Storie dell’arte contemporanea

Collana | Storie dell’arte contemporanea
Recensione | Gli artisti di Ca’ Pesaro e le esposizioni del 1919 e del 1920
Capitolo | ‘Dissidenti’ e invitati alle mostre del 1920

‘Dissidenti’ e invitati alle mostre del 1920

Dibattito su una ricezione critica

Abstract

1920 is a watershed: a year that marks a break and a detachment in exhibitions held at Ca’ Pesaro palace. If in 1919 there was a ‘resurrection’ of the annual group show, after World War I, then a rift emerges that will never heal. A split between ‘dissident’ artists (actually the most interesting ones and pioneers of those so famous exhibits) and who was then in charge on the venue took place. Therefore some verifications about real reasons are reaffirmed through research on press and statements. Is there actually a unity of poetic between those ‘rebels’? Or it just happened due to a spirit of uncompromising revolt? Maybe it has more to deal with meeting again between soul mates.


Open access

Pubblicato 01 Marzo 2018 | Lingua: it

Keywords Felice CasoratiCa’ PesaroVenice 1919-1920Nino BarbantiniGino RossiTeodoro Wolf Ferrari


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