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Archivio d’Annunzio | Vol. 3 | October 2016

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Research Article

Il paesaggio della Grecia nei Taccuini

Carlo Santoli    Università degli Studi di Salerno, Italia    

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abstract

D’Annunzio does not dream, but really sees, leading an impressionistic and syncopated storytelling in which he portrays scenes of true reality. Léon Bakst (author of the theatrical productions of the Martyre de Saint Sébastien, La Pisanelle and Phaedra) similarly proceeds, drawing in some works, Narcisse (1911), L'Après-midi d'un Faune (1912), Daphnis et Chloé (1912), Helene de Sparte (1912), those figurative motifs that the poet notes in his travels, such as the intense green of nature, the austere red rocks, the arid and wild lands.

Published
Oct. 31, 2016
Accepted
Oct. 1, 2016
Submitted
June 21, 2016
Language
IT

Keywords: Léon Bakst • Landscape • Gabriele d’Annunzio • Narcisse • L’Après-midi d’un Faune • Taccuini • Daphnis et Chloé • Hélène de Sparte

permalink http://doi.org/10.14277/2421-292X/AdA-3-16-3

Copyright: © 2016 Carlo Santoli. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.