De los comics a los cómix: Historia de una mutación genética

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Campo DC	Valore
dc.identifier	ECF_chapter_515
dc.contributor.author	Bellomi Paola
dc.title	De los comics a los cómix: Historia de una mutación genética
dc.type	Capitolo
dc.language.iso	es
dc.description.abstract	Spanish comic strip has a very long tradition and its development has been very often parallel to that of journalism. In this scenario the magazine Triunfo (1962-1982) played an important role as a democratic and progressive media during the repressive and paranoiac Francoist regime. The aim of this essay is to study the efforts made by the comic strip’s editorial staff of Triunfo in order to establish the significance of their work in the process of cultural and ideological change driven by the magazine. Chumy Chúmez, Sempé, Máximo and Núria Pompeia are only some of Triunfo’s big names that made the history of the Spanish comic strip.
dc.relation.ispartof	Biblioteca di Rassegna iberistica
dc.publisher	Edizioni Ca’ Foscari - Digital Publishing
dc.issued	2017-04-27
dc.dateSubmitted	2016-09-05
dc.identifier.uri	http://edizionicafoscari.it/it/edizioni4/libri/978-88-6969-145-4/de-los-comics-a-los-comix-historia-de-una-mutacion/
dc.identifier.doi	10.14277/6969-146-1/RiB-4-7
dc.identifier.issn	2610-8844
dc.identifier.eissn	2610-9360
dc.identifier.isbn	978-88-6969-145-4
dc.identifier.eisbn	978-88-6969-146-1
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
item.fulltext	with fulltext
item.grantfulltext	open
dc.peer-review	no
dc.subject	Francoist regime
dc.subject	Francoist regime
dc.subject	Graphic novel
dc.subject	Graphic novel
dc.subject	Spanish comic strip
dc.subject	Spanish comic strip
dc.subject	Triunfo
dc.subject	Triunfo

Capitolo
open access

De los comics a los cómix: Historia de una mutación genética

Paola Bellomi Università degli Studi di Verona, Italia

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abstract

Spanish comic strip has a very long tradition and its development has been very often parallel to that of journalism. In this scenario the magazine Triunfo (1962-1982) played an important role as a democratic and progressive media during the repressive and paranoiac Francoist regime. The aim of this essay is to study the efforts made by the comic strip’s editorial staff of Triunfo in order to establish the significance of their work in the process of cultural and ideological change driven by the magazine. Chumy Chúmez, Sempé, Máximo and Núria Pompeia are only some of Triunfo’s big names that made the history of the Spanish comic strip.

Presentato

05 Settembre 2016

Lingua

ISBN (PRINT)

978-88-6969-145-4

ISBN (EBOOK)

978-88-6969-146-1

Keywords: Triunfo • Francoist regime • Spanish comic strip • Graphic novel

permalink: http://doi.org/10.14277/6969-146-1/RiB-4-7

Copyright: © 2017 Paola Bellomi. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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