Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

25 | 2016

open access | peer reviewed
Abstract

Keywords Federico Pendasio • Early photography • Fashion • Industrial heritage • Photography • Ulisse Aldrovandi • Pirro Ligorio • Guardi • History of dress • Archival photographs • ‘The Store’ • Intermediaries • Giuseppe Mazzotti • Contemporary art • Fashion studies • Forgers • Objects • Nature • Sociology • Pierre Bourdieu • Caucasus • Border crossing • Pragmatism • Gatekeepers • Venice’s Lido • Douglas Gordon • Osthoff • Consumer culture • Keeper • Michelangelo Muraro • Production • Steve McQueen • Venetian Veduta • Gesture • History • Opera • Art field • Mediations • Restoration • Gatekeeper • Exhibition • Arsenale • Art market • Art worlds • Philosophical disenfranchisement • Arthur Danto • Identity formation • Cultural policy • Museum • Entrepreneur • Realm of art • Antiquarians • Howard Becker • Armstrong and Mitchell Cran • Venetian villas • Antonio Morassi • Material culture • Damien Hirst • Individual • Cultural heritage of Venezia Giulia and Istria • Gabriele Paleotti • Curator • Ouverture • Venice • Jewish cemetery • Grotesque • Art • Claes Oldenburg • Visual arts • Philosophy of art • Academy

Permalink http://doi.org/10.14277/2385-2720/VA-25-16 | Published Dec. 20, 2016 | Language it, en

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