From Inside to Outside and Vice Versa

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Campo DC	Valore
dc.identifier	ECF_chapter_15679
dc.contributor.author	Rejas Del Pino Miriam
dc.title	From Inside to Outside and Vice Versa. A Contribution on Spatiality in Analogue Photography
dc.type	Capitolo
dc.language.iso	en
dc.description.abstract	The aim of this paper is to identify the mechanisms for producing meaning in the visual through the visual itself, the interpretation of which should not be entrusted to the dimension of the extra-figurative. Focusing on the theoretical opposition of opacity and transparency theorised by Louis Marin, here, three analogue photographs from the early to the mid-twentieth century will be analysed following the visual semiotics methodology. In those photographs, which propose a complex representation of semiotic relevance, the opposition between the represented space and the material surface of the medium will be explored through the analysis of the traces of enunciation within the text.
dc.relation.ispartof	Quaderni di Venezia Arti
dc.publisher	Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari
dc.issued	2022-12-21
dc.dateSubmitted	2022-11-08
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-675-6/from-inside-to-outside-and-vice-versa/
dc.identifier.doi	10.30687/978-88-6969-675-6/013
dc.identifier.eissn	2784-8868
dc.identifier.isbn
dc.identifier.eisbn	978-88-6969-675-6
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	Analogue photography
dc.subject	Enunciation
dc.subject	Image Theory
dc.subject	Louis Marin
dc.subject	Opacity
dc.subject	Transparency
dc.subject	Visual semiotics

Capitolo
open access

From Inside to Outside and Vice Versa

A Contribution on Spatiality in Analogue Photography

Miriam Rejas Del Pino Università Ca’ Foscari Venezia, Italia

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abstract

The aim of this paper is to identify the mechanisms for producing meaning in the visual through the visual itself, the interpretation of which should not be entrusted to the dimension of the extra-figurative. Focusing on the theoretical opposition of opacity and transparency theorised by Louis Marin, here, three analogue photographs from the early to the mid-twentieth century will be analysed following the visual semiotics methodology. In those photographs, which propose a complex representation of semiotic relevance, the opposition between the represented space and the material surface of the medium will be explored through the analysis of the traces of enunciation within the text.

Pubblicato

21 Dicembre 2022

Presentato

08 Novembre 2022

Lingua

ISBN (EBOOK)

978-88-6969-675-6

Keywords: Transparency • Analogue photography • Opacity • Visual semiotics • Enunciation • Louis Marin • Image Theory

permalink: http://doi.org/10.30687/978-88-6969-675-6/013

Copyright: © 2022 Miriam Rejas Del Pino. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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