references with those works, which constitute the filigree of the poetic construction through thematic and conceptual references. Above all, the inverse morality that animates Gigliola, the protagonist, emerges in relation with the evangelical premises contained in the title, as well as the subversion of the tragic order of the classical matrix which also inspires the text.
dc.relation.ispartof	Archivio d’Annunzio
dc.relation.ispartof	Vol. 8 \| Ottobre 2021
dc.issued	2021-10-21
dc.dateAccepted	2021-05-20
dc.dateSubmitted	2021-02-23
dc.identifier.issn
dc.identifier.eissn	2421-292X
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.30687/AdA/2421-292X/2021/01/004
dc.peer-review	yes
dc.subject	Antiphrases
dc.subject	Antiphrases
dc.subject	Impossible catharsis
dc.subject	Impossible catharsis
dc.subject	Mystical inspiration
dc.subject	Mystical inspiration
dc.subject	The second Abruzzo tragedy
dc.subject	The second Abruzzo tragedy

Articolo
open access peer reviewed

Il gioco delle antifrasi nell’incipit della Fiaccola sotto il moggio

Luciana Pasquini Università degli studi «G. d’Annunzio» Chieti-Pescara, Italia

VIEW PDF DOWNLOAD PDF

abstract

The textual incipit of the second Abruzzo tragedy by Gabriele d’Annunzio, La fiaccola sotto il moggio (1905), defines its character in close relationship with three literary references: the Vangeli (of Luca, Matteo and Marco), the Coefore of Eschilo and La figlia di Iorio (1903; ed. 1904) by the poet himself. The analysis of the first portion of the dramaturgical text shows how, starting from the initial atmospheres, the author loves the game of antiphrastic references with those works, which constitute the filigree of the poetic construction through thematic and conceptual references. Above all, the inverse morality that animates Gigliola, the protagonist, emerges in relation with the evangelical premises contained in the title, as well as the subversion of the tragic order of the classical matrix which also inspires the text.

Pubblicato

21 Ottobre 2021

Accettato

20 Maggio 2021

Presentato

23 Febbraio 2021

Lingua

Keywords: Antiphrases • Impossible catharsis • The second Abruzzo tragedy • Mystical inspiration

permalink http://doi.org/10.30687/AdA/2421-292X/2021/01/004

Copyright: © 2021 Luciana Pasquini. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

Citazioni verso questo capitolo

How to cite