Rinascita/Revival | Rebirth/Revival II

Keywords Architects • Markets • Henrik Hertz • Erudition • Antiquities market • Art publishing • South Kensington Museum • Stefano Bardini • Corrado Ricci • Antiquarian history • Iconography • Merchants • Projects • Andalusia (Spain) • Historical Romanticism • Seroux d’Agincourt • Raphael • Collecting • Art industriel • 19th century Milan • Engraving • Pompeo Pozzi • Revival • Milano • École Stroganov • Marco Minghetti • Art photography • Carlo Amoretti • Academy of Fine Arts • Antonio Canova • Giovanni Morelli • Alexandre de Sousa Holstein • Albert Küchler • Natalis Rondot • Civil function of the museum • Adolfo Venturi • Art market • Italian Risorgimento • Musée d’art industriel • Royal Gallery of Turin • History of architecture • Giorgione • Wilhelm Bendz • Stefano Borgia • Musée d’art et d’industrie • Société d’encouragement des arts • Travel diaries • Musée d’échantillons • Cesare dell’Acqua • Dutch Golden Age • Greek vases • Ceramics • Ditlev Blunck • Dmitry Grigorovitch • Florence • Luigi Valeriano Pozzi • Frederik Christian Sibbern • Conventionalism • Genio dell’Indipendenza Nazionale • Galleria De Cristoforis • Renaissance • Training of artists • Romanticism • Lombard primitives • Genre painting • Danish Golden Age • Arts décoratifs • Connoisseurship • Photography • Historical Painting • Pedro de Sousa Holstein • Giovanni Gherardo De Rossi • History Painting • Parisian Salons • Editors • Fortuna • Portugal • Provenances

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2022/11 | Published Oct. 24, 2022 | Language en, pt, fr, it, es

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