Eurasiatica

Quaderni di studi su Balcani, Anatolia, Iran, Caucaso e Asia Centrale

Armenian Art in Iran

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Abstract

This volume reassesses Armenian art in Iran through the interpretive frameworks of transculturality, connected histories, and cultural entanglement. Contributions by Patrick Donabédian, Levon Chookaszian, Maurizio Boriani, Andreh Marouti, Marco Brambilla, and Talinn Grigor explore architecture, monumental painting, funerary monuments, heritage conservation, and modern architecture, demonstrating that Armenian artistic production in Iran developed through continuous interaction with Persian, Caucasian, Mediterranean, and European traditions. Moving beyond national paradigms, the volume presents Armenian art as a dynamic process of cultural co-creation that reshaped identities over two millennia and offers a new perspective on artistic exchange across Eurasia.

Keywords Elements of Armenian church designSlab TombstonesConnected HistoriesArevakhachArmenian ChurchesInternational CooperationWall paintingsArmenian churches of New JulfaHaftvanIranian influence on Armenian art and architectureSt Sargis and MartirosIranSalmastUrban and rural churchesCultural EntanglementKhachkars of Old JulfaModern Armenian churchesLast JudgementPaul ApcarSassanian dome on square via squinchesVardan HovhannisianTree of LifeWest Azerbaijan TourismYougenia AftandiliansRamNew Uses for Old BuildingsArchitectural ConservationTransculturalityCombined TombstonesCrossRectangular Block TombstonesSassanian iconographic and ornamental themesPreservation ChallengesSafavid churchesGabriel GuevrekianCoronation of Virgin Mary and childReticulated pendentives and bands<br>Blind colonnade‑arcadeNorth-Iranian tomb towersSt George and DragonArmenian churchesAdam and EveSt George churchArmenian ArtArmenian architectsTombstone Symbols

Thema codes AGAAMXNHTB11FBN1DTV

Permalink http://doi.org/10.30687/979-12-5742-061-1 | e-ISBN 979-12-5742-061-1 | ISBN (PRINT) 979-12-5742-080-2 | Pubblicato 16 Luglio 2026 | Lingua en