Venezia Arti Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Journal | Venezia Arti
Monographic journal issue | 29 | 2020

Art and Science

open access | peer reviewed

Keywords Proportions • Infection • Cornelis De Bie • Theriomorphism • Software • Flemish Sources • Anamorphosis • Drawing instruments • Pieter Boel • New media art • Abstraction • Science • Renaissance • Book Collecting • Italian Art Literature • Neapolitan Collections • Paintings • Manfrin, Girolamo • Ownership marks • Alterity • Biographical Cameos • Science Treatises • Optics • Grechetto • Hybrid space • Vitruvius • ) • Gesture • Bologna, accademia dei Gelati • David De Coninck • Rayonism • Planisphere • Posthumanism • Computer art • Anthropocene • Mikhail Larionov • Light and shadow • Linear perspective • Writing • Tactical media • Still Life in Italy • Cyborg • Digital image • Michelangelo Cerquozzi • Neoplatonism • Art • Galleria Manfrin • Architectural drawing • Diagram • Eighteenth century • Form • Russian Avant-garde • Ornament • Security • Viral • Print Collecting • Mutation • Busts • Pastel practice • Dance • Het Gulden Cabinet • Seicento painting • Contemporary Art • Hybridisation • Ideography • Movement • Medallions • Electronic disobedience • Mathematics • Poussin • Scientific knowledge • Pigments • Venice • Recipes • Mario dei Fiori • Scenography • Francesco Noletti • Portraits • Landscape • Zaccolini • Cryptography • Bologna, gentry (XVI-XVII cent • Technology

Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Published Dec. 11, 2020 | Language it, fr, en

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