60 | 2024

Keywords Anvari • Directed motion constructions • Asia • Dunhuang • Japanese art • Maitreya • Cuneiform inscriptions • Japanese archaeology • Chinese • Persian poetry • Farhād va Širin • Arabic • Old Chinese • Olfactory aesthetic • Europe • Language typology • Daoism • Hwarang • Tang dynasty • Close reading • Actorship • Bamboo manuscripts • Millenarism • Candraprabhākumāra • Indo-Persian literature • Urartu • Phonological reconstruction • Identity • Saljuqid literature • Language maintenance and shift • Rōjomono • Vegetarianism • Khans and routes of the Islamic world • Exhibition Studies • L2 Vietnamese • Historical Phonology • Minua • Korean • Family language policy • Bronze bowls • Home language • Ottoman archaeology • Ethical eating • Epistemology • Realism • Enchi Fumiko • Environmental sustainability • Excavated texts • Mughal Empire • Persian literature • Philology • Vaḥši Bāfqi • Paleography • Neo-Indo-Aryan literatures • Karmir-blur • Iranian Manichaean texts • Literary imageries • Italo-Japanese cultural exchange • Late Islamic Kurdistan • Persian manuscripts • Aging body • Silla • Paekche • Religious experience • Second language acquisition • Navya-Nyāya • The Berenson Collection • Yueguang Tongzi • Buddhism • Ottoman stations • Seventeenth century • South Asia • Tadkerẹ • Nanyue Huisi • Sui dynasty • Ottoman material culture • Persian • Veridicality • Image of femininity • Cognition • Garden metaphors • Plurilingualism

Permalink http://doi.org/10.30687/AnnOr/2385-3042/2024/01 | Published July 25, 2024 | Language it, en

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