Journal |
Venezia Arti
Monographic journal issue | 29 | 2020
Art and Science
open access | peer reviewedKeywords Recipes • Poussin • Italian Art Literature • Science • Planisphere • Form • Flemish Sources • Mario dei Fiori • Writing • Renaissance • Scientific knowledge • Computer art • Dance • Neapolitan Collections • Architectural drawing • New media art • Vitruvius • Print Collecting • Venice • Francesco Noletti • Paintings • Hybrid space • Contemporary Art • Linear perspective • Zaccolini • Anamorphosis • Theriomorphism • Portraits • Cornelis De Bie • Movement • Electronic disobedience • Mathematics • Bologna, accademia dei Gelati • Pieter Boel • Ownership marks • Russian Avant-garde • Alterity • Ideography • Ornament • Book Collecting • Digital image • Grechetto • Het Gulden Cabinet • Landscape • Rayonism • Biographical Cameos • Drawing instruments • Hybridisation • Software • Still Life in Italy • Optics • Michelangelo Cerquozzi • Cryptography • Busts • Seicento painting • Mikhail Larionov • Manfrin, Girolamo • Infection • Proportions • Galleria Manfrin • Cyborg • Science Treatises • Anthropocene • Diagram • Neoplatonism • David De Coninck • Bologna, gentry (XVI-XVII cent • Medallions • Technology • Eighteenth century • Viral • Posthumanism • Mutation • Scenography • Gesture • Art • Pigments • Pastel practice • Security • Tactical media • Light and shadow • Abstraction • )
Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Published Dec. 11, 2020 | Language it, fr, en
Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
- Editorial
- Dec. 11, 2020
Medioevo e età moderna
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From Vitruvius to the Science Of Drawing
Daniele Barbaro’s Concept of “Scaenographia” - Dec. 11, 2020
- The Gelati Academy, the Gessi Family and Edgar Allan Poe
- Dec. 11, 2020
- Poussin and Optics: Reflections on the Lake in “a Calm”
- Dec. 11, 2020
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Cornelis De Bie, the Gulden Cabinet and Still Life Painting and Genre Painting in Italy
The Cases of Francesco Noletti known as the Maltese, Mario dei Fiori, Grechetto, Michelangelo Cerquozzi and a Reflection on Pieter Boel and David De Coninck - Dec. 11, 2020
- Pastel Painting in European in the Eighteenth Century between Scientific Knowledge and Artistic Practice
- Dec. 11, 2020
- Books and Prints by the Manfrin House in Venice between the Eighteenth and Nineteenth Centuries. First Considerations
- Dec. 11, 2020
Contemporaneo
- Mikhail Larionov’s Rayonism and the Scientific Mythologies of the Late Nineteenth and Early Twentieth Century
- Dec. 11, 2020
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Computer Art in Italy in the 1980s
Technology, Mathematics and Scientific Imagery - Dec. 11, 2020
- Aesthetics of Infection: From Cyborg to Theriomorph
- Dec. 11, 2020
- Border hacking: An Artistic Conversion of Transnational Borders into the Society of Networks
- Dec. 11, 2020
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The Diagram on Stage
Movement, Gesture and Writing - Dec. 11, 2020
Alia itinera
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Out-of-Frame Figures
The Emergence of the Sculpted Body in Renaissance Architecture in France - Dec. 11, 2020
