Eurasiatica

Quaderni di studi su Balcani, Anatolia, Iran, Caucaso e Asia Centrale

Armenian Art in Iran

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Abstract

This volume reassesses Armenian art in Iran through the interpretive frameworks of transculturality, connected histories, and cultural entanglement. Contributions by Patrick Donabédian, Levon Chookaszian, Maurizio Boriani, Andreh Marouti, Marco Brambilla, and Talinn Grigor explore architecture, monumental painting, funerary monuments, heritage conservation, and modern architecture, demonstrating that Armenian artistic production in Iran developed through continuous interaction with Persian, Caucasian, Mediterranean, and European traditions. Moving beyond national paradigms, the volume presents Armenian art as a dynamic process of cultural co-creation that reshaped identities over two millennia and offers a new perspective on artistic exchange across Eurasia.

Keywords Coronation of Virgin Mary and childRamPaul ApcarModern Armenian churchesAdam and Eve<br>Urban and rural churchesSafavid churchesArmenian ArtIranArmenian architectsSt George churchArchitectural ConservationKhachkars of Old JulfaTree of LifeLast JudgementReticulated pendentives and bandsArevakhachSassanian iconographic and ornamental themesCombined TombstonesElements of Armenian church designVardan HovhannisianConnected HistoriesInternational CooperationArmenian churchesHaftvanNew Uses for Old BuildingsSassanian dome on square via squinchesBlind colonnade‑arcadeArmenian ChurchesNorth-Iranian tomb towersWest Azerbaijan TourismSalmastWall paintingsSt George and DragonTombstone SymbolsPreservation ChallengesIranian influence on Armenian art and architectureRectangular Block TombstonesTransculturalityYougenia AftandiliansSlab TombstonesCrossCultural EntanglementGabriel GuevrekianArmenian churches of New JulfaSt Sargis and Martiros

Thema codes AGAAMXNHTB11FBN1DTV

Permalink http://doi.org/10.30687/979-12-5742-061-1 | e-ISBN 979-12-5742-061-1 | ISBN (PRINT) 979-12-5742-080-2 | Pubblicato 16 Luglio 2026 | Lingua en