Storie dell’arte contemporanea

Collana | Storie dell’arte contemporanea
Recensione | Gli artisti di Ca’ Pesaro e le esposizioni del 1919 e del 1920
Capitolo | ‘Dissidenti’ e invitati alle mostre del 1920

‘Dissidenti’ e invitati alle mostre del 1920

Dibattito su una ricezione critica

Abstract

1920 is a watershed: a year that marks a break and a detachment in exhibitions held at Ca’ Pesaro palace. If in 1919 there was a ‘resurrection’ of the annual group show, after World War I, then a rift emerges that will never heal. A split between ‘dissident’ artists (actually the most interesting ones and pioneers of those so famous exhibits) and who was then in charge on the venue took place. Therefore some verifications about real reasons are reaffirmed through research on press and statements. Is there actually a unity of poetic between those ‘rebels’? Or it just happened due to a spirit of uncompromising revolt? Maybe it has more to deal with meeting again between soul mates.


Open access

Pubblicato 01 Marzo 2018 | Lingua: it

Keywords Felice Casorati • Ca’ Pesaro • Venice 1919-1920 • Nino Barbantini • Gino Rossi • Teodoro Wolf Ferrari

Copyright © 2018 Stefania Portinari. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

Permalink http://doi.org/10.30687/978-88-6969-199-7/012


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