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Primi materiali sulla presenza della fotografia alla Scuola Grande di San Rocco in Venezia




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Sara Filippin    Università degli Studi di Padova, Italia    

abstract

Based on the examination of the documents present in the Historical Archive of the Scuola Grande di San Rocco, in Venice, this essay proposes the first results of a research on the use of photography in that Institution in the period between the 1880s and the 1930s. The relationship with some important photographers is reconstructed, above all with the Roman photographer Domenico Anderson, to whom the exclusive right for the reproduction of the works of art of the Scuola was granted in 1896. The analysis of the sales of photographs carried out there makes it possible to verify the subjects that visitors appreciated most, especially with regard to Tintoretto’s paintings.

Lingua: it

Keywords: Scuola Grande di San Rocco. Jacopo Robusti (Tintoretto). Domenico Anderson. Fratelli Alinari. Carlo Naya. Giovanni Battista Brusa. John Ruskin. Reproduction of works of art. Photography in Venice.

Submitted: 07 Maggio 2019
Accepted: 07 Giugno 2019
Published: 31 Luglio 2019

permalink: doi.org/10.30687/MDCCC/2280-8841/2019/01/005

Creative Commons License This work is licensed under a Creative Commons Attribution 4.0 International License 

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