Venezia Arti Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Journal | Venezia Arti
Journal issue | 30 | 2021

Original/Copy

open access | peer reviewed

Keywords Seriality • Programmed art • Fake • Letters • Contemporary art • Painting • Open work • Farsetti Collection • Dance • Paolo Giovio • Hamburger Faksimile-Streit • Weimar Art Theory • Photography • Aura • Collecting • Gradenigo, Pietro • ‘Second original’ • Originals/Copies • Race • Medici’s dynasty • Theory • Ovid’s Metamorphoses • Score • Italian art literature • Theory of art • Punctum/studium • Eighteenth century • Ephemerality • Farsetti, Daniele • Reconstruction • Guardi, Antonio • Geometric dance • Copyright law • Titian • Details • Diana and Callisto • Venice • Originality • Copying • Collective work • Ottoman Sultans • Postmodern dance • Rubens • Multiples • Museum • Museum Studies • Copy • Re-enactment • Contemporary dance • Visual semiotics • Muletti, Sebastiano • Portraits • Alexander Dorner • Original • Performance • Paintings collecting • History of collecting • Filippo Baldinucci • Copy/original • Daniel Arasse • Art copies

Permalink http://doi.org/10.30687/VA/2385-2720/2021/07 | Published Dec. 21, 2021 | Language en, it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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