Venezia Arti Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Journal | Venezia Arti
Journal issue | 30 | 2021

Original/Copy

open access | peer reviewed

Keywords Open work • Contemporary art • Alexander Dorner • Muletti, Sebastiano • Details • Rubens • Italian art literature • Medici’s dynasty • Eighteenth century • Copying • Ovid’s Metamorphoses • History of collecting • Theory • Collecting • Weimar Art Theory • ‘Second original’ • Daniel Arasse • Filippo Baldinucci • Performance • Originality • Paolo Giovio • Ephemerality • Visual semiotics • Reconstruction • Score • Painting • Copy/original • Ottoman Sultans • Multiples • Programmed art • Original • Titian • Copy • Seriality • Farsetti, Daniele • Art copies • Copyright law • Originals/Copies • Diana and Callisto • Farsetti Collection • Guardi, Antonio • Geometric dance • Hamburger Faksimile-Streit • Letters • Museum Studies • Paintings collecting • Photography • Postmodern dance • Dance • Race • Venice • Gradenigo, Pietro • Museum • Theory of art • Re-enactment • Punctum/studium • Fake • Collective work • Aura • Contemporary dance • Portraits

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Published Dec. 21, 2021 | Language it, en

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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