‘Dissidenti’ e invitati alle mostre del 1920

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Campo DC	Valore
dc.identifier	ECF_chapter_1624
dc.contributor.author	Portinari Stefania
dc.title	‘Dissidenti’ e invitati alle mostre del 1920. Dibattito su una ricezione critica
dc.type	Capitolo
dc.language.iso	it
dc.description.abstract	1920 is a watershed: a year that marks a break and a detachment in exhibitions held at Ca’ Pesaro palace. If in 1919 there was a ‘resurrection’ of the annual group show, after World War I, then a rift emerges that will never heal. A split between ‘dissident’ artists (actually the most interesting ones and pioneers of those so famous exhibits) and who was then in charge on the venue took place. Therefore some verifications about real reasons are reaffirmed through research on press and statements. Is there actually a unity of poetic between those ‘rebels’? Or it just happened due to a spirit of uncompromising revolt? Maybe it has more to deal with meeting again between soul mates.
dc.relation.ispartof	Storie dell’arte contemporanea
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2018-03-01
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-200-0/dissidenti-e-invitati-alle-mostre-del-1920/
dc.identifier.doi	10.30687/978-88-6969-199-7/012
dc.identifier.issn	2610-9905
dc.identifier.eissn	2610-9891
dc.identifier.isbn	978-88-6969-200-0
dc.identifier.eisbn	978-88-6969-199-7
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	Ca’ Pesaro
dc.subject	Ca’ Pesaro
dc.subject	Felice Casorati
dc.subject	Felice Casorati
dc.subject	Gino Rossi
dc.subject	Gino Rossi
dc.subject	Nino Barbantini
dc.subject	Nino Barbantini
dc.subject	Teodoro Wolf Ferrari
dc.subject	Teodoro Wolf Ferrari
dc.subject	Venice 1919-1920
dc.subject	Venice 1919-1920

Capitolo
open access

‘Dissidenti’ e invitati alle mostre del 1920

Dibattito su una ricezione critica

Stefania Portinari Università Ca’ Foscari Venezia, Italia

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abstract

1920 is a watershed: a year that marks a break and a detachment in exhibitions held at Ca’ Pesaro palace. If in 1919 there was a ‘resurrection’ of the annual group show, after World War I, then a rift emerges that will never heal. A split between ‘dissident’ artists (actually the most interesting ones and pioneers of those so famous exhibits) and who was then in charge on the venue took place. Therefore some verifications about real reasons are reaffirmed through research on press and statements. Is there actually a unity of poetic between those ‘rebels’? Or it just happened due to a spirit of uncompromising revolt? Maybe it has more to deal with meeting again between soul mates.

Pubblicato

01 Marzo 2018

Lingua

ISBN (PRINT)

978-88-6969-200-0

ISBN (EBOOK)

978-88-6969-199-7

Keywords: Gino Rossi • Felice Casorati • Venice 1919-1920 • Ca’ Pesaro • Teodoro Wolf Ferrari • Nino Barbantini

permalink: http://doi.org/10.30687/978-88-6969-199-7/012

Copyright: © 2018 Stefania Portinari. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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