Metamorfosi
open access | peer reviewedKeywords Picasso • Romanitas • Tombs • Arte povera • Jacopo Foscarini • Sacred space • Digital Collage • Liturgical furnishings • Venice • War • Germano Celant • Forties • Guggenheim Museum • Snake • Renaissance hydraulic engineering • Postwar Print Art • South Asian Art • Contemporary Art • Claudio Tolomei • Waterplays • Olga Tobreluts • Ornament • Basilisk • Monster • Saint marina • Venetian self-representation • Arp • Annibal Caro • Biomorphic Abstraction • Neoacademism • Ecfrasis • Arch • Parody • Global Art • Animality • Humanist imagery • Birolli • Fountains • New Renaissance • Remediation • Facial Mutilations • Viani • Trauma • Armour • Medieval churches • Modernism • Battle of Lepanto • Rooster • The Italian Metamorphosis 1943-1968 • Zoomorphism • Grotesque • Made in Italy • Body • Videoart • Zadar • Metamorphosis • Pakistani Art • Masson • Medieval oriental cults • Transnational Art
Permalink http://doi.org/10.30687/VA/2385-2720/2023/01 | Pubblicato 20 Dicembre 2023 | Lingua it, en, EN
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