Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Original/Copy

open access | peer reviewed

Keywords Medici’s dynasty • Re-enactment • Copy/original • Venice • Alexander Dorner • Original • Multiples • Painting • Diana and Callisto • Art copies • Contemporary dance • Theory • Paolo Giovio • Hamburger Faksimile-Streit • Filippo Baldinucci • Museum • Programmed art • Rubens • Paintings collecting • Copying • Race • Theory of art • Contemporary art • Visual semiotics • Farsetti Collection • Letters • Muletti, Sebastiano • Open work • Ottoman Sultans • Punctum/studium • Weimar Art Theory • History of collecting • Collective work • Photography • Portraits • Reconstruction • Museum Studies • Ephemerality • Farsetti, Daniele • Gradenigo, Pietro • Ovid’s Metamorphoses • Copy • Daniel Arasse • Performance • Geometric dance • Dance • ‘Second original’ • Postmodern dance • Collecting • Originality • Guardi, Antonio • Eighteenth century • Aura • Italian art literature • Originals/Copies • Score • Seriality • Titian • Copyright law • Details • Fake

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Published Dec. 21, 2021 | Language en, it

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