Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Original/Copy

open access | peer reviewed

Keywords Theory • Art copies • Photography • Diana and Callisto • Alexander Dorner • Open work • ‘Second original’ • Daniel Arasse • Letters • Medici’s dynasty • Copyright law • Contemporary art • Multiples • Performance • Rubens • Score • Theory of art • Ovid’s Metamorphoses • Eighteenth century • Visual semiotics • Guardi, Antonio • Seriality • Reconstruction • Collecting • Programmed art • Collective work • Ottoman Sultans • Dance • Punctum/studium • Farsetti Collection • Paolo Giovio • Paintings collecting • Muletti, Sebastiano • Farsetti, Daniele • Contemporary dance • Geometric dance • Museum • Copying • Weimar Art Theory • Italian art literature • Original • Originals/Copies • Copy/original • Details • History of collecting • Museum Studies • Postmodern dance • Re-enactment • Aura • Filippo Baldinucci • Painting • Race • Titian • Venice • Hamburger Faksimile-Streit • Originality • Ephemerality • Portraits • Gradenigo, Pietro • Fake • Copy

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Published Dec. 21, 2021 | Language it, en

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