Filologie medievali e moderne

Soteriologia e Passione nella Commedia

crossmark logo

Abstract

The present study examines the shift in late medieval devotion and spirituality to the affective consideration of and participation to the sufferings of Christ on the Cross (Christus patiens). Particular attention is given to Bonaventure’s theology of the Cross and to narratives of the Passion of Christ included in writings of Franciscan friars such as Ubertino da Casale and the visual representations sponsored by the mendicants. Against this backdrop, the Author analyses Dante’s representation of the Passion’s episodes in the Comedy. On the basis of the poet’s narrative and lexical choices, the Author notes the absence of the most vivid details associated to the Christus Patiens. In the light of contemporary theological discussion on soteriology, the Author hypothesises that Dante wishes to represent the Passion as a triumph of the divine caritas that ultimately motivates the history of salvation.


Open access

Pubblicato 17 Dicembre 2018 | Lingua: it

Keywords Cross • Passion of Christ • Franciscans • Suffering • Charity • Soteriology • Salvation • Christus patiens • Devotion • Christus triumphans

Copyright © 2018 Paola Nasti. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

Permalink http://doi.org/10.30687/978-88-6969-298-7/005


leggi questo capitolo