Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

25 | 2016

open access | peer reviewed
Abstract

Keywords Intermediaries • Opera • Antiquarians • Damien Hirst • Ouverture • Nature • Venetian Veduta • Giuseppe Mazzotti • Industrial heritage • Osthoff • Caucasus • Consumer culture • Federico Pendasio • Visual arts • Entrepreneur • Arsenale • Sociology • Venice • Venice’s Lido • Identity formation • Museum • Gatekeeper • Pragmatism • Production • Restoration • Claes Oldenburg • Border crossing • Ulisse Aldrovandi • Philosophy of art • Early photography • Gabriele Paleotti • Venetian villas • Academy • Art • Mediations • Art worlds • History • Arthur Danto • Cultural heritage of Venezia Giulia and Istria • Jewish cemetery • Photography • History of dress • Realm of art • Guardi • Pierre Bourdieu • Exhibition • Curator • Howard Becker • Armstrong and Mitchell Cran • Pirro Ligorio • Steve McQueen • Contemporary art • Gesture • Antonio Morassi • Fashion • Gatekeepers • Grotesque • Douglas Gordon • Individual • ‘The Store’ • Objects • Archival photographs • Keeper • Philosophical disenfranchisement • Forgers • Material culture • Art market • Michelangelo Muraro • Art field • Fashion studies • Cultural policy

Permalink http://doi.org/10.14277/2385-2720/VA-25-16 | Published Dec. 20, 2016 | Language en, it

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