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Vol. 50 | September 2016

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Language: es, it, ru, en

Published: Sept. 30, 2016

Copyright: © 2016 This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.

Table of contents

Linguistics

A Pilot Study at the Department of Management
Elena Borsetto    Daniel Patrick Schug   
Sept. 30, 2016
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Guglielmo Cinque    Iliyana Krapova   
Sept. 30, 2016
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-os/-us Plurals in Santa Maria Navarrese and Baunei
Michele Brunelli   
Sept. 30, 2016
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The Issue of Deaf Students and More
Lara Mantovan    Anna Cardinaletti    Carlo Geraci    Kyle Duarte   
Sept. 30, 2016
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Lexical Transparency in the Language Couple Italian-French
Denis Passalent   
Sept. 30, 2016
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Literature, Culture, History

Making Sense of Highway Robbery in Defoe’s Colonel Jack
Jeanne Clegg   
Sept. 30, 2016
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The Translations of the Publishing House Laterza during the Fascist Regime
Elisa Fortunato   
Sept. 30, 2016
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The Beheading of John the Baptist as a Remote Source in Measure for Measure
Giuseppe Leone   
Sept. 30, 2016
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Robert Louis Stevenson’s Mapping of 18th-century Scotland in Kidnapped
Stella Moretti   
Sept. 30, 2016
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Hardy, the Regional Novel and the Romantic Legacy
Elena Rimondo   
Sept. 30, 2016
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Emanuele Leonardi   
Sept. 30, 2016
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Clocks and Time in William Faulkner’s The Sound and the Fury and Cormac McCarthy’s Suttree
Marco Petrelli   
Sept. 30, 2016
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Preliminary Remarks to a Bio-Poetic Lecture of Emilia Galotti
Maurizio Pirro   
Sept. 30, 2016
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Walter Benjamin vs Ernst Jünger
Gabriele Guerra   
Sept. 30, 2016
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Paths of the Disgust in the Novel Die Blechtrommel by Günter Grass (1959)
Massimo Bonifazio   
Sept. 30, 2016
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The Silent Voice of the Mediterranean in Die Einsamen by Paul Heyse
Anna Frassetto   
Sept. 30, 2016
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Ironic Paradoxes and Melancholy in Der Verlorene (Il fratello perduto, 1998) by Hans-Ulrich Treichel
Serena Grazzini   
Sept. 30, 2016
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