Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Art and Science

open access | peer reviewed

Keywords Eighteenth century • Manfrin, Girolamo • Portraits • Seicento painting • Cornelis De Bie • Infection • Proportions • Bologna, gentry (XVI-XVII cent • Francesco Noletti • Form • Italian Art Literature • Zaccolini • Theriomorphism • Security • Hybrid space • Cryptography • Alterity • Print Collecting • Art • Renaissance • Contemporary Art • Electronic disobedience • Linear perspective • Diagram • Anamorphosis • Cyborg • Venice • Tactical media • Neoplatonism • Gesture • Pigments • Hybridisation • Dance • New media art • Movement • Russian Avant-garde • Medallions • Bologna, accademia dei Gelati • Scenography • ) • Drawing instruments • Het Gulden Cabinet • Ideography • Rayonism • Science Treatises • Mutation • Michelangelo Cerquozzi • Biographical Cameos • Book Collecting • Grechetto • Light and shadow • Software • Mathematics • Paintings • Anthropocene • Mario dei Fiori • Computer art • Mikhail Larionov • Science • Pieter Boel • David De Coninck • Pastel practice • Ornament • Digital image • Galleria Manfrin • Planisphere • Flemish Sources • Neapolitan Collections • Writing • Ownership marks • Recipes • Architectural drawing • Technology • Poussin • Landscape • Busts • Scientific knowledge • Still Life in Italy • Vitruvius • Viral • Posthumanism • Abstraction • Optics

Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Published Dec. 11, 2020 | Language fr, en, it

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