Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

Art and Science

open access | peer reviewed

Keywords Art • Cryptography • Posthumanism • Anamorphosis • Pastel practice • Italian Art Literature • Proportions • Pigments • Viral • Writing • Drawing instruments • Tactical media • Movement • Seicento painting • Mutation • Alterity • Landscape • Cyborg • Planisphere • Hybridisation • Russian Avant-garde • Renaissance • Book Collecting • Grechetto • Diagram • Biographical Cameos • Infection • Venice • Dance • Zaccolini • Recipes • Print Collecting • Vitruvius • Scientific knowledge • Anthropocene • New media art • Portraits • Technology • Eighteenth century • Ornament • Ownership marks • Het Gulden Cabinet • Computer art • Digital image • ) • Flemish Sources • Paintings • Science • Linear perspective • Galleria Manfrin • Security • Neoplatonism • Scenography • Optics • Mathematics • Abstraction • Software • Manfrin, Girolamo • Architectural drawing • Hybrid space • Medallions • Bologna, accademia dei Gelati • Mikhail Larionov • David De Coninck • Still Life in Italy • Pieter Boel • Form • Gesture • Francesco Noletti • Light and shadow • Science Treatises • Rayonism • Mario dei Fiori • Neapolitan Collections • Theriomorphism • Cornelis De Bie • Poussin • Busts • Bologna, gentry (XVI-XVII cent • Contemporary Art • Michelangelo Cerquozzi • Electronic disobedience • Ideography

Permalink http://doi.org/10.30687/VA/2385-2720/2020/06 | Published Dec. 11, 2020 | Language it, fr, en

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