Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

25 | 2016

open access | peer reviewed
Abstract

Keywords Mediations • Cultural heritage of Venezia Giulia and Istria • Early photography • Entrepreneur • Antiquarians • Guardi • Intermediaries • Museum • Consumer culture • Fashion studies • Federico Pendasio • Gesture • Identity formation • Pierre Bourdieu • Forgers • ‘The Store’ • Fashion • Photography • Ulisse Aldrovandi • Archival photographs • Howard Becker • Border crossing • Art worlds • Curator • Claes Oldenburg • Jewish cemetery • Exhibition • Ouverture • Objects • Keeper • Venetian Veduta • Visual arts • Pirro Ligorio • Antonio Morassi • Damien Hirst • Industrial heritage • Gatekeeper • Gatekeepers • Pragmatism • Art • Art market • Realm of art • Steve McQueen • Cultural policy • Giuseppe Mazzotti • Grotesque • Academy • Douglas Gordon • Individual • Opera • Gabriele Paleotti • Osthoff • Philosophical disenfranchisement • Armstrong and Mitchell Cran • Sociology • Art field • Contemporary art • Caucasus • Philosophy of art • Production • Michelangelo Muraro • History of dress • Nature • Material culture • Venice • Arthur Danto • History • Arsenale • Venice’s Lido • Venetian villas • Restoration

Permalink http://doi.org/10.14277/2385-2720/VA-25-16 | Published Dec. 20, 2016 | Language it, en

Copyright © Roberta Dreon, Diego Mantoan. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.