Journal |
Venezia Arti
Monographic journal issue | 29 | 2020
Art and Science
open access | peer reviewedKeywords Form • Recipes • Book Collecting • Scientific knowledge • Grechetto • Architectural drawing • Mathematics • Security • Light and shadow • Movement • Busts • Anamorphosis • Cryptography • Renaissance • Neapolitan Collections • Viral • ) • Ornament • Zaccolini • Pigments • Pieter Boel • Writing • Francesco Noletti • Flemish Sources • Manfrin, Girolamo • Mutation • Hybridisation • Mario dei Fiori • Paintings • Computer art • Art • Digital image • Ownership marks • Het Gulden Cabinet • Seicento painting • Ideography • Scenography • Proportions • Print Collecting • David De Coninck • Optics • Cyborg • Technology • Linear perspective • Portraits • Hybrid space • Dance • Medallions • Diagram • Electronic disobedience • New media art • Contemporary Art • Galleria Manfrin • Russian Avant-garde • Rayonism • Planisphere • Mikhail Larionov • Italian Art Literature • Software • Venice • Drawing instruments • Neoplatonism • Science Treatises • Cornelis De Bie • Pastel practice • Landscape • Science • Still Life in Italy • Eighteenth century • Biographical Cameos • Infection • Posthumanism • Vitruvius • Tactical media • Abstraction • Michelangelo Cerquozzi • Gesture • Bologna, gentry (XVI-XVII cent • Bologna, accademia dei Gelati • Anthropocene • Theriomorphism • Alterity • Poussin
Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Published Dec. 11, 2020 | Language fr, en, it
Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
- Editorial
- Dec. 11, 2020
Medioevo e età moderna
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From Vitruvius to the Science Of Drawing
Daniele Barbaro’s Concept of “Scaenographia” - Dec. 11, 2020
- The Gelati Academy, the Gessi Family and Edgar Allan Poe
- Dec. 11, 2020
- Poussin and Optics: Reflections on the Lake in “a Calm”
- Dec. 11, 2020
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Cornelis De Bie, the Gulden Cabinet and Still Life Painting and Genre Painting in Italy
The Cases of Francesco Noletti known as the Maltese, Mario dei Fiori, Grechetto, Michelangelo Cerquozzi and a Reflection on Pieter Boel and David De Coninck - Dec. 11, 2020
- Pastel Painting in European in the Eighteenth Century between Scientific Knowledge and Artistic Practice
- Dec. 11, 2020
- Books and Prints by the Manfrin House in Venice between the Eighteenth and Nineteenth Centuries. First Considerations
- Dec. 11, 2020
Contemporaneo
- Mikhail Larionov’s Rayonism and the Scientific Mythologies of the Late Nineteenth and Early Twentieth Century
- Dec. 11, 2020
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Computer Art in Italy in the 1980s
Technology, Mathematics and Scientific Imagery - Dec. 11, 2020
- Aesthetics of Infection: From Cyborg to Theriomorph
- Dec. 11, 2020
- Border hacking: An Artistic Conversion of Transnational Borders into the Society of Networks
- Dec. 11, 2020
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The Diagram on Stage
Movement, Gesture and Writing - Dec. 11, 2020
Alia itinera
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Out-of-Frame Figures
The Emergence of the Sculpted Body in Renaissance Architecture in France - Dec. 11, 2020
