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Campo DC	Valore
dc.identifier	ECF_chapter_1619
dc.contributor.author	Prete Elisa
dc.title	«S’è astenuta dal ribellarsi e s’è sforzata di comprendere». Ripercorrendo la collettiva del 1919
dc.type	Capitolo
dc.language.iso	it
dc.description.abstract	The text runs through the collective Bevilacqua La Masa of 1919, analysing the organisational aspects, the use of spaces and the critical choices made by Barbantini and the jury in the selection of participations. The exhibition itinerary presents a varied range of research; it develops between the ground floor and the mezzanine of Palazzo Pesaro, whose rooms are restored following the measures adopted during the war. Taking place in a historic moment of transition, the edition marks the resumption of the exhibition activity of the Opera, interrupted due to the polemics of 1913 and suspended in the years of the world war. According to the wide participation, the volume of sales and the number of visitors, the 1919 exhibition has a particular importance in the history of the institution and it is considered an ideal closure of the first Capesarina season.
dc.relation.ispartof	Storie dell’arte contemporanea
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2018-03-01
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-200-0/se-astenuta-dal-ribellarsi-e-se-sforzata-di-compre/
dc.identifier.doi	10.30687/978-88-6969-199-7/008
dc.identifier.issn	2610-9905
dc.identifier.eissn	2610-9891
dc.identifier.isbn	978-88-6969-200-0
dc.identifier.eisbn	978-88-6969-199-7
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	1919
dc.subject	1919
dc.subject	Fondazione Bevilacqua La Masa
dc.subject	Fondazione Bevilacqua La Masa
dc.subject	Nino Barbantini
dc.subject	Nino Barbantini
dc.subject	Palazzo Pesaro
dc.subject	Palazzo Pesaro

Capitolo
open access

«S’è astenuta dal ribellarsi e s’è sforzata di comprendere»

Ripercorrendo la collettiva del 1919

Elisa Prete

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abstract

The text runs through the collective Bevilacqua La Masa of 1919, analysing the organisational aspects, the use of spaces and the critical choices made by Barbantini and the jury in the selection of participations. The exhibition itinerary presents a varied range of research; it develops between the ground floor and the mezzanine of Palazzo Pesaro, whose rooms are restored following the measures adopted during the war. Taking place in a historic moment of transition, the edition marks the resumption of the exhibition activity of the Opera, interrupted due to the polemics of 1913 and suspended in the years of the world war. According to the wide participation, the volume of sales and the number of visitors, the 1919 exhibition has a particular importance in the history of the institution and it is considered an ideal closure of the first Capesarina season.

Pubblicato

01 Marzo 2018

Lingua

ISBN (PRINT)

978-88-6969-200-0

ISBN (EBOOK)

978-88-6969-199-7

Keywords: Palazzo Pesaro • 1919 • Nino Barbantini • Fondazione Bevilacqua La Masa

permalink: http://doi.org/10.30687/978-88-6969-199-7/008

Copyright: © 2018 Elisa Prete. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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