Rinascita/Revival | Rebirth/Revival II
open access | peer reviewedKeywords Erudition • Art photography • Provenances • Seroux d’Agincourt • Milano • Lombard primitives • Renaissance • Connoisseurship • Dutch Golden Age • Portugal • Ditlev Blunck • Parisian Salons • Corrado Ricci • Carlo Amoretti • Antiquarian history • Henrik Hertz • Genre painting • Royal Gallery of Turin • Raphael • Cesare dell’Acqua • Wilhelm Bendz • Civil function of the museum • Fortuna • Frederik Christian Sibbern • Art industriel • Florence • Revival • Antonio Canova • Editors • Art publishing • Historical Romanticism • Training of artists • Galleria De Cristoforis • Merchants • Romanticism • Greek vases • Giovanni Gherardo De Rossi • Stefano Bardini • Andalusia (Spain) • Musée d’art et d’industrie • École Stroganov • Natalis Rondot • Arts décoratifs • Collecting • 19th century Milan • Engraving • Dmitry Grigorovitch • Ceramics • Conventionalism • Adolfo Venturi • Stefano Borgia • History Painting • Travel diaries • Giovanni Morelli • Markets • Danish Golden Age • Projects • Pompeo Pozzi • Architects • Marco Minghetti • Musée d’échantillons • Antiquities market • Pedro de Sousa Holstein • Société d’encouragement des arts • Genio dell’Indipendenza Nazionale • Giorgione • Iconography • Alexandre de Sousa Holstein • Art market • Historical Painting • Italian Risorgimento • Academy of Fine Arts • South Kensington Museum • Photography • Musée d’art industriel • History of architecture • Luigi Valeriano Pozzi • Albert Küchler
Permalink http://doi.org/10.30687/MDCCC/2280-8841/2022/11 | Published Oct. 24, 2022 | Language fr, es, it, en, pt
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