Series | Studi e ricerche
Edited book | The Merchant in Venice: Shakespeare in the Ghetto
Chapter | Collaborative Spectacle: Designing The Merchant in the Ghetto
Collaborative Spectacle: Designing The Merchant in the Ghetto
Abstract
Karin Coonrod describes Compagnia de’ Colombari as an ‘international collective’ that ‘generates spectacle wherever we go’ – a collaboration of energy, creativity and theatricality nourished by different cultures, histories, traditions, disciplines and techniques. In this chapter we hear from three theatre makers whose collaborative work on The Merchant ‘in’ Venice shaped the ‘spectacle’ of this production. Designing its costumes (Stefano Nicolao), music (Frank London) and lighting (Peter Ksander), they established how this production looked and sounded and designed a world for the actors to inhabit.
Published June 10, 2021 | Language: en
Keywords Theatre design • Music design • Designing Shakespeare • Site-specific design • Compagnia de’ Colombari • Lighting design • Costume design • The Merchant of Venice
Copyright © 2021 Frank London, Stefano Nicolao, Peter Ksander. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-503-2/003
