dc.identifier
|
ECF_issue_225
|
dc.title
|
Vol. 55 | September 2021
|
dc.publisher
|
Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari
|
dc.type
|
Journal issue
|
dc.language.iso
|
it
|
dc.identifier.uri
|
http://edizionicafoscari.it/en/edizioni4/riviste/annali-di-ca-foscari-serie-occidentale/2021/55/
|
dc.relation.ispartof
|
Annali di Ca’ Foscari. Serie occidentale
|
dc.issued
|
2021-09-30
|
dc.identifier.issn
|
|
dc.identifier.eissn
|
2499-1562
|
dc.rights
|
Creative Commons Attribution 4.0 International Public License
|
dc.rights.uri
|
http://creativecommons.org/licenses/by/4.0/
|
dc.identifier.doi
|
10.30687/AnnOc/2499-1562/2021/09
|
dc.peer-review
|
yes
|
dc.subject
|
9/11
|
dc.subject
|
9/11
|
dc.subject
|
Arab-Americans
|
dc.subject
|
Arab-Americans
|
dc.subject
|
Arabizi - Arabic chat alphabet
|
dc.subject
|
Arabizi - Arabic chat alphabet
|
dc.subject
|
Boundaries
|
dc.subject
|
Boundaries
|
dc.subject
|
Codeswitching
|
dc.subject
|
Codeswitching
|
dc.subject
|
Computer-mediated communication (CMC)
|
dc.subject
|
Computer-mediated communication (CMC)
|
dc.subject
|
Connective
|
dc.subject
|
Connective
|
dc.subject
|
Consonants
|
dc.subject
|
Consonants
|
dc.subject
|
Contemporary American literature
|
dc.subject
|
Contemporary American literature
|
dc.subject
|
Crime and Punishment
|
dc.subject
|
Crime and Punishment
|
dc.subject
|
Discourse marker
|
dc.subject
|
Discourse marker
|
dc.subject
|
Divided language
|
dc.subject
|
Divided language
|
dc.subject
|
Dostoevsky
|
dc.subject
|
Dostoevsky
|
dc.subject
|
Emily Brontë
|
dc.subject
|
Emily Brontë
|
dc.subject
|
Ernst Jünger
|
dc.subject
|
Ernst Jünger
|
dc.subject
|
Face masks
|
dc.subject
|
Face masks
|
dc.subject
|
Family
|
dc.subject
|
Family
|
dc.subject
|
Foreign language education
|
dc.subject
|
Foreign language education
|
dc.subject
|
Forgetfulness
|
dc.subject
|
Forgetfulness
|
dc.subject
|
Félix Vallotton
|
dc.subject
|
Félix Vallotton
|
dc.subject
|
Gene Oishi
|
dc.subject
|
Gene Oishi
|
dc.subject
|
German language
|
dc.subject
|
German language
|
dc.subject
|
German literature
|
dc.subject
|
German literature
|
dc.subject
|
Gnoseology
|
dc.subject
|
Gnoseology
|
dc.subject
|
Greek tragedy in post-Apartheid theatre
|
dc.subject
|
Greek tragedy in post-Apartheid theatre
|
dc.subject
|
Hapax
|
dc.subject
|
Hapax
|
dc.subject
|
Individuality
|
dc.subject
|
Individuality
|
dc.subject
|
Intercultural awareness
|
dc.subject
|
Intercultural awareness
|
dc.subject
|
Intercultural citizenship
|
dc.subject
|
Intercultural citizenship
|
dc.subject
|
Intercultural competence
|
dc.subject
|
Intercultural competence
|
dc.subject
|
Interlanguage Pragmatics
|
dc.subject
|
Interlanguage Pragmatics
|
dc.subject
|
Intermediality
|
dc.subject
|
Intermediality
|
dc.subject
|
Intertextuality
|
dc.subject
|
Intertextuality
|
dc.subject
|
Intertextuality and hermeneutics
|
dc.subject
|
Intertextuality and hermeneutics
|
dc.subject
|
Invisibility
|
dc.subject
|
Invisibility
|
dc.subject
|
Italian L2
|
dc.subject
|
Italian L2
|
dc.subject
|
Japanese American Internment
|
dc.subject
|
Japanese American Internment
|
dc.subject
|
Japanese American Literature
|
dc.subject
|
Japanese American Literature
|
dc.subject
|
La cena del rey Baltasar
|
dc.subject
|
La cena del rey Baltasar
|
dc.subject
|
Linguistic repertoires
|
dc.subject
|
Linguistic repertoires
|
dc.subject
|
Literary geography
|
dc.subject
|
Literary geography
|
dc.subject
|
Loubok
|
dc.subject
|
Loubok
|
dc.subject
|
Marmeladov
|
dc.subject
|
Marmeladov
|
dc.subject
|
Memory Studies
|
dc.subject
|
Memory Studies
|
dc.subject
|
Metamorphosis
|
dc.subject
|
Metamorphosis
|
dc.subject
|
Metaphor
|
dc.subject
|
Metaphor
|
dc.subject
|
Modal particle
|
dc.subject
|
Modal particle
|
dc.subject
|
Model Minority
|
dc.subject
|
Model Minority
|
dc.subject
|
Modernity
|
dc.subject
|
Modernity
|
dc.subject
|
Molora
|
dc.subject
|
Molora
|
dc.subject
|
Moroccan multilingualism
|
dc.subject
|
Moroccan multilingualism
|
dc.subject
|
Nature
|
dc.subject
|
Nature
|
dc.subject
|
Pedro Calderón de la Barca
|
dc.subject
|
Pedro Calderón de la Barca
|
dc.subject
|
Philosophy of language
|
dc.subject
|
Philosophy of language
|
dc.subject
|
Phonetics
|
dc.subject
|
Phonetics
|
dc.subject
|
Photography
|
dc.subject
|
Photography
|
dc.subject
|
Polarity
|
dc.subject
|
Polarity
|
dc.subject
|
Primary education
|
dc.subject
|
Primary education
|
dc.subject
|
Puppet
|
dc.subject
|
Puppet
|
dc.subject
|
Request
|
dc.subject
|
Request
|
dc.subject
|
Russian L2
|
dc.subject
|
Russian L2
|
dc.subject
|
Self-perception
|
dc.subject
|
Self-perception
|
dc.subject
|
Sight
|
dc.subject
|
Sight
|
dc.subject
|
Singing
|
dc.subject
|
Singing
|
dc.subject
|
Snapshots
|
dc.subject
|
Snapshots
|
dc.subject
|
Sociolinguistics
|
dc.subject
|
Sociolinguistics
|
dc.subject
|
Speech
|
dc.subject
|
Speech
|
dc.subject
|
Speech act
|
dc.subject
|
Speech act
|
dc.subject
|
Speech community
|
dc.subject
|
Speech community
|
dc.subject
|
Spiritual exercises
|
dc.subject
|
Spiritual exercises
|
dc.subject
|
Split scene
|
dc.subject
|
Split scene
|
dc.subject
|
Stage
|
dc.subject
|
Stage
|
dc.subject
|
Styles
|
dc.subject
|
Styles
|
dc.subject
|
Technology
|
dc.subject
|
Technology
|
dc.subject
|
Textual criticism
|
dc.subject
|
Textual criticism
|
dc.subject
|
The ‘non-representable’
|
dc.subject
|
The ‘non-representable’
|
dc.subject
|
Theatre
|
dc.subject
|
Theatre
|
dc.subject
|
Topic
|
dc.subject
|
Topic
|
dc.subject
|
Transcultural intertextuality
|
dc.subject
|
Transcultural intertextuality
|
dc.subject
|
Translation Studies
|
dc.subject
|
Translation Studies
|
dc.subject
|
Verum focus
|
dc.subject
|
Verum focus
|
dc.subject
|
Visibility and Invisibility
|
dc.subject
|
Visibility and Invisibility
|
dc.subject
|
Ways of thinking
|
dc.subject
|
Ways of thinking
|
dc.subject
|
Wuthering Heights
|
dc.subject
|
Wuthering Heights
|
dc.subject
|
Yäel Farber
|
dc.subject
|
Yäel Farber
|