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DC Field	Value
dc.identifier	ECF_article_14517
dc.title	«L’amante delle cose»: su natura, arte, scrittura nei Taccuini
dc.contributor.author	Rusi Michela
dc.publisher	Edizioni Ca’ Foscari - Venice University Press, Fondazione Università Ca’ Foscari
dc.type	Research Article
dc.language.iso	it
dc.identifier.uri	http://edizionicafoscari.it/en/edizioni4/riviste/archivio-dannunzio/2023/1/lamante-delle-cose-su-natura-arte-scrittura-nei-ta/
dc.description.abstract	The writing of the Taccuini expresses d'Annunzio's tension to appropriate ‘things’, to decipher their language and to bring out their full-bodied evidence, achieving results comparable to the highest ones of his poetry. Starting from this persuasion, the present contribution highlights as the primary tool of this perceptive ability and of the poetics that is based on it is for the writer the body, which however in the transformations to which it is subject conditions and limits this ability and over time it loses it, precisely because of the particular visionary intensity that characterized it. It is a parable that must be read as internal to the biographical path of the writer (illness, old age), therefore interpreted without the ideological and moralistic conditionings that still weigh on a correct collocation and understanding of d’Annunzio's experimentalism.
dc.relation.ispartof	Archivio d’Annunzio
dc.relation.ispartof	Vol. 10 \| October 2023
dc.issued	2023-10-26
dc.dateAccepted	2023-07-16
dc.dateSubmitted	2023-02-28
dc.identifier.issn
dc.identifier.eissn	2421-292X
dc.rights	Creative Commons Attribution 4.0 International Public License
dc.rights.uri	http://creativecommons.org/licenses/by/4.0/
dc.identifier.doi	10.30687/AdA/2421-292X/2023/01/007
dc.peer-review	yes
dc.subject	D’Annunzio
dc.subject	Full-bodied evidence
dc.subject	Taccuini
dc.subject	Things
dc.subject	Writing

Research Article
open access peer reviewed

«L’amante delle cose»: su natura, arte, scrittura nei Taccuini

Michela Rusi Università Ca’ Foscari Venezia, Italia

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abstract

The writing of the Taccuini expresses d'Annunzio's tension to appropriate ‘things’, to decipher their language and to bring out their full-bodied evidence, achieving results comparable to the highest ones of his poetry. Starting from this persuasion, the present contribution highlights as the primary tool of this perceptive ability and of the poetics that is based on it is for the writer the body, which however in the transformations to which it is subject conditions and limits this ability and over time it loses it, precisely because of the particular visionary intensity that characterized it. It is a parable that must be read as internal to the biographical path of the writer (illness, old age), therefore interpreted without the ideological and moralistic conditionings that still weigh on a correct collocation and understanding of d’Annunzio's experimentalism.

Published

Oct. 26, 2023

Accepted

July 16, 2023

Submitted

Feb. 28, 2023

Language

Keywords: Things • D’Annunzio • Full-bodied evidence • Taccuini • Writing

permalink http://doi.org/10.30687/AdA/2421-292X/2023/01/007

Copyright: © 2023 Michela Rusi. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

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