Rivista | Lagoonscapes
Fascicolo monografico | 3 | 2 | 2023
This issue of Lagoonscapes binds thinkers, scholars, artists, activists, policymakers and curators from Venice and the Pacific in a holistic way, in dialogue and with converging views and vantage points, discussing human/non-human relationships, cross-disciplinary dialogues and ancestral epistemologies. First-hand knowledge and experiences shift the perspective from rigid academic and institutional structures to personal ruminations on the injuries of colonisation. One of the aims of this special issue of Lagoonscapes is to decentralise and provincialise such ‘Man-as-human’ as the subject/object of inquiry, and thus counter and reframe established geographies, histories and temporalities.
Keywords Project Banaba • Alvaro Urbano • Film Indigeounus • Way-finding • Hydro-theology • Climate Change • Kaohsiung Museum of Fine Art Taiwan • Pacific • Exhibition-making • Contemporary art • Petrit Halilaj • Samoa • Decolonisation • Sea • Infrastructure • French Polynesia • First Nations • Museums • Bottled Ocean • Exhibition • Sustainability • Multimedia exhibition • Pan-Austro-Nesian • Archives • Resistance • Pātaka Art+Museum • Community outreach • Small islands ecologies • Experimental pedagogies • Naadohbii: To Draw Water • Curatorial activism • Melbourne Museum • New Guinea • Talanoa • Ecologies of care • Gender • Jim Vivieaere • Nuclear testing • Oceania • La Biennale di Venezia • Hawai‘i Triennale The Pacific Century • Militarisation • Climate crisis • Paradise Camp • The Great Journey • Etel Adnan • Gender Studies • Indigenous • Venice • Hydrocommons • Cosmology • Paul Gaugin • E Ho’omanu no Moananuiākea • Climate action • Tidalectic curatorial practices • Exhibitions • Faʻafafine • Materiality • Pacific studies • Water beings • Pacific islands • Tsunamis • Yuki Kihara • Queer ecologies • Peggy Guggenheim • Documentary • Winnipeg Art Gallery
Permalink http://doi.org/10.30687/LGSP/2785-2709/2023/02 | Pubblicato 22 Dicembre 2023 | Lingua en
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