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Primi materiali sulla presenza della fotografia alla Scuola Grande di San Rocco in Venezia

Sara Filippin    Università degli Studi di Padova, Italia    

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abstract

Based on the examination of the documents present in the Historical Archive of the Scuola Grande di San Rocco, in Venice, this essay proposes the first results of a research on the use of photography in that Institution in the period between the 1880s and the 1930s. The relationship with some important photographers is reconstructed, above all with the Roman photographer Domenico Anderson, to whom the exclusive right for the reproduction of the works of art of the Scuola was granted in 1896. The analysis of the sales of photographs carried out there makes it possible to verify the subjects that visitors appreciated most, especially with regard to Tintoretto’s paintings.

Pubblicato
31 Luglio 2019
Accettato
07 Giugno 2019
Presentato
07 Maggio 2019
Lingua
IT

Keywords: Jacopo Robusti (Tintoretto)Scuola Grande di San RoccoCarlo NayaFratelli AlinariPhotography in VeniceJohn RuskinDomenico AndersonReproduction of works of artGiovanni Battista Brusa

Copyright: © 2019 Sara Filippin. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.