Annali di Ca’ Foscari. Serie occidentale

Rivista | Annali di Ca’ Foscari. Serie occidentale
Fascicolo | 53 | 2019
Articolo | Téa Obreht e Sara Nović: l’esotico alla balcanica

Téa Obreht e Sara Nović: l’esotico alla balcanica

Abstract

In the contemporary literary universe, where the ‘commercial pole’ of literary field prevails over the ‘autonomous’ one, according to the dichotomy introduced by Pierre Bourdieu and furtherly developed by Pascale Casanova, the phenomena of so-called ‘world fiction’, has been becoming increasingly widespread. Considering that many readers read the works of fiction in order to experience the Other and the Alterity, the writers originating from or somehow related to peripheral cultures are expected to represent their cultures. The value of authenticity is attributed to their representations, even if the author’s autonomy is significantly limited by the rules of the chosen genre (‘world fiction’), and of the literary field they are trying to penetrate. Starting from these premises and focusing on the extraordinary success of two American writers of Balkan origin, Tea Obreht and Sara Nović, in this paper I will try to provide some answers to the following questions: what is the expected image of the Balkan in the USA literary field? Is the discourse of balcanism still present? And why do these images, although fictional, have an importance for the real world?


Open access | Peer reviewed

Presentato: 11 Marzo 2019 | Accettato: 15 Aprile 2019 | Pubblicato 26 Settembre 2019 | Lingua: it

Keywords Téa Obreht • Commercial pole • Literary field • The Balkans • Sara Nović

Copyright © 2019 Olivera Miok. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

Permalink http://doi.org/10.30687/AnnOc/2499-1562/2019/06/008


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