Rinascita/Revival | Rebirth/Revival II

Keywords Dutch Golden Age • Galleria De Cristoforis • Renaissance • Academy of Fine Arts • Connoisseurship • Royal Gallery of Turin • History of architecture • Historical Romanticism • Frederik Christian Sibbern • Civil function of the museum • Art market • Société d’encouragement des arts • Engraving • Editors • Antiquities market • Merchants • History Painting • Andalusia (Spain) • Antiquarian history • Seroux d’Agincourt • Art publishing • South Kensington Museum • Raphael • Musée d’art et d’industrie • Giorgione • Romanticism • Parisian Salons • Milano • Stefano Bardini • Wilhelm Bendz • Dmitry Grigorovitch • Travel diaries • Collecting • Alexandre de Sousa Holstein • Stefano Borgia • Cesare dell’Acqua • 19th century Milan • Pompeo Pozzi • Henrik Hertz • Conventionalism • Iconography • Markets • Giovanni Gherardo De Rossi • Danish Golden Age • Ditlev Blunck • Antonio Canova • Art industriel • Musée d’échantillons • Greek vases • Marco Minghetti • Pedro de Sousa Holstein • Provenances • Photography • Art photography • Corrado Ricci • Revival • Carlo Amoretti • Adolfo Venturi • Architects • Musée d’art industriel • Luigi Valeriano Pozzi • Genio dell’Indipendenza Nazionale • Giovanni Morelli • Lombard primitives • École Stroganov • Projects • Historical Painting • Natalis Rondot • Albert Küchler • Erudition • Portugal • Genre painting • Fortuna • Arts décoratifs • Training of artists • Ceramics • Florence • Italian Risorgimento

Permalink http://doi.org/10.30687/MDCCC/2280-8841/2022/11 | Published Oct. 24, 2022 | Language it, fr, en, pt, es

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