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Diaspore
Edited book | The Other is Me | El otro soy yo
Chapter | Alterità e inesperienza nell’opera di Don DeLillo
Alterità e inesperienza nell’opera di Don DeLillo
- Alessandro Cinquegrani - Università Ca’ Foscari Venezia, Italia - email orcid profile
Abstract
Don DeLillo is one of the most important interpreters of the West. One of the key points of his work is the analysis of the effects of the “end of the history” (Fukuyama). The protagonist of Underworld says “I long for days of disorder”. History is represented in the first part of his works (Running Dog, White Noise) as Nazism and Hitler’s legacy, while later, in Cosmopolis and in Zero K, it is embodied by immigrant characters. This study analyes how these figures become symbolic images within the framework of the author’s thought.
Published April 30, 2020 | Language: it
Keywords End of History • Migrants • Violence
Copyright © 2020 Alessandro Cinquegrani. This is an open-access work distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction is permitted, provided that the original author(s) and the copyright owner(s) are credited and that the original publication is cited, in accordance with accepted academic practice. The license allows for commercial use. No use, distribution or reproduction is permitted which does not comply with these terms.
Permalink http://doi.org/10.30687/978-88-6969-396-0/020
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| DC Field | Value |
|---|---|
|
dc.identifier |
ECF_chapter_3699 |
|
dc.contributor.author |
Cinquegrani Alessandro |
|
dc.title |
Alterità e inesperienza nell’opera di Don DeLillo |
|
dc.type |
Chapter |
|
dc.language.iso |
it |
|
dc.description.abstract |
Don DeLillo is one of the most important interpreters of the West. One of the key points of his work is the analysis of the effects of the “end of the history” (Fukuyama). The protagonist of Underworld says “I long for days of disorder”. History is represented in the first part of his works (Running Dog, White Noise) as Nazism and Hitler’s legacy, while later, in Cosmopolis and in Zero K, it is embodied by immigrant characters. This study analyes how these figures become symbolic images within the framework of the author’s thought. |
|
dc.relation.ispartof |
Diaspore |
|
dc.publisher |
Edizioni Ca’ Foscari - Digital Publishing, Fondazione Università Ca’ Foscari |
|
dc.issued |
2020-04-30 |
|
dc.identifier.uri |
http://edizionicafoscari.it/en/edizioni4/libri/978-88-6969-396-0/alterita-e-inesperienza-nellopera-di-don-delillo/ |
|
dc.identifier.doi |
10.30687/978-88-6969-396-0/020 |
|
dc.identifier.issn |
2610-8860 |
|
dc.identifier.eissn |
2610-9387 |
|
dc.identifier.isbn |
978-88-6969-397-7 |
|
dc.identifier.eisbn |
978-88-6969-396-0 |
|
dc.rights |
Creative Commons Attribution 4.0 International Public License |
|
dc.rights.uri |
http://creativecommons.org/licenses/by/4.0/ |
|
item.fulltext |
with fulltext |
|
item.grantfulltext |
open |
|
dc.peer-review |
no |
|
dc.subject |
End of History |
|
dc.subject |
End of History |
|
dc.subject |
Migrants |
|
dc.subject |
Migrants |
|
dc.subject |
Violence |
|
dc.subject |
Violence |
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