Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Original/Copy

open access | peer reviewed

Keywords Geometric dance • Gradenigo, Pietro • Originality • Score • Copy • Painting • Farsetti Collection • Alexander Dorner • Museum • Programmed art • Photography • Fake • Rubens • Weimar Art Theory • ‘Second original’ • Reconstruction • Portraits • Multiples • Original • Hamburger Faksimile-Streit • Paintings collecting • Seriality • Italian art literature • Contemporary dance • Letters • Open work • Visual semiotics • Performance • Guardi, Antonio • History of collecting • Re-enactment • Postmodern dance • Copy/original • Ephemerality • Dance • Eighteenth century • Punctum/studium • Race • Ottoman Sultans • Collective work • Collecting • Muletti, Sebastiano • Aura • Farsetti, Daniele • Museum Studies • Theory of art • Details • Contemporary art • Copying • Daniel Arasse • Filippo Baldinucci • Originals/Copies • Theory • Paolo Giovio • Ovid’s Metamorphoses • Copyright law • Diana and Callisto • Venice • Art copies • Titian • Medici’s dynasty

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Published Dec. 21, 2021 | Language it, en

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