Edizioni Ca' Foscari

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Journal issue
open access peer reviewed

Original/Copy

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Language: en, it

Published: Dec. 21, 2021

Keywords

Ottoman Sultans • Race • Theory of art • Italian art literature • Museum Studies • Original • Programmed art • Ovid’s Metamorphoses • Muletti, Sebastiano • Open work • Weimar Art Theory • Collecting • Alexander Dorner • Eighteenth century • Dance • Letters • Diana and Callisto • Ephemerality • Art copies • Punctum/studium • Theory • ‘Second original’ • Originality • Originals/Copies • Museum • Re-enactment • Hamburger Faksimile-Streit • Gradenigo, Pietro • Medici’s dynasty • Farsetti Collection • Collective work • Contemporary art • Venice • Seriality • Postmodern dance • Copying • Copy • Photography • Reconstruction • Score • Details • Guardi, Antonio • Paintings collecting • Multiples • Contemporary dance • History of collecting • Portraits • Rubens • Filippo Baldinucci • Painting • Fake • Geometric dance • Copy/original • Farsetti, Daniele • Titian • Daniel Arasse • Visual semiotics • Aura • Copyright law • Paolo Giovio • Performance

permalink http://doi.org/10.30687/VA/2385-2720/2021/07

Copyright: © 2021 This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.