Journal |
Venezia Arti
Monographic journal issue | 29 | 2020
Art and Science
open access | peer reviewedKeywords Electronic disobedience • Grechetto • Eighteenth century • Cyborg • Pieter Boel • Science • Cryptography • Portraits • Light and shadow • Russian Avant-garde • Book Collecting • Mario dei Fiori • Francesco Noletti • Landscape • Ideography • Software • Cornelis De Bie • Rayonism • Proportions • Pastel practice • Planisphere • Flemish Sources • Still Life in Italy • Writing • Computer art • Scientific knowledge • Galleria Manfrin • Technology • Anthropocene • Ownership marks • Drawing instruments • Venice • Pigments • Posthumanism • Tactical media • Optics • Seicento painting • Mikhail Larionov • Bologna, accademia dei Gelati • Het Gulden Cabinet • Manfrin, Girolamo • Vitruvius • Renaissance • Biographical Cameos • Digital image • Viral • Ornament • Security • Theriomorphism • Scenography • ) • Art • Architectural drawing • Zaccolini • Print Collecting • David De Coninck • Busts • Neoplatonism • Hybridisation • Abstraction • Recipes • Alterity • Bologna, gentry (XVI-XVII cent • Mutation • Gesture • Medallions • Hybrid space • Infection • Italian Art Literature • Form • Contemporary Art • Movement • New media art • Mathematics • Science Treatises • Linear perspective • Anamorphosis • Diagram • Poussin • Neapolitan Collections • Michelangelo Cerquozzi • Paintings • Dance
Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Published Dec. 11, 2020 | Language en, it, fr
Copyright © This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
- Editorial
- Dec. 11, 2020
Medioevo e età moderna
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From Vitruvius to the Science Of Drawing
Daniele Barbaro’s Concept of “Scaenographia” - Dec. 11, 2020
- The Gelati Academy, the Gessi Family and Edgar Allan Poe
- Dec. 11, 2020
- Poussin and Optics: Reflections on the Lake in “a Calm”
- Dec. 11, 2020
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Cornelis De Bie, the Gulden Cabinet and Still Life Painting and Genre Painting in Italy
The Cases of Francesco Noletti known as the Maltese, Mario dei Fiori, Grechetto, Michelangelo Cerquozzi and a Reflection on Pieter Boel and David De Coninck - Dec. 11, 2020
- Pastel Painting in European in the Eighteenth Century between Scientific Knowledge and Artistic Practice
- Dec. 11, 2020
- Books and Prints by the Manfrin House in Venice between the Eighteenth and Nineteenth Centuries. First Considerations
- Dec. 11, 2020
Contemporaneo
- Mikhail Larionov’s Rayonism and the Scientific Mythologies of the Late Nineteenth and Early Twentieth Century
- Dec. 11, 2020
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Computer Art in Italy in the 1980s
Technology, Mathematics and Scientific Imagery - Dec. 11, 2020
- Aesthetics of Infection: From Cyborg to Theriomorph
- Dec. 11, 2020
- Border hacking: An Artistic Conversion of Transnational Borders into the Society of Networks
- Dec. 11, 2020
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The Diagram on Stage
Movement, Gesture and Writing - Dec. 11, 2020
Alia itinera
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Out-of-Frame Figures
The Emergence of the Sculpted Body in Renaissance Architecture in France - Dec. 11, 2020
