Venezia Arti Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Journal | Venezia Arti
Journal issue | 30 | 2021

Original/Copy

open access | peer reviewed

Keywords Original • Paolo Giovio • Copy/original • Gradenigo, Pietro • Visual semiotics • Rubens • Contemporary dance • Daniel Arasse • Performance • Farsetti, Daniele • Theory • Weimar Art Theory • Postmodern dance • Muletti, Sebastiano • Dance • Alexander Dorner • Aura • Hamburger Faksimile-Streit • Programmed art • Re-enactment • Theory of art • Venice • Filippo Baldinucci • Contemporary art • Medici’s dynasty • Originality • Open work • Ovid’s Metamorphoses • Museum • Photography • Farsetti Collection • Copying • Score • Letters • Punctum/studium • Portraits • Race • Reconstruction • Fake • Eighteenth century • Copy • Seriality • Diana and Callisto • Copyright law • Italian art literature • Collective work • Painting • Art copies • Details • Paintings collecting • Originals/Copies • Museum Studies • Titian • Guardi, Antonio • ‘Second original’ • Multiples • History of collecting • Ottoman Sultans • Collecting • Ephemerality • Geometric dance

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Published Dec. 21, 2021 | Language it, en

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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