Series | Studi e ricerche
Edited book | The Merchant in Venice: Shakespeare in the Ghetto
Chapter | Composing the Jew’s Soundscape in Operatic Versions of The Merchant of Venice

Composing the Jew’s Soundscape in Operatic Versions of The Merchant of Venice

Abstract

Opera composers adapting The Merchant of Venice have given Shylock a distinctive sound using musical techniques that mark him as a classic outsider. Drawing on the scores of ten of these operas this essay highlights five compositional strategies for characterizing Shylock. Separately, these strategies highlight subtle shifts in the portrayal of Jews across different eras and localities. Together, they point to a deeper portrayal of Jews as figures who live on the margins of European tonality. Shylock in these operas projects an ambiguous social status and lack of alignment with the more consonant world of the other characters.


Open access

Published June 10, 2021 | Language: en

Keywords Reynaldo HahnAldo FinziAdrian BeechamOtto TaubmannFoersterJosef BJewsShylockThe Merchant of VeniceOperaMario Castelnuovo-TedescoMusicCiro PinsutiChromaticism


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