Rivista | Annali di Ca’ Foscari. Serie orientale
Fascicolo | 58 | 2022
Articolo | Pittura e poesia negli scritti teorici e nella poesia ecfrastica del surrealista Ūrḫān Muyassar
Abstract
This contribution aims to explore the relation between painting and poetry in the thought and in the poetic production of the Syrian poet Ūrḫān Muyassar. The first part of the study offers an overview of the relationship between painting and poetry, with particular reference to the reflections both within the Arab-Islamic culture and within the surrealist movement. In the second part, the focus shifts to Muyassar. After a brief introduction on the poet, the analysis first takes into consideration his theoretical contribution on the relationship between painting and poetry, then the poetic one, through three examples of ekphrastic poems.
Presentato: 15 Febbraio 2022 | Accettato: 09 Maggio 2022 | Pubblicato 30 Giugno 2022 | Lingua: it
Keywords Arabic poetry • Art • Ekphrasis • Surrealism • Painting
Copyright © 2022 Arturo Monaco. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/AnnOr/2385-3042/2022/01/008
Articoli
Recensioni
DC Field | Value |
---|---|
dc.identifier |
ECF_article_8300 |
dc.title |
Pittura e poesia negli scritti teorici e nella poesia ecfrastica del surrealista Ūrḫān Muyassar |
dc.contributor.author |
Monaco Arturo |
dc.publisher |
Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari |
dc.type |
Articolo |
dc.language.iso |
it |
dc.identifier.uri |
http://edizionicafoscari.it/it/edizioni4/riviste/annali-di-ca-foscari-serie-orientale/2022/1/pittura-e-poesia-negli-scritti-teorici-e-nella-poe/ |
dc.description.abstract |
This contribution aims to explore the relation between painting and poetry in the thought and in the poetic production of the Syrian poet Ūrḫān Muyassar. The first part of the study offers an overview of the relationship between painting and poetry, with particular reference to the reflections both within the Arab-Islamic culture and within the surrealist movement. In the second part, the focus shifts to Muyassar. After a brief introduction on the poet, the analysis first takes into consideration his theoretical contribution on the relationship between painting and poetry, then the poetic one, through three examples of ekphrastic poems. |
dc.relation.ispartof |
Annali di Ca’ Foscari. Serie orientale |
dc.relation.ispartof |
Vol. 58 | Giugno 2022 |
dc.issued |
2022-06-30 |
dc.dateAccepted |
2022-05-09 |
dc.dateSubmitted |
2022-02-15 |
dc.identifier.issn |
|
dc.identifier.eissn |
2385-3042 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
dc.identifier.doi |
10.30687/AnnOr/2385-3042/2022/01/008 |
dc.peer-review |
yes |
dc.subject |
Arabic poetry |
dc.subject |
Art |
dc.subject |
Ekphrasis |
dc.subject |
Painting |
dc.subject |
Surrealism |
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