Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

25 | 2016

open access | peer reviewed
Abstract

Keywords Cultural heritage of Venezia Giulia and Istria • Venice’s Lido • Venice • History • Art worlds • Giuseppe Mazzotti • Jewish cemetery • Identity formation • Industrial heritage • Ouverture • Art field • Venetian villas • Philosophy of art • Cultural policy • Fashion • Visual arts • Consumer culture • Opera • Exhibition • Material culture • Museum • Individual • Sociology • Caucasus • Antonio Morassi • Contemporary art • Gatekeepers • Gabriele Paleotti • Claes Oldenburg • Pierre Bourdieu • Archival photographs • Objects • Intermediaries • Production • Photography • ‘The Store’ • Venetian Veduta • Art market • History of dress • Arthur Danto • Michelangelo Muraro • Pirro Ligorio • Gesture • Guardi • Border crossing • Howard Becker • Nature • Ulisse Aldrovandi • Curator • Pragmatism • Entrepreneur • Art • Fashion studies • Federico Pendasio • Grotesque • Steve McQueen • Realm of art • Douglas Gordon • Early photography • Mediations • Osthoff • Keeper • Antiquarians • Forgers • Academy • Gatekeeper • Armstrong and Mitchell Cran • Restoration • Philosophical disenfranchisement • Damien Hirst • Arsenale

Permalink http://doi.org/10.14277/2385-2720/VA-25-16 | Published Dec. 20, 2016 | Language en, it

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