Journal |
Venezia Arti
Journal issue | 25 | 2016
25 | 2016
open access | peer reviewed-
edited by
- Roberta Dreon - Università Ca’ Foscari Venezia, Italia - email orcid profile
- Diego Mantoan - Università degli Studi di Palermo, Italia - email orcid profile
Keywords Venetian villas • Opera • Antonio Morassi • Border crossing • Osthoff • Cultural heritage of Venezia Giulia and Istria • Pierre Bourdieu • History of dress • Realm of art • Ulisse Aldrovandi • Douglas Gordon • Nature • Giuseppe Mazzotti • Gatekeepers • Contemporary art • Individual • Intermediaries • Objects • Grotesque • Sociology • Museum • Academy • Ouverture • Pirro Ligorio • Federico Pendasio • Philosophical disenfranchisement • Gatekeeper • Gabriele Paleotti • Keeper • Mediations • ‘The Store’ • Gesture • Art worlds • Venice’s Lido • Art field • Armstrong and Mitchell Cran • Antiquarians • Art • Jewish cemetery • Curator • Consumer culture • Visual arts • Claes Oldenburg • Cultural policy • Entrepreneur • Fashion studies • Philosophy of art • Exhibition • Howard Becker • Venetian Veduta • Caucasus • Fashion • Guardi • Arthur Danto • Archival photographs • Identity formation • Industrial heritage • Production • Restoration • Photography • Early photography • Material culture • Michelangelo Muraro • Pragmatism • Arsenale • History • Steve McQueen • Venice • Damien Hirst • Forgers • Art market
Permalink http://doi.org/10.14277/2385-2720/VA-25-16 | Published Dec. 20, 2016 | Language it, en
Copyright © Roberta Dreon, Diego Mantoan. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Opening Texts
- Editorial
- Dec. 20, 2016
- A Memory of Alberto Prandi Always Alive
- Dec. 20, 2016
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The Thresholds and Guardians of the Arts
An Introductory Note - Dec. 20, 2016
The Pale and Gatekeepers of The Arts
- Arthur Danto and the Political Re-Enfranchisement of Art
- Dec. 20, 2016
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Gli intermediari nell’arte contemporanea
Una mappatura della sociologia pragmatica - Dec. 20, 2016
- Art as a Gesture: Singular and Shared
- Dec. 20, 2016
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Borders and Border Crossing Between Art Worlds
Successful Attempts and Epic Failures to Enter New Domains in Recent British Art - Dec. 20, 2016
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Art and What Remains Out of It
The Example of The Store by Claes Oldenburg - Dec. 20, 2016
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For a History of Fashion
Concepts, Objects and Material Culture - Dec. 20, 2016
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Custodians: From Curators to Guardians
A Professional Role for Italian Museums and Its Historical Definitions - Dec. 20, 2016
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«Stupido Guardi!»
Thresholds for Forgery in Antonio Morassi's Archive-Photo Library - Dec. 20, 2016
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A Different Caucasus
Early Triumphs of Photography in the Caucasus - Dec. 20, 2016
Collectanea
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The Fine Arts and Monuments Office of the Superintendency of Trieste (1920-1925)
Considerations Starting from the Materials of the Antonio Morassi Photo Archive - Dec. 20, 2016
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Photography, a Matrix for two Exhibitions
Le ville venete (1952) by Giuseppe Mazzotti and Les villas de la Vénétie (1954) by Michelangelo Muraro - Dec. 20, 2016
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Opera Overture and Directorial Commentary: An (un)Happy Abuse?
Notes in the Margin of a Question by Osthoff - Dec. 20, 2016
