Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Art and Science

open access | peer reviewed

Keywords Optics • Pigments • Writing • Linear perspective • Hybridisation • Contemporary Art • Digital image • Cornelis De Bie • David De Coninck • Recipes • Security • Het Gulden Cabinet • Mikhail Larionov • Manfrin, Girolamo • Renaissance • Proportions • Drawing instruments • Galleria Manfrin • Viral • Planisphere • Busts • Landscape • Book Collecting • Software • Scientific knowledge • Cyborg • Zaccolini • Anamorphosis • Hybrid space • Anthropocene • Infection • Abstraction • Mathematics • Eighteenth century • Seicento painting • Alterity • Biographical Cameos • Light and shadow • Pieter Boel • Bologna, gentry (XVI-XVII cent • Mario dei Fiori • Still Life in Italy • Movement • Diagram • Print Collecting • Rayonism • New media art • Francesco Noletti • Science Treatises • Neoplatonism • Ornament • Science • Scenography • Pastel practice • Technology • ) • Flemish Sources • Computer art • Art • Paintings • Mutation • Russian Avant-garde • Portraits • Michelangelo Cerquozzi • Bologna, accademia dei Gelati • Poussin • Medallions • Posthumanism • Cryptography • Theriomorphism • Italian Art Literature • Electronic disobedience • Dance • Ownership marks • Architectural drawing • Neapolitan Collections • Gesture • Venice • Vitruvius • Tactical media • Ideography • Grechetto • Form

Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Published Dec. 11, 2020 | Language en, fr, it

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