Collana | Diaspore
Miscellanea | L’altro sono io | El otro soy yo
Capitolo | El otro, nosotros y yo
Abstract
Mexico saw a dramatic rise in violence during the first two decades of the 20th century. While mass media news (tabloid papers, television, internet) fed its audience what Octavio Paz called “the same dish of blood” day after day, these outbreaks of violence found a more internalised and subjective echo in works of poetry. Yet, how can one speak in the first person in the face of horror? What does it mean for poetry to say ‘I’ or indeed ‘we’ in these circumstances, at the risk of veering into civic and patriotic reflections? This article examines the challenges raised by these questions through the works of four contemporary Mexican poets.
Pubblicato 30 Aprile 2020 | Lingua: es
Keywords Poetry • Lyrical subject • 21st century • Mexico • Violence
Copyright © 2020 Paul-Henri Giraud. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-396-0/019
Identità: un altro io?
Narrazioni e linguaggi
Migrazioni e violenza
DC Field | Value |
---|---|
dc.identifier |
ECF_chapter_3698 |
dc.contributor.author |
Giraud Paul-Henri |
dc.title |
El otro, nosotros y yo. La poesía mexicana frente a la violencia a principios del siglo XXI |
dc.type |
Capitolo |
dc.language.iso |
es |
dc.description.abstract |
Mexico saw a dramatic rise in violence during the first two decades of the 20th century. While mass media news (tabloid papers, television, internet) fed its audience what Octavio Paz called “the same dish of blood” day after day, these outbreaks of violence found a more internalised and subjective echo in works of poetry. Yet, how can one speak in the first person in the face of horror? What does it mean for poetry to say ‘I’ or indeed ‘we’ in these circumstances, at the risk of veering into civic and patriotic reflections? This article examines the challenges raised by these questions through the works of four contemporary Mexican poets. |
dc.relation.ispartof |
Diaspore |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari |
dc.issued |
2020-04-30 |
dc.identifier.uri |
http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-396-0/el-otro-nosotros-y-yo/ |
dc.identifier.doi |
10.30687/978-88-6969-396-0/019 |
dc.identifier.issn |
2610-8860 |
dc.identifier.eissn |
2610-9387 |
dc.identifier.isbn |
978-88-6969-397-7 |
dc.identifier.eisbn |
978-88-6969-396-0 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
item.fulltext |
with fulltext |
item.grantfulltext |
open |
dc.peer-review |
no |
dc.subject |
21st century |
dc.subject |
21st century |
dc.subject |
Lyrical subject |
dc.subject |
Lyrical subject |
dc.subject |
Mexico |
dc.subject |
Mexico |
dc.subject |
Poetry |
dc.subject |
Poetry |
dc.subject |
Violence |
dc.subject |
Violence |
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