Journal | Annali di Ca’ Foscari. Serie occidentale
Journal issue | 50 | 2016
Research Article | Bioy Cesares: Neo-Fantastic and Deconstruction
Abstract
The complex dynamics of space and time present in some of the stories of Adolfo Bioy Casares have their roots in the interstitial that separates the genres of fantasy and neo-fantasy, and most of all in the suggestion of ontological ideas and doubts that characterise the latter. Deeply rooted in the unknown land of a reality that is full of doubts, the literature of Bioy Casares seeks to restore, through the multiple games of fiction, the perception and perceptions of a continuous changes that end with generating parallel worlds. The neo-fantastic passes the crucial limit of traditional fantasy, the stable and certain dichotomy between the real and the imaginary, and to do this it relies on the fragile foundations of a reality in full process of deconstruction. The centre of immateriality in which are born the sinuous spatio-temporal bifurcations that structure stories like “La Trama Celeste” of Bioy Cesares or “El jardín de senderos que se bifurcan” (1941) of Jorge Luis Borges has its origins in an instability that is inscribed in the real. Therefore, when during a period of crisis the rules which govern a culture become shrouded in doubts and demonstrate their false transparency, the neo-fantastic can transform itself into a fundamental tool for describing the crucial nature of the destabilisation taking place: it converts itself into a mimetic process at the structural level.
Submitted: May 6, 2016 | Accepted: July 19, 2016 | Published Sept. 30, 2016 | Language: es
Keywords Boy Cesares • Deconstruction • Postmodern • Neo-fantastic
Copyright © 2016 Emanuele Leonardi. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.14277/2499-1562/AnnOc-50-16-21
Linguistics
Literature, Culture, History
DC Field | Value |
---|---|
dc.identifier |
ECF_article_381 |
dc.title |
Bioy Cesares: Neo-Fantastic and Deconstruction |
dc.contributor.author |
Leonardi Emanuele |
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing |
dc.type |
Research Article |
dc.language.iso |
es |
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/riviste/annali-di-ca-foscari-serie-occidentale/2016/1/bioy-casares-neo-fantastico-y-deconstruccion/ |
dc.description.abstract |
The complex dynamics of space and time present in some of the stories of Adolfo Bioy Casares have their roots in the interstitial that separates the genres of fantasy and neo-fantasy, and most of all in the suggestion of ontological ideas and doubts that characterise the latter. Deeply rooted in the unknown land of a reality that is full of doubts, the literature of Bioy Casares seeks to restore, through the multiple games of fiction, the perception and perceptions of a continuous changes that end with generating parallel worlds. The neo-fantastic passes the crucial limit of traditional fantasy, the stable and certain dichotomy between the real and the imaginary, and to do this it relies on the fragile foundations of a reality in full process of deconstruction. The centre of immateriality in which are born the sinuous spatio-temporal bifurcations that structure stories like “La Trama Celeste” of Bioy Cesares or “El jardín de senderos que se bifurcan” (1941) of Jorge Luis Borges has its origins in an instability that is inscribed in the real. Therefore, when during a period of crisis the rules which govern a culture become shrouded in doubts and demonstrate their false transparency, the neo-fantastic can transform itself into a fundamental tool for describing the crucial nature of the destabilisation taking place: it converts itself into a mimetic process at the structural level. |
dc.relation.ispartof |
Annali di Ca’ Foscari. Serie occidentale |
dc.relation.ispartof |
Vol. 50 | September 2016 |
dc.issued |
2016-09-30 |
dc.dateAccepted |
2016-07-19 |
dc.dateSubmitted |
2016-05-06 |
dc.identifier.issn |
|
dc.identifier.eissn |
2499-1562 |
dc.rights |
Creative Commons Attribution 4.0 International Public License |
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
dc.identifier.doi |
10.14277/2499-1562/AnnOc-50-16-21 |
dc.peer-review |
yes |
dc.subject |
Boy Cesares |
dc.subject |
Boy Cesares |
dc.subject |
Deconstruction |
dc.subject |
Deconstruction |
dc.subject |
Neo-fantastic |
dc.subject |
Neo-fantastic |
dc.subject |
Postmodern |
dc.subject |
Postmodern |
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