Collana |
Eurasiatica
Miscellanea | La Crimea tra Russia, Italia e Impero ottomano
Capitolo | The Artistic Renaissance of the Crimea
The Artistic Renaissance of the Crimea
- Inessa Kouteinikova - Russian Museum of Ethnography, Sankt-Peterburg, Russia - email
Abstract
Experiencing Crimean landscape and architecture through representations were enticing for the nineteenth century Russian artists, writers and travellers. Works by Lev Lagorio, Ivan Aivazovsky, Fedor Vasiliev, the Chrnetzovs brothers and many more are paradigmatic examples of the visualization and appropriation of the distant landscapers, involving the eye of the Russian beholder, the practice of travel as a displacement from home, and the role of painting and photography as a souvenir authenticating experience. Most of these representations from early sketches to photography, reflect a cultural identity that is different from that of the places they describe and the consolidated a sense of Russia through the mirror of its ‘others’.
Presentato: 10 Aprile 2017 | Accettato: 18 Maggio 2017 | Pubblicato 12 Dicembre 2017 | Lingua: it
Keywords Paradise • Russian landscape • Crimea • Italian influences • Italian landscape
Copyright © 2017 Inessa Kouteinikova. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.14277/6969-201-7/EUR-8-11
Introduzione
-
La crimea nell’impero russo
Un mosaico di popoli e culture - Aldo Ferrari
- 12 Dicembre 2017
Saggi
-
Dalla Tauride alla Tavrida
Introduzione al mito della Crimea nella cultura russa - Aldo Ferrari
- 12 Dicembre 2017
- Le lingue turciche della Crimea fra migrazioni e estinzione
- Matthias Kappler
- 12 Dicembre 2017
- P. Gabriēl Ayvazean: l’editore e il traduttore
- Sona Haroutyunian
- 12 Dicembre 2017
-
I caraiti nella Crimea imperiale russa
Rappresentazioni e costruzioni identitarie - Paolo Lucca
- 12 Dicembre 2017
- Scorci veneziani sulla regione del Mar Nero (secoli XV-XIX)
- Giampiero Bellingeri
- 12 Dicembre 2017
- Migrazioni italiane in Crimea e Nuova Russia: tracce, fonti, contesti
- Heloisa Rojas Gomez
- 12 Dicembre 2017
- «Древнее житие» Владимира Святославича и сведения о взятии Корсуня: лингвистические заметки
- Alessandro Maria Bruni
- 12 Dicembre 2017
-
La guerra di Crimea come fattore di modernizzazione
Il caso dell’Impero ottomano e dell’Impero russo - Giulia Lami
- 12 Dicembre 2017
- Crimea, orienti e orientalismo nel racconto La confessione di un marito di K.N. Leont’ev
- Elena Pupulin
- 12 Dicembre 2017
- Note sul tema: Osip Mandel’štam e la Crimea
- Daniela Rizzi
- 12 Dicembre 2017
- The Artistic Renaissance of the Crimea
- Inessa Kouteinikova
- 12 Dicembre 2017
Appendice
- Minimalia Crimeana
- M. Marcella Ferraccioli, Gianfranco Giraudo
- 12 Dicembre 2017
DC Field | Value |
---|---|
dc.identifier |
ECF_chapter_1638 |
dc.contributor.author |
Kouteinikova Inessa |
dc.title |
The Artistic Renaissance of the Crimea |
dc.type |
Capitolo |
dc.language.iso |
it |
dc.description.abstract |
Experiencing Crimean landscape and architecture through representations were enticing for the nineteenth century Russian artists, writers and travellers. Works by Lev Lagorio, Ivan Aivazovsky, Fedor Vasiliev, the Chrnetzovs brothers and many more are paradigmatic examples of the visualization and appropriation of the distant landscapers, involving the eye of the Russian beholder, the practice of travel as a displacement from home, and the role of painting and photography as a souvenir authenticating experience. Most of these representations from early sketches to photography, reflect a cultural identity that is different from that of the places they describe and the consolidated a sense of Russia through the mirror of its ‘others’. |
dc.relation.ispartof |
Eurasiatica |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
dc.issued |
2017-12-12 |
dc.dateAccepted |
2017-05-18 |
dc.dateSubmitted |
2017-04-10 |
dc.identifier.uri |
http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-212-3/the-artistic-renaissance-of-the-crimea/ |
dc.identifier.doi |
10.14277/6969-201-7/EUR-8-11 |
dc.identifier.issn |
2610-8879 |
dc.identifier.eissn |
2610-9433 |
dc.identifier.isbn |
978-88-6969-212-3 |
dc.identifier.eisbn |
978-88-6969-201-7 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
item.fulltext |
with fulltext |
item.grantfulltext |
open |
dc.peer-review |
yes |
dc.subject |
Crimea |
dc.subject |
Crimea |
dc.subject |
Italian influences |
dc.subject |
Italian influences |
dc.subject |
Italian landscape |
dc.subject |
Italian landscape |
dc.subject |
Paradise |
dc.subject |
Paradise |
dc.subject |
Russian landscape |
dc.subject |
Russian landscape |
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