Di un amico avverso

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Campo DC	Valore
dc.identifier	ECF_article_1556
dc.title	Di un amico avverso
dc.contributor.author	Oliva Gianni
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.type	Articolo
dc.language.iso	it
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/riviste/archivio-dannunzio/2018/1/di-un-amico-avverso/
dc.description.abstract	D’Annunzio and De Lollis (both born in 1863 and in the same region) present, in their cultural journey, moments of contact and collaboration, especially in the early years, and contrasts and oppositions, mainly due to different artistic choices and general attitude that led De Lollis to strongly criticise the Poet. From the initial common collaborations with Roman newspapers, we arrive at the moment in which De Lollis moves against d’Annunzio’s art, which was no longer based on solid ethical principles as in the Carduccian lesson but was seen as a superficial and soul-less art, in the triumph of rhetoric. The decisive difference was revealed at the time Italy entered the war, when De Lollis openly criticised d'Annunzio’s position as soon as he returned from France.
dc.relation.ispartof	Archivio d’Annunzio
dc.relation.ispartof	Vol. 5 \| Ottobre 2018
dc.issued	2018-11-20
dc.dateAccepted	2018-05-25
dc.dateSubmitted	2018-04-02
dc.identifier.issn
dc.identifier.eissn	2421-292X
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.30687/AdA/2421-292X/2018/05/004
dc.peer-review	yes
dc.subject	De Lollis
dc.subject	De Lollis
dc.subject	D’Annunzio
dc.subject	D’Annunzio
dc.subject	Poetry
dc.subject	Poetry
dc.subject	Prima guerra mondiale
dc.subject	Prima guerra mondiale
dc.subject	Rhetoric
dc.subject	Rhetoric

Articolo
open access peer reviewed

Di un amico avverso

Gianni Oliva Università degli Studi «G. D’Annunzio» Chieti-Pescara, Italia

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abstract

D’Annunzio and De Lollis (both born in 1863 and in the same region) present, in their cultural journey, moments of contact and collaboration, especially in the early years, and contrasts and oppositions, mainly due to different artistic choices and general attitude that led De Lollis to strongly criticise the Poet. From the initial common collaborations with Roman newspapers, we arrive at the moment in which De Lollis moves against d’Annunzio’s art, which was no longer based on solid ethical principles as in the Carduccian lesson but was seen as a superficial and soul-less art, in the triumph of rhetoric. The decisive difference was revealed at the time Italy entered the war, when De Lollis openly criticised d'Annunzio’s position as soon as he returned from France.

Pubblicato

20 Novembre 2018

Accettato

25 Maggio 2018

Presentato

02 Aprile 2018

Lingua

Keywords: D’Annunzio • Poetry • Rhetoric • De Lollis • Prima guerra mondiale

permalink http://doi.org/10.30687/AdA/2421-292X/2018/05/004

Copyright: © 2018 Gianni Oliva. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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