Journal |
Venezia Arti
Journal issue | 30 | 2021
Keywords Seriality • Programmed art • Fake • Letters • Contemporary art • Painting • Open work • Farsetti Collection • Dance • Paolo Giovio • Hamburger Faksimile-Streit • Weimar Art Theory • Photography • Aura • Collecting • Gradenigo, Pietro • ‘Second original’ • Originals/Copies • Race • Medici’s dynasty • Theory • Ovid’s Metamorphoses • Score • Italian art literature • Theory of art • Punctum/studium • Eighteenth century • Ephemerality • Farsetti, Daniele • Reconstruction • Guardi, Antonio • Geometric dance • Copyright law • Titian • Details • Diana and Callisto • Venice • Originality • Copying • Collective work • Ottoman Sultans • Postmodern dance • Rubens • Multiples • Museum • Museum Studies • Copy • Re-enactment • Contemporary dance • Visual semiotics • Muletti, Sebastiano • Portraits • Alexander Dorner • Original • Performance • Paintings collecting • History of collecting • Filippo Baldinucci • Copy/original • Daniel Arasse • Art copies
Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Published Dec. 21, 2021 | Language en, it
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Medioevo e età moderna
Contemporaneo
Alia itinera