Eurasiatica

Quaderni di studi su Balcani, Anatolia, Iran, Caucaso e Asia Centrale

Armenian Art in Iran

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Abstract

This volume reassesses Armenian art in Iran through the interpretive frameworks of transculturality, connected histories, and cultural entanglement. Contributions by Patrick Donabédian, Levon Chookaszian, Maurizio Boriani, Andreh Marouti, Marco Brambilla, and Talinn Grigor explore architecture, monumental painting, funerary monuments, heritage conservation, and modern architecture, demonstrating that Armenian artistic production in Iran developed through continuous interaction with Persian, Caucasian, Mediterranean, and European traditions. Moving beyond national paradigms, the volume presents Armenian art as a dynamic process of cultural co-creation that reshaped identities over two millennia and offers a new perspective on artistic exchange across Eurasia.

Keywords Armenian churches of New JulfaAdam and EveArevakhachArmenian ArtNew Uses for Old BuildingsSassanian dome on square via squinchesArchitectural ConservationSassanian iconographic and ornamental themesPaul ApcarArmenian ChurchesPreservation ChallengesRectangular Block TombstonesUrban and rural churchesSt George and DragonInternational CooperationSafavid churchesSlab TombstonesKhachkars of Old JulfaCultural EntanglementCoronation of Virgin Mary and childSt Sargis and MartirosArmenian architectsBlind colonnade‑arcadeIranRamHaftvanModern Armenian churchesTree of LifeLast JudgementReticulated pendentives and bandsVardan HovhannisianCrossTransculturalityYougenia AftandiliansElements of Armenian church design<br>Combined TombstonesWest Azerbaijan TourismConnected HistoriesIranian influence on Armenian art and architectureArmenian churchesSalmastTombstone SymbolsSt George churchWall paintingsNorth-Iranian tomb towersGabriel Guevrekian

Thema codes AGAAMXNHTB11FBN1DTV

Permalink http://doi.org/10.30687/979-12-5742-061-1 | e-ISBN 979-12-5742-061-1 | ISBN (PRINT) 979-12-5742-080-2 | Pubblicato 16 Luglio 2026 | Lingua en