Quaderni Veneti. Studi e ricerche

Quel matto che chiamano l’autore

Tracce performative nella scrittura della trilogia di Nane Oca

crossmark logo

Abstract

Scabia’s work is hardly decomposable in its different elements: poetry, narrative and theatrical practice are deeply intertwined and ascribable under the unique and complex ‘label’ of ‘writing’. This paper analyses the process of writing focusing on forms and expressions of what it is possible to identify as a ‘dynamization’ of the text. Different strategies contribute to disclose the performative potential of the writing, which emerges most of all through the authorial mimesis. The author-narrator breaks the narrative hierarchy up and frequently becomes an actual character inside the story, playing with the reader and multiplying the thresholds of the text. 


open access

Lingua: it

Keywords Authorial mimesis • Performativity • Oral textual strategies

Copyright © 2016 Ferdinando Marchiori. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

Permalink http://doi.org/10.14277/6969-079-2/QV_SR-2-9


leggi questo capitolo