Giorgio Damistra (1650-?), Theodoro Poulakis (1620-1692?) e il Barocco Levantino

« articolo precedente | articolo successivo »

Campo DC	Valore
dc.identifier	ECF_article_2974
dc.title	Giorgio Damistra (1650-?), Theodoro Poulakis (1620-1692?) e il Barocco Levantino
dc.contributor.author	Stoyanova Magdelena
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari
dc.type	Articolo
dc.language.iso	it
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/riviste/annali-di-ca-foscari-serie-orientale/2020/56/giorgio-damistra-1650-theodoro-poulakis-1620-1692/
dc.description.abstract	This paper reports the recent discovery of the autograph of Giorgio da Mistra, an apprentice of the famous Greek icon painter Theodoro Poulakis, on an icon of Saint Demetrius. In order to check its authenticity and give a plausible dating, the Author compares the biography, pictorial technique and aesthetic orientation of both post-Byzantine painters. She further introduces little-known notices about the Russian acquisitions during the 19th century on the Italian antiquarian market that could have intercepted other Da Mistra’s works and, in general, are of potential interest for the study of the post-Byzantine painting.
dc.relation.ispartof	Annali di Ca’ Foscari. Serie orientale
dc.relation.ispartof	Vol. 56 \| Giugno 2020
dc.issued	2020-06-30
dc.dateAccepted	2020-04-17
dc.dateSubmitted	2020-02-06
dc.identifier.issn
dc.identifier.eissn	2385-3042
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.30687/AnnOr/2385-3042/2020/56/001
dc.peer-review	yes
dc.subject	Art market
dc.subject	Art market
dc.subject	Giorgio Damistra
dc.subject	Giorgio Damistra
dc.subject	Icon painting
dc.subject	Icon painting
dc.subject	Levantine baroque
dc.subject	Levantine baroque
dc.subject	Theodoro Poulakis
dc.subject	Theodoro Poulakis

Articolo
open access peer reviewed

Magdelena Stoyanova Bulgarian Academy of Science, Sofija, Bălgarija

VIEW PDF DOWNLOAD PDF

abstract

This paper reports the recent discovery of the autograph of Giorgio da Mistra, an apprentice of the famous Greek icon painter Theodoro Poulakis, on an icon of Saint Demetrius. In order to check its authenticity and give a plausible dating, the Author compares the biography, pictorial technique and aesthetic orientation of both post-Byzantine painters. She further introduces little-known notices about the Russian acquisitions during the 19th century on the Italian antiquarian market that could have intercepted other Da Mistra’s works and, in general, are of potential interest for the study of the post-Byzantine painting.

Pubblicato

30 Giugno 2020

Accettato

17 Aprile 2020

Presentato

06 Febbraio 2020

Lingua

Keywords: Levantine baroque • Giorgio Damistra • Icon painting • Art market • Theodoro Poulakis

permalink http://doi.org/10.30687/AnnOr/2385-3042/2020/56/001

Copyright: © 2020 Magdelena Stoyanova. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

Citazioni verso questo capitolo

How to cite