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DC Field	Value
dc.identifier	ECF_article_14520
dc.title	«Io guardo la placida scena e dipingo». Visioni e cromatismi della natura in Primo vere (1880)
dc.contributor.author	Stagnitti Barbara
dc.publisher	Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari
dc.type	Research Article
dc.language.iso	it
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/riviste/archivio-dannunzio/2023/1/io-guardo-la-placida-scena-e-dipingo-visioni-e-cro/
dc.description.abstract	Considerably modified and enlarged compared to the 1879 print, the second edition of Primo Vere, the work of Gabriele d’Annunzio’s poetic debut, was published in 1880. This contribution focuses on it, which aims to offer an overview of the representation of nature in its chromatic, musical and olfactory aspects. Portrayed from life or fruit of the imagination, the landscape triumphs in its colouristic value and with its symphonic strength in the alternation of acute, hoarse, powerful or delicate sounds, which sometimes give way to the enchantments of silence or intertwine with the inebriation of fragrances and scents that cloak the atmosphere.
dc.relation.ispartof	Archivio d’Annunzio
dc.relation.ispartof	Vol. 10 \| October 2023
dc.issued	2023-10-26
dc.dateAccepted	2023-07-08
dc.dateSubmitted	2023-03-03
dc.identifier.issn
dc.identifier.eissn	2421-292X
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.30687/AdA/2421-292X/2023/01/002
dc.peer-review	yes
dc.subject	Colors
dc.subject	Gabriele d’Annunzio
dc.subject	Nature
dc.subject	Perfumes
dc.subject	Primo vere
dc.subject	Sounds

Research Article
open access peer reviewed

«Io guardo la placida scena e dipingo». Visioni e cromatismi della natura in Primo vere (1880)

Barbara Stagnitti Università Cattolica del Sacro Cuore, Italia

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abstract

Considerably modified and enlarged compared to the 1879 print, the second edition of Primo Vere, the work of Gabriele d’Annunzio’s poetic debut, was published in 1880. This contribution focuses on it, which aims to offer an overview of the representation of nature in its chromatic, musical and olfactory aspects. Portrayed from life or fruit of the imagination, the landscape triumphs in its colouristic value and with its symphonic strength in the alternation of acute, hoarse, powerful or delicate sounds, which sometimes give way to the enchantments of silence or intertwine with the inebriation of fragrances and scents that cloak the atmosphere.

Published

Oct. 26, 2023

Accepted

July 8, 2023

Submitted

March 3, 2023

Language

Keywords: Sounds • Primo vere • Perfumes • Nature • Colors • Gabriele d’Annunzio

permalink http://doi.org/10.30687/AdA/2421-292X/2023/01/002

Copyright: © 2023 Barbara Stagnitti. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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