Edizioni Ca' Foscari

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Journal issue
open access peer reviewed

Vol. 11 | July 2022

Rinascita/Revival | Rebirth/Revival II

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Language: es, fr, en, it, pt

Published: Oct. 24, 2022

Keywords

Dutch Golden Age • Projects • Musée d’échantillons • Danish Golden Age • Civil function of the museum • Ditlev Blunck • Revival • Art photography • Training of artists • Dmitry Grigorovitch • Photography • Seroux d’Agincourt • Musée d’art et d’industrie • Historical Painting • Pedro de Sousa Holstein • Antiquarian history • Giovanni Morelli • Art publishing • Adolfo Venturi • Art industriel • Andalusia (Spain) • Lombard primitives • Frederik Christian Sibbern • Stefano Borgia • Conventionalism • Fortuna • Genre painting • Merchants • Marco Minghetti • Collecting • Giovanni Gherardo De Rossi • Art market • Carlo Amoretti • South Kensington Museum • Engraving • Travel diaries • Renaissance • Milano • Markets • Parisian Salons • Corrado Ricci • History Painting • Academy of Fine Arts • Editors • Architects • Cesare dell’Acqua • Greek vases • Société d’encouragement des arts • Provenances • Arts décoratifs • Italian Risorgimento • Albert Küchler • Antiquities market • Connoisseurship • Erudition • Antonio Canova • History of architecture • Raphael • Ceramics • Portugal • Giorgione • Pompeo Pozzi • Natalis Rondot • Historical Romanticism • Musée d’art industriel • École Stroganov • 19th century Milan • Alexandre de Sousa Holstein • Genio dell’Indipendenza Nazionale • Luigi Valeriano Pozzi • Royal Gallery of Turin • Romanticism • Galleria De Cristoforis • Henrik Hertz • Stefano Bardini • Florence • Iconography • Wilhelm Bendz

permalink http://doi.org/10.30687/MDCCC/2280-8841/2022/11

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