Eurasiatica

Quaderni di studi su Balcani, Anatolia, Iran, Caucaso e Asia Centrale

Armenian Art in Iran

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Abstract

This volume reassesses Armenian art in Iran through the interpretive frameworks of transculturality, connected histories, and cultural entanglement. Contributions by Patrick Donabédian, Levon Chookaszian, Maurizio Boriani, Andreh Marouti, Marco Brambilla, and Talinn Grigor explore architecture, monumental painting, funerary monuments, heritage conservation, and modern architecture, demonstrating that Armenian artistic production in Iran developed through continuous interaction with Persian, Caucasian, Mediterranean, and European traditions. Moving beyond national paradigms, the volume presents Armenian art as a dynamic process of cultural co-creation that reshaped identities over two millennia and offers a new perspective on artistic exchange across Eurasia.

Keywords North-Iranian tomb towersKhachkars of Old JulfaBlind colonnade‑arcadeRamTombstone SymbolsWall paintingsSassanian dome on square via squinchesCrossGabriel GuevrekianModern Armenian churchesIranian influence on Armenian art and architectureElements of Armenian church designLast JudgementPreservation ChallengesNew Uses for Old BuildingsConnected HistoriesInternational CooperationTransculturalityTree of LifeWest Azerbaijan TourismSafavid churches<br>St George and DragonArchitectural ConservationReticulated pendentives and bandsSt George churchSlab TombstonesCombined TombstonesArevakhachCultural EntanglementHaftvanVardan HovhannisianCoronation of Virgin Mary and childArmenian churchesUrban and rural churchesPaul ApcarArmenian architectsArmenian churches of New JulfaArmenian ChurchesSalmastYougenia AftandiliansAdam and EveSassanian iconographic and ornamental themesSt Sargis and MartirosIranRectangular Block TombstonesArmenian Art

Thema codes AGAAMXNHTB11FBN1DTV

Permalink http://doi.org/10.30687/979-12-5742-061-1 | e-ISBN 979-12-5742-061-1 | ISBN (PRINT) 979-12-5742-080-2 | Pubblicato 16 Luglio 2026 | Lingua en