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Campo DC	Valore
dc.identifier	ECF_article_1549
dc.title	«No, non il caval sauro, per noi». Antifrasi e riferimenti dannunziani nell’opera di Carlo Emilio Gadda
dc.contributor.author	Zollino Antonio
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.type	Articolo
dc.language.iso	it
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/riviste/archivio-dannunzio/2018/1/no-non-il-caval-sauro-per-noi/
dc.description.abstract	D’Annunzio, according to a Gadda’s remarkable declaration, constituted one of the pillars of his own formation. This paper focused on the controversial relationship between Gadda and d’Annunzio: after an initial infatuation, the more grounded Gadda takes on openly critical and parodic positions (in his works, but especially in some sarcastic epistolary communications with Gianfranco Contini). This attitude, however, is not constant over time and leaves place for unequivocal appreciation of the overall figure and specific areas of d’Annunzio’s production.
dc.relation.ispartof	Archivio d’Annunzio
dc.relation.ispartof	Vol. 5 \| Ottobre 2018
dc.issued	2018-11-20
dc.dateAccepted	2018-05-10
dc.dateSubmitted	2018-01-31
dc.identifier.issn
dc.identifier.eissn	2421-292X
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.30687/AdA/2421-292X/2018/05/009
dc.peer-review	yes
dc.subject	1900’s Italian literature
dc.subject	1900’s Italian literature
dc.subject	Cultural education
dc.subject	Cultural education
dc.subject	D’Annunzio
dc.subject	D’Annunzio
dc.subject	Gadda
dc.subject	Gadda
dc.subject	Literary sources
dc.subject	Literary sources

Articolo
open access peer reviewed

«No, non il caval sauro, per noi»

Antifrasi e riferimenti dannunziani nell’opera di Carlo Emilio Gadda

Antonio Zollino Università Cattolica del Sacro Cuore, Milano, Italia

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abstract

D’Annunzio, according to a Gadda’s remarkable declaration, constituted one of the pillars of his own formation. This paper focused on the controversial relationship between Gadda and d’Annunzio: after an initial infatuation, the more grounded Gadda takes on openly critical and parodic positions (in his works, but especially in some sarcastic epistolary communications with Gianfranco Contini). This attitude, however, is not constant over time and leaves place for unequivocal appreciation of the overall figure and specific areas of d’Annunzio’s production.

Pubblicato

20 Novembre 2018

Accettato

10 Maggio 2018

Presentato

31 Gennaio 2018

Lingua

Keywords: D’Annunzio • 1900’s Italian literature • Literary sources • Cultural education • Gadda

permalink http://doi.org/10.30687/AdA/2421-292X/2018/05/009

Copyright: © 2018 Antonio Zollino. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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