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«Buon dì, messer cantore!»: Isaotta, la bellezza e i modelli europei


Gianni Oliva    Università degli Studi «G. D'Annunzio» Chieti Pescara, Italia    


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abstract

The essay proposes a suggestive reading of Isaotta Guttadauro (1886) by d’Annunzio from a new critical perspective. Evasion and fantasy are not a literary game for its own sake but they have a parodic and polemical intent towards a materialistic simplicity that had lost the aesthetic dimension of the experience. The main object is the attendance of Beauty and Literature to guarantee the evolution of the civilised man. It also explores the European models that had influenced d’Annunzio’s choice: Keats, Ruskin, Dante Gabriel Rossetti and the Pre-Raphaelite Brotherhood that had a lot of followers in Rome during the Umbertine Period (1878-1900).

Keywords: Isaotta Guttadauro. La favola di Isaotta. Dame e cavalieri. l dolce grappolo. Pre-Raphaelism in Italy.

Lingua: it

Submitted: 19 Gennaio 2020
Accepted: 05 Giugno 2020
Pubblicato: 22 Ottobre 2020

permalink: http://doi.org/10.30687/AdA/2421-292X/2020/01/001

Creative Commons License This work is licensed under a Creative Commons Attribution 4.0 International License 

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