Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Original/Copy

open access | peer reviewed

Keywords Photography • Theory of art • Seriality • Weimar Art Theory • Letters • Painting • Copyright law • Copy • Eighteenth century • Diana and Callisto • Collective work • Alexander Dorner • Details • Aura • Paintings collecting • Filippo Baldinucci • Performance • Ephemerality • Visual semiotics • History of collecting • Fake • Postmodern dance • Contemporary art • Hamburger Faksimile-Streit • Original • Originality • Copy/original • Farsetti, Daniele • Medici’s dynasty • Programmed art • Copying • Art copies • Farsetti Collection • Collecting • Geometric dance • Gradenigo, Pietro • Portraits • Race • Multiples • Paolo Giovio • Italian art literature • Rubens • Theory • Daniel Arasse • Reconstruction • Museum • Ottoman Sultans • Originals/Copies • Score • Venice • ‘Second original’ • Open work • Dance • Museum Studies • Re-enactment • Muletti, Sebastiano • Ovid’s Metamorphoses • Guardi, Antonio • Titian • Contemporary dance • Punctum/studium

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Published Dec. 21, 2021 | Language it, en

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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