Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Art and Science

open access | peer reviewed

Keywords Dance • Pieter Boel • Writing • Technology • Form • Architectural drawing • Portraits • Ownership marks • Russian Avant-garde • Theriomorphism • Electronic disobedience • Busts • Manfrin, Girolamo • Biographical Cameos • Book Collecting • Viral • Anthropocene • Cornelis De Bie • Rayonism • Optics • Linear perspective • Scientific knowledge • Science • Flemish Sources • Hybrid space • New media art • Pigments • Contemporary Art • David De Coninck • Digital image • Security • Renaissance • Landscape • Scenography • Francesco Noletti • Anamorphosis • Italian Art Literature • Poussin • Gesture • Grechetto • Movement • Tactical media • Cyborg • Mathematics • Venice • Light and shadow • Software • Drawing instruments • Galleria Manfrin • Art • Hybridisation • Alterity • Michelangelo Cerquozzi • Mikhail Larionov • Proportions • Ornament • Neapolitan Collections • Still Life in Italy • Print Collecting • Seicento painting • Medallions • Het Gulden Cabinet • ) • Planisphere • Diagram • Mario dei Fiori • Cryptography • Infection • Science Treatises • Ideography • Pastel practice • Posthumanism • Bologna, accademia dei Gelati • Zaccolini • Bologna, gentry (XVI-XVII cent • Recipes • Paintings • Abstraction • Eighteenth century • Neoplatonism • Mutation • Computer art • Vitruvius

Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Published Dec. 11, 2020 | Language fr, en, it

Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.