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Campo DC	Valore
dc.identifier	ECF_chapter_17792
dc.contributor.author	Pellicari Giada
dc.title	«Per esistere veramente le cose dovrebbero essere eterne, immortali». Note attorno all’etica curatoriale e al reenactment di Comportamento
dc.type	Capitolo
dc.language.iso	it
dc.description.abstract	This essay traces the challenges behind the reenactment of the Behaviour section of the main exhibition Work or Behaviour (Italian Pavilion) at the 36th Venice Biennale in 1972, under the curatorial direction of Renato Barilli. In 2017, after an intense research, Comportamento. Venice Biennale 1972. Italian Pavilion, with works by Gino De Dominicis, Luciano Fabro, Mario Merz, Germano Olivotto and Franco Vaccari was inaugurated at the Centre for Contemporary Art Luigi Pecci in Prato. Through a retrospective analysis, this paper provides a methodological example taking into account the modus operandi and the steps of this new art-historical operation.
dc.relation.ispartof	Storie dell’arte contemporanea
dc.publisher	Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari
dc.issued	2023-12-05
dc.dateAccepted	2023-08-23
dc.dateSubmitted	2023-06-19
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-760-9/per-esistere-veramente-le-cose-dovrebbero-essere-e/
dc.identifier.doi	10.30687/978-88-6969-760-9/004
dc.identifier.issn	2610-9905
dc.identifier.eissn	2610-9891
dc.identifier.isbn
dc.identifier.eisbn	978-88-6969-760-9
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	yes
dc.subject	Franco Vaccari
dc.subject	Germano Olivotto
dc.subject	Gerry Schum
dc.subject	Gino De Dominicis
dc.subject	Luciano Fabro
dc.subject	Mario Merz
dc.subject	Reenactment

Capitolo
open access peer reviewed

«Per esistere veramente le cose dovrebbero essere eterne, immortali»

Note attorno all’etica curatoriale e al reenactment di Comportamento

Giada Pellicari Università IULM, Milano, Italia

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abstract

This essay traces the challenges behind the reenactment of the Behaviour section of the main exhibition Work or Behaviour (Italian Pavilion) at the 36th Venice Biennale in 1972, under the curatorial direction of Renato Barilli. In 2017, after an intense research, Comportamento. Venice Biennale 1972. Italian Pavilion, with works by Gino De Dominicis, Luciano Fabro, Mario Merz, Germano Olivotto and Franco Vaccari was inaugurated at the Centre for Contemporary Art Luigi Pecci in Prato. Through a retrospective analysis, this paper provides a methodological example taking into account the modus operandi and the steps of this new art-historical operation.

Pubblicato

05 Dicembre 2023

Accettato

23 Agosto 2023

Presentato

19 Giugno 2023

Lingua

ISBN (EBOOK)

978-88-6969-760-9

Keywords: Luciano Fabro • Franco Vaccari • Reenactment • Mario Merz • Gerry Schum • Gino De Dominicis • Germano Olivotto

permalink: http://doi.org/10.30687/978-88-6969-760-9/004

Copyright: © 2023 Giada Pellicari. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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