Venezia Arti

Journal of the Department of Philosophy and Cultural Heritage of Ca’ Foscari University of Venice

25 | 2016

open access | peer reviewed
Abstract

Keywords Art market • Art worlds • Gabriele Paleotti • Opera • Art • Philosophy of art • Pierre Bourdieu • ‘The Store’ • Museum • Nature • Douglas Gordon • Antiquarians • Venetian Veduta • History • Jewish cemetery • Steve McQueen • Material culture • Cultural policy • Giuseppe Mazzotti • Sociology • Michelangelo Muraro • Armstrong and Mitchell Cran • Gatekeepers • Grotesque • Arsenale • Border crossing • Photography • Venetian villas • Ulisse Aldrovandi • History of dress • Antonio Morassi • Entrepreneur • Objects • Caucasus • Restoration • Pragmatism • Gatekeeper • Intermediaries • Visual arts • Claes Oldenburg • Federico Pendasio • Fashion studies • Curator • Guardi • Mediations • Venice • Early photography • Philosophical disenfranchisement • Exhibition • Production • Individual • Realm of art • Cultural heritage of Venezia Giulia and Istria • Ouverture • Art field • Academy • Keeper • Damien Hirst • Fashion • Forgers • Howard Becker • Venice’s Lido • Archival photographs • Pirro Ligorio • Consumer culture • Industrial heritage • Osthoff • Gesture • Identity formation • Contemporary art • Arthur Danto

Permalink http://doi.org/10.14277/2385-2720/VA-25-16 | Published Dec. 20, 2016 | Language en, it

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