D’Annunzio, nome comune

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Campo DC	Valore
dc.identifier	ECF_article_1555
dc.title	D’Annunzio, nome comune. Note sulla critica saviniana agli estetismi
dc.contributor.author	Piga Gavino
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.type	Articolo
dc.language.iso	it
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/riviste/archivio-dannunzio/2018/1/dannunzio-nome-comune/
dc.description.abstract	D’Annunzio is often mentioned, in Savinio’s works, as a typical representative of a cultural trend rather than as an author in his own right. This is due to the fact that, according to Savinio, the aesthetistic poetry is incapable of an authentic artistic creation, because it finds its place naturally in the field of imitation. Therefore, d’Annunzio’s works are the results of an anonymous and regressive experience, which is the perfect antithesis of Savinio’s idea about art. But this subject is structurally connected with a global and very original view of the world that Savinio develops especially during and after the World War 2. This work investigates the complex ties between the Savinio’s ‘antidannunzianismo’ and the development of his global elaboration.
dc.relation.ispartof	Archivio d’Annunzio
dc.relation.ispartof	Vol. 5 \| Ottobre 2018
dc.issued	2018-11-20
dc.dateAccepted	2018-05-10
dc.dateSubmitted	2018-03-26
dc.identifier.issn
dc.identifier.eissn	2421-292X
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.30687/AdA/2421-292X/2018/05/008
dc.peer-review	yes
dc.subject	Dannunzianesimo
dc.subject	Dannunzianesimo
dc.subject	D’Annunzio
dc.subject	D’Annunzio
dc.subject	Estetismo
dc.subject	Estetismo
dc.subject	Fascismo
dc.subject	Fascismo
dc.subject	Savinio
dc.subject	Savinio

Articolo
open access peer reviewed

Note sulla critica saviniana agli estetismi

Gavino Piga Università degli Studi di Cagliari, Italia

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abstract

D’Annunzio is often mentioned, in Savinio’s works, as a typical representative of a cultural trend rather than as an author in his own right. This is due to the fact that, according to Savinio, the aesthetistic poetry is incapable of an authentic artistic creation, because it finds its place naturally in the field of imitation. Therefore, d’Annunzio’s works are the results of an anonymous and regressive experience, which is the perfect antithesis of Savinio’s idea about art. But this subject is structurally connected with a global and very original view of the world that Savinio develops especially during and after the World War 2. This work investigates the complex ties between the Savinio’s ‘antidannunzianismo’ and the development of his global elaboration.

Pubblicato

20 Novembre 2018

Accettato

10 Maggio 2018

Presentato

26 Marzo 2018

Lingua

Keywords: Estetismo • D’Annunzio • Dannunzianesimo • Fascismo • Savinio

permalink http://doi.org/10.30687/AdA/2421-292X/2018/05/008

Copyright: © 2018 Gavino Piga. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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