Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Original/Copy

open access | peer reviewed

Keywords Ovid’s Metamorphoses • Alexander Dorner • Score • Details • Farsetti Collection • Ottoman Sultans • Race • Copyright law • Dance • Daniel Arasse • Collecting • Originality • Punctum/studium • Copying • Venice • Diana and Callisto • Italian art literature • Filippo Baldinucci • Aura • Reconstruction • Titian • Museum • Programmed art • Guardi, Antonio • Geometric dance • Portraits • Art copies • Copy/original • Paintings collecting • ‘Second original’ • Medici’s dynasty • Collective work • Fake • History of collecting • Muletti, Sebastiano • Ephemerality • Photography • Letters • Museum Studies • Theory • Original • Contemporary art • Gradenigo, Pietro • Eighteenth century • Paolo Giovio • Re-enactment • Open work • Rubens • Performance • Theory of art • Originals/Copies • Seriality • Weimar Art Theory • Hamburger Faksimile-Streit • Visual semiotics • Copy • Multiples • Painting • Postmodern dance • Farsetti, Daniele • Contemporary dance

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Published Dec. 21, 2021 | Language en, it

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