Ah Q Travels to Europe

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Campo DC	Valore
dc.identifier	ECF_article_2979
dc.title	Ah Q Travels to Europe. Christoph Hein’s Die wahre Geschichte des Ah Q (1983) and Dario Fo’s La storia di Qu (2011)
dc.contributor.author	Pesaro Nicoletta
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari
dc.type	Articolo
dc.language.iso	en
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/riviste/annali-di-ca-foscari-serie-orientale/2020/56/ah-q-travels-to-europe/
dc.description.abstract	This study focuses on the adaptations of the novella “The True Story of Ah Q” by the Chinese writer Lu Xun (1881-1936), produced by two important European playwrights, Christoph Hein (b. 1944) and Dario Fo (1926-2016), who ‘translated’ Lu Xun’s famous character respectively into a problematic nihilist (Die wahre Geschichte des Ah Q, 1983) and into a revolutionary Chinese Harlequin (La storia di Qu, 1989; 2011). These two plays appropriate the ‘hypotext’ into a new cultural geography, which is neither Chinese nor completely German or Italian, but rather a transcultural space based on the European intellectual tradition of the ‘anarchist’. In this case translation means a thorough transformation and change which allows Lu Xun’s work to ‘live on’ (Fortleben, as in Walter Benjamin’s theory).
dc.relation.ispartof	Annali di Ca’ Foscari. Serie orientale
dc.relation.ispartof	Vol. 56 \| Giugno 2020
dc.issued	2020-06-30
dc.dateAccepted	2020-04-17
dc.dateSubmitted	2020-02-06
dc.identifier.issn
dc.identifier.eissn	2385-3042
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.30687/AnnOr/2385-3042/2020/56/018
dc.peer-review	yes
dc.subject	Adaptation
dc.subject	Adaptation
dc.subject	Appropriation
dc.subject	Appropriation
dc.subject	Contact zone
dc.subject	Contact zone
dc.subject	Fortleben
dc.subject	Fortleben
dc.subject	Transcultural rewriting
dc.subject	Transcultural rewriting

Articolo
open access peer reviewed

Christoph Hein’s Die wahre Geschichte des Ah Q (1983) and Dario Fo’s La storia di Qu (2011)

Nicoletta Pesaro Università Ca’ Foscari Venezia, Italia

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abstract

This study focuses on the adaptations of the novella “The True Story of Ah Q” by the Chinese writer Lu Xun (1881-1936), produced by two important European playwrights, Christoph Hein (b. 1944) and Dario Fo (1926-2016), who ‘translated’ Lu Xun’s famous character respectively into a problematic nihilist (Die wahre Geschichte des Ah Q, 1983) and into a revolutionary Chinese Harlequin (La storia di Qu, 1989; 2011). These two plays appropriate the ‘hypotext’ into a new cultural geography, which is neither Chinese nor completely German or Italian, but rather a transcultural space based on the European intellectual tradition of the ‘anarchist’. In this case translation means a thorough transformation and change which allows Lu Xun’s work to ‘live on’ (Fortleben, as in Walter Benjamin’s theory).

Pubblicato

30 Giugno 2020

Accettato

17 Aprile 2020

Presentato

06 Febbraio 2020

Lingua

Keywords: Fortleben • Transcultural rewriting • Appropriation • Adaptation • Contact zone

permalink http://doi.org/10.30687/AnnOr/2385-3042/2020/56/018

Copyright: © 2020 Nicoletta Pesaro. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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